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{{Short description|1993 drama film directed by James Ivory}}
{{Use dmy dates|date=March 2017}}
{{Infobox film
| name = The Remains of the Day
| image = Remains_of_the_day.jpg
| caption = Theatrical-release poster
| director = [[James Ivory]]
| producer = {{ubl|[[Ismail Merchant]]|[[Mike Nichols]]|[[John Calley]]}}
| screenplay = {{ubl|[[Ruth Prawer Jhabvala]]|[[Harold Pinter]] {{small|(uncredited)}}}}
| based_on = {{based on|''[[The Remains of the Day]]''|[[Kazuo Ishiguro]]}}
| starring = {{Plain list |
* [[Anthony Hopkins]]
* [[Emma Thompson]]
* [[James Fox]]
* [[Christopher Reeve]]}}
| music = [[Richard Robbins (composer)|Richard Robbins]]
| color_process = [[Technicolor]]
| cinematography = [[Tony Pierce-Roberts]]
| editing = Andrew Marcus
| studio = [[Merchant Ivory Productions]]
| distributor = [[Columbia Pictures]]
| released = {{Film date|1993|10|25|Premiere|1993|11|04|[[London Film Festival]]|1993|11|05|United States|df=y}}
| runtime = 134 minutes
| country = {{ubl|United Kingdom<ref name="BFI">{{cite news |title=The Remains of the Day |url=https://www.bfi.org.uk/films-tv-people/4ce2b7be2481f |archive-url=https://web.archive.org/web/20160306194252/http://www.bfi.org.uk/films-tv-people/4ce2b7be2481f |url-status=dead |archive-date=6 March 2016 |access-date=26 October 2019 |agency=BFI}}</ref>|United States<ref name="BFI"/>}}
| language = English
| budget = $15 million
| gross = $63.9 million<ref>{{cite web| title = The Remains of the Day | url = https://www.the-numbers.com/movies/1993/0ROTD.php | access-date = 29 September 2010}}</ref>
}}

'''''The Remains of the Day''''' is a 1993 [[drama (film and television)|drama film]] adapted from the [[Booker Prize]]-winning 1989 [[The Remains of the Day|novel of the same name]] by [[Kazuo Ishiguro]]. The film was directed by [[James Ivory]], produced by [[Ismail Merchant]], [[Mike Nichols]], and [[John Calley]] and adapted by [[Ruth Prawer Jhabvala]]. It stars [[Anthony Hopkins]] as James Stevens and [[Emma Thompson]] as Miss Kenton, with [[James Fox]], [[Christopher Reeve]], [[Hugh Grant]], [[Ben Chaplin]], and [[Lena Headey]] in supporting roles.

The film was a critical and box office success and it was nominated for eight [[Academy Awards]], including [[Academy Award for Best Picture|Best Picture]], [[Academy Award for Best Actor|Best Actor]] (Hopkins), [[Academy Award for Best Actress|Best Actress]] (Thompson) and [[Academy Award for Best Adapted Screenplay|Best Adapted Screenplay]] (Jhabvala). In 1999, the [[British Film Institute]] ranked ''The Remains of the Day'' the [[BFI Top 100 British films|64th-greatest British film of the 20th century]].<ref>[http://www.cinemarealm.com/best-of-cinema/top-100-british-films/ ''British Film Institute - Top 100 British Films''] (1999). Retrieved August 27, 2016</ref>

==Plot==
 
In 1958 [[postwar Britain]], Stevens, the butler of Darlington Hall, receives a letter from the former housekeeper, Miss Kenton. Their past employer, the [[Earl of Darlington#In fiction|Earl of Darlington]], has died a broken man, his reputation destroyed by his pre-Second World War support of Nazi Germany, and his stately country house has been sold to retired [[US Congressman]] Jack Lewis. Allowed to borrow the [[Daimler Company#Lanchester acquisition and badging|Daimler]], Stevens sets off for the [[West Country]] to see Miss Kenton for the first time in decades.

A flashback to the 1930s shows Kenton's arrival at Darlington Hall, where the ever-efficient but deeply repressed Stevens derives his entire identity from his profession. He butts heads with the warmer, strong-willed Kenton, particularly when he refuses to acknowledge that his father, now an under-butler, is no longer able to perform his duties.

Displaying total professionalism, Stevens carries on as his father lies dying during Darlington's conference of like-minded [[fascist]]-sympathising British and European aristocrats. Also in attendance is Congressman Lewis, who admonishes the "gentleman politicians" as meddling amateurs, advising that "Europe has become the arena of [[Realpolitik]]" and warning of impending disaster.

Exposed to [[racial policy of Nazi Germany|Nazi racial laws]], Darlington gets Stevens to dismiss two newly appointed refugee [[German-Jewish]] maids despite his protest. Kenton threatens to resign but has nowhere to go, and a regretful Darlington is later unable to rehire the maids. Later Stevens is unable to answer an aristocratic guest's questions on global trade and politics, which the aristocrat claims to demonstrate the lower classes' ignorance and inability to govern themselves.

Relations thaw between Stevens and Kenton and she clearly shows her feelings for him, but the outwardly detached Stevens remains dedicated solely to his role as butler. She catches him reading a romance novel, which he explains is to improve his vocabulary, asking her not to invade his privacy again.

Lord Darlington's godson, journalist Reginald Cardinal, arrives on the day of a secret meeting at Darlington Hall between the British Prime Minister, [[Neville Chamberlain]], and the German ambassador, [[Joachim von Ribbentrop]]. Appalled by his godfather's role in seeking [[appeasement]] for [[Nazi Germany]], Cardinal tells Stevens that Darlington is being [[European foreign policy of the Chamberlain ministry|used by the Nazis]], but Stevens feels it is not his place to judge his employer.

Kenton forms a relationship with former co-worker Tom Benn and accepts his proposal of marriage. She informs Stevens as an ultimatum, but he will not admit his feelings and only offers his congratulations. Finding her crying, his only response is to call her attention to a neglected domestic task, and she leaves Darlington Hall before the start of the [[Second World War]].

En route to meeting Kenton in 1958, Stevens is mistaken for gentry at a pub. Doctor Carlisle, a local GP, helps him refuel the Daimler and deduces that he is actually a manservant, asking his thoughts about Lord Darlington's actions. Denying having even met him, Stevens later admits to having served and respected him but that Darlington confessed that his Nazi sympathies had been misguided and naive.

Stevens declares that, although Lord Darlington was unable to correct his error, he is attempting to correct his own. He meets Kenton, who has separated from her husband and runs a boarding house on the coast. They reminisce that Lord Darlington died from a broken heart after suing a newspaper for libel, losing the suit and his reputation, and Stevens mentions that Cardinal was killed in the war.

Kenton, now Mrs Benn, declines to resume her position at Darlington Hall, wishing to remain near her pregnant daughter and, despite years of unhappiness, thinking about going back to her husband. Stevens supposes they may never meet again and they part fondly but are both quietly upset, Miss Kenton visibly tearful as her bus pulls away.

Stevens returns to Darlington Hall, where Lewis asks if he remembers the old days, and Stevens replies that he was too busy serving. The two men free a pigeon from the house and it flies away, leaving Stevens and Darlington Hall far behind. The image then rises slowly, moving away from the large building, alone in the heart of the vast estate, surrounded by valleys and woods.

==Cast==
{{Cast listing|
* [[Anthony Hopkins]] as Mr James Stevens
* [[Emma Thompson]] as Miss Sarah "Sally" Kenton (later Mrs Benn)
* [[James Fox]] as the [[Earl of Darlington#In fiction|Earl of Darlington]] (Lord Darlington)
* [[Christopher Reeve]] as [[Congressman]] Jack Lewis
* [[Peter Vaughan]] as Mr William Stevens ("Mr Stevens, Sr")
* [[Hugh Grant]] as Reginald Cardinal (Lord Darlington's [[godson]])
* [[Tim Pigott-Smith]] as Mr Tom Benn
* John Haycraft as Auctioneer
* [[Michael Lonsdale]] as Dupont d'Ivry
* [[Jeffry Wickham]] as [[Viscount]] Bigge
* [[Paula Jacobs]] as Mrs Mortimer
* [[Ben Chaplin]] as Charlie
* [[Rupert Vansittart]] as Sir Geoffrey Wren
* [[Patrick Godfrey]] as Spencer
* [[Peter Halliday]] as [[Canon (priest)|Canon]] Tufnell
* [[Peter Cellier]] as Sir Leonard Bax
* Frank Shelley as [[Neville Chamberlain|Prime Minister Neville Chamberlain]]
* [[Peter Eyre]] as the [[Edward Wood, 1st Earl of Halifax|3rd Viscount Halifax]] (Lord Halifax)
* [[Wolf Kahler]] as [[Joachim von Ribbentrop]]
* [[Lena Headey]] as Lizzie
* [[John Savident]] as Doctor Meredith}}

==Production==
A film adaptation of the novel was originally planned to be directed by [[Mike Nichols]] from a script by [[Harold Pinter]]. [[Meryl Streep]]’s then-agent, [[Sam Cohn]], and the director sold her on the plum role of Miss Kenton. Both Meryl and [[Jeremy Irons]] read for Nichols, but the filmmaker opted not to cast them in roles later filled by Emma Thompson (ten years Meryl’s junior) and Anthony Hopkins (twenty years Emma’s senior). Cohn, who was also Nichols’s agent, didn’t make it clear to Meryl that she was no longer a candidate for Miss Kenton, she only learned later, after reading about Thompson’s casting. Shortly thereafter Streep made headlines after she fired her long time, east coast agent, signing with rival agent [[Bryan Lourd]] at the powerful [[Creative Artists Agency]].<ref>{{Cite book |last=Carlson |first=Erin |title=Queen Meryl: The Iconic Roles, Heroic Deeds, and Legendary Life of Meryl Streep |date=September 24, 2019 |publisher=Hachette Books |year=2019 |isbn=9780316485289 |location=New York, NY |publication-date=September 24, 2019 |pages=259-260 |language=English}}</ref> Some of Pinter's script was used in the film, but, while Pinter was paid for his work, he asked to have his name removed from the credits, in keeping with his contract.{{efn|group=notes|name=Gale|
"In November 1994, Pinter wrote, "I've just heard that they are bringing another writer into the "''[[Lolita (1997 film)|Lolita]]''" film. It doesn't surprise me.' ... Pinter's contract contained a clause to the effect that the film company could bring in another writer, but that in such a case he could withdraw his name (which is exactly the case with <nowiki>[</nowiki>the film<nowiki>]</nowiki> ''The Remains of the Day''—he had insisted on this clause since the bad experience with revisions made to his ''[[The Handmaid's Tale (film)|Handmaid's Tale]]'' script); he has never been given any reason as to why another writer was brought in" (Gale 352).
}} Christopher C. Hudgins observes:『During our 1994 interview, Pinter told [Steven H.] Gale and me that he had learned his lesson after the revisions imposed on his script for ''[[The Handmaid's Tale (film)|The Handmaid's Tale]]'', which he has decided not to publish. When his script for ''The Remains of the Day'' was radically revised by the [[James Ivory]]–[[Ismail Merchant]] partnership, he refused to allow his name to be listed in the credits』(125).{{efn|group=notes|name=Hudgins|
Hudgins adds: "We did not see Pinter's name up in lights when Lyne's ''Lolita'' finally made its appearance in 1998. Pinter goes on in the March 13 <nowiki>[</nowiki>1995<nowiki>]</nowiki> letter <nowiki>[</nowiki>to Hudgins<nowiki>]</nowiki> to state that 'I have never been given any reason at all as to why the film company brought in another writer,' again quite similar to the equally ungracious treatment that he received in the ''Remains of the Day'' situation" (125).}}{{efn|group=notes|name=Jones|[[Cf.]] the essay on the film ''The Remains of the Day'' published in Gale's collection by Edward T. Jones:『Pinter gave me a copy of his typescript for his screenplay, which he revised 24 January 1991, during an interview that I conducted with him in London about his screenplay in May 1992, part of which appeared in 'Harold Pinter: A Conversation' in ''Literature/Film Quarterly'', XXI (1993): 2–9. In that interview, Pinter mentioned that Ishiguro liked the screenplay that he had scripted for a proposed film version of the novel. All references to Pinter's screenplay in the text <nowiki>[</nowiki>of Jones's essay<nowiki>]</nowiki> are to this unpublished manuscript』(107n1).
}}{{efn|group=notes|name=2008essay|
In his 2008 essay published in ''The Pinter Review'', Hudgins discusses further details about why "Pinter elected not to publish three of his completed film scripts, ''The Handmaid's Tale'', ''The Remains of the Day'' and ''Lolita''," all of which Hudgins considers "masterful film scripts" of "demonstrable superiority to the shooting scripts that were eventually used to make the films"; fortunately ("We can thank our various lucky stars"), he says, "these Pinter film scripts are now available not only in private collections but also in the [[Harold Pinter Archive|Pinter Archive]] at the [[British Library]]"; in this essay, which he first presented as a paper at the 10th Europe Theatre Prize symposium, Pinter: Passion, Poetry, Politics, held in Turin, Italy, in March 2006, Hudgins "examin[es] all three unpublished film scripts in conjunction with one another" and "provides several interesting insights about Pinter's adaptation process" (132).
}} Though no longer the director, Nichols remained associated with the project as one of its producers.

The music was recorded at [[Windmill Lane Studios]] in [[Dublin]].

===Settings===
[[File:Powderham Castle Music Room 02.jpg|thumb|250px|Music Room of Powderham Castle in 1983]]A number of [[English country house|English country estates]] were used as locations for the film, partly owing to the persuasive power of Ismail Merchant, who was able to cajole permission for the production to borrow houses not normally open to the public. Among them were [[Dyrham Park]] for the exterior of the house and the driveway, [[Powderham Castle]] (staircase, hall, music room, bedroom; used for the aqua-turquoise stairway scenes), [[Corsham Court]] (library and dining room) and [[Badminton House]] (servants' quarters, conservatory, entrance hall). [[Luciana Arrighi]], the production designer, scouted most of these locations. Scenes were also shot in [[Weston-super-Mare]], which stood in for [[Clevedon]]. The pub where Mr Stevens stays is the Hop Pole in [[Limpley Stoke]]; the shop featured is also in Limpley Stoke. The pub where Miss Kenton and Mr Benn meet is [[The George Inn, Norton St Philip|The George Inn]] in [[Norton St Philip]].

===Characters===
The character of Sir Geoffrey Wren is based loosely on that of [[Sir Oswald Mosley]], a British fascist active in the 1930s.<ref>{{cite news|url=http://www.gallowaygazette.co.uk/news/local-headlines/four-weddings-actor-visits-creebridge-1-2660050|title=Four Weddings actor visits Creebridge|work=Galloway Gazette|date=26 November 2012|access-date=8 November 2015}}</ref> Wren is depicted as a strict vegetarian, like Hitler.<ref>{{cite book|last=Giblin|first=James Cross|title=The Life and Death of Adolf Hitler|location=New York|publisher=Clarion Books|date=2002|isbn=9780395903711|page=[https://archive.org/details/lifedeathofado00gibl/page/175 175]|url=https://archive.org/details/lifedeathofado00gibl|url-access=registration|quote=vegetarian.}}</ref> [[Edward Wood, 1st Earl of Halifax|The 3rd Viscount Halifax]] (later created the 1st [[Earl of Halifax]]) also appears in the film. Lord Darlington tells Stevens that Halifax approved of the polish on the silver, and Lord Halifax himself later appears when Darlington meets secretly with the German Ambassador and his aides at night. Halifax was a chief architect of the British policy of appeasement from 1937 to 1939.<ref>{{cite book|last=Lee|first=David|title=Stanley Melbourne Bruce: Australian Internationalist|location=London|publisher=Continuum|date=2010|isbn=9780826445667|pages=121–122|url=https://books.google.com/books?id=4Xtm83bT0jIC&q=%22Lord+Halifax%22+appeasement&pg=PA121}}</ref> Coincidentally, Halifax was born at Powderham Castle (above). The character of Congressman Jack Lewis in the film is a composite of two separate American characters in Kazuo Ishiguro's novel: Senator Lewis (who attends the pre-WW2 conference in Darlington Hall), and Mr Farraday, who succeeds Lord Darlington as master of Darlington Hall.
==Release==
The film had its premiere on 25 October 1993 at the [[Academy of Motion Picture Arts and Sciences]] in Los Angeles.<ref>{{AFI film|59638}}</ref>

It was the opening night film at the [[London Film Festival]] on 4 November 1993 and opened in 94 theatres in the United States on 5 November.<ref>{{cite news|newspaper=[[The Times]]|last=Brown|first=Geoff|date=3 November 1993|page=35|title=Now, heaven knows, anything goes}}</ref><ref>{{Mojo title|remainsoftheday}}</ref>

==Critical reception==
The film has a 96% rating on [[Rotten Tomatoes]] based on 45 reviews, with an average rating of 8.5/10. The consensus states: "Smart, elegant, and blessed with impeccable performances from Anthony Hopkins and Emma Thompson, ''The Remains of the Day'' is a Merchant–Ivory classic."<ref>{{cite web|url=https://www.rottentomatoes.com/m/remains_of_the_day/ |title=The Remains of the Day |publisher=Rotten Tomatoes |access-date=16 March 2023}}</ref> At [[Metacritic]], which assigns a [[Weighted mean|weighted average]] out of 100 to critics' reviews, it received a score of 86 based on 12 reviews.<ref>{{Cite web |title=The Remains of the Day Reviews |url=https://www.metacritic.com/movie/the-remains-of-the-day |access-date=2022-02-28 |work=[[Metacritic]]}}</ref> Audiences polled by [[CinemaScore]] gave the film an average grade of『A−』on an A+ to F scale.<ref name="CinemaScore">{{cite web |title=Home |url=https://cinemascore.com |access-date=February 28, 2022 |work=[[CinemaScore]]}}</ref>

[[Roger Ebert]] particularly praised the film, calling it "a subtle, thoughtful movie."<ref>{{cite web|last=Ebert |first=Roger |url=https://www.rogerebert.com/reviews/the-remains-of-the-day-1993 |title=The Remains Of The Day Movie Review (1993) &#124; Roger Ebert |publisher=Rogerebert.suntimes.com |date=5 November 1993 |access-date=19 September 2013}}</ref> In his favorable review for ''[[The Washington Post]]'', [[Desson Howe]] wrote, "Put Anthony Hopkins, Emma Thompson and James Fox together and you can expect sterling performances."<ref>{{cite web|url=https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/theremainsofthedaypghowe_a0b009.htm |title=The Remains of the Day |work=Washingtonpost.com |date=5 November 1993 |access-date=19 September 2013}}</ref> [[Vincent Canby]] of ''[[The New York Times]]'' said, in another favorable review, "Here's a film for adults. It's also about time to recognize that Mr. Ivory is one of our finest directors, something that critics tend to overlook because most of his films have been literary adaptations."<ref>{{cite web|last=Canby |first=Vincent |url=https://movies.nytimes.com/movie/review?res=9F0CE1D9153CF936A35752C1A965958260&partner=Rotten%20Tomatoes |title=Movie Review – The Remains of the Day – Review/Film: Remains of the Day; Blind Dignity: A Butler's Story |publisher=Movies.nytimes.com |date=5 November 1993 |access-date=19 September 2013}}</ref>

The film was named as one of the best films of 1993 by over 50 critics, making it the fifth-most-acclaimed film of 1993.<ref>{{Cite web|url=https://www.washingtonpost.com/archive/lifestyle/style/1994/01/09/86-thumbs-up-for-once-the-nations-critics-agree-on-the-years-best-movies/1bbb0968-690e-4c02-9c8b-0c3b4b5b4a1e/|title=86 THUMBS UP! FOR ONCE, THE NATION'S CRITICS AGREE ON THE YEAR'S BEST MOVIES|first1=Pat|last1=McGilligan|first2=Mark|last2=Rowl|date=9 January 1994|accessdate=3 March 2021|via=www.washingtonpost.com}}</ref>

==Awards and nominations==
{| class="wikitable plainrowheaders"
|-
! scope="col"| Award
! scope="col"| Category
! scope="col"| Recipient(s)
! scope="col"| Result
|-
| rowspan="5"| 20/20 Awards
| Best Actor
| [[Anthony Hopkins]]
| {{nom}}
|-
| Best Actress
| [[Emma Thompson]] 
| {{nom}}
|-
| Best Adapted Screenplay
| [[Ruth Prawer Jhabvala]]
| {{nom}}
|-
| Best Costume Design
| [[Jenny Beavan]] and [[John Bright (costume designer)|John Bright]]
| {{nom}}
|-
| Best Original Score
| [[Richard Robbins (composer)|Richard Robbins]]
| {{nom}}
|-
| rowspan="8"| [[66th Academy Awards|Academy Awards]]<ref>{{cite web|url=http://www.oscars.org/oscars/ceremonies/1994 |title=The 66th Academy Awards |access-date=2 July 2017 |publisher=[[Academy of Motion Picture Arts and Sciences]]}}</ref>
| [[Academy Award for Best Picture|Best Picture]]
| [[John Calley]], [[Mike Nichols]] and [[Ismail Merchant]]
| {{nom}}
|-
| [[Academy Award for Best Director|Best Director]]
| [[James Ivory]]
| {{nom}}
|-
| [[Academy Award for Best Actor|Best Actor]]
| Anthony Hopkins
| {{nom}}
|-
| [[Academy Award for Best Actress|Best Actress]]
| Emma Thompson
| {{nom}}
|-
| [[Academy Award for Best Adapted Screenplay|Best Screenplay – Based on Material Previously Produced or Published]]
| Ruth Prawer Jhabvala
| {{nom}}
|-
| [[Academy Award for Best Production Design|Best Art Direction]]
| Art Direction: [[Luciana Arrighi]]; Set Decoration: [[Ian Whittaker]]
| {{nom}}
|-
| [[Academy Award for Best Costume Design|Best Costume Design]]
| Jenny Beavan and John Bright
| {{nom}}
|-
| [[Academy Award for Best Original Score|Best Original Score]]
| Richard Robbins
| {{nom}}
|-
| rowspan="3"| Awards Circuit Community Awards
| Best Actress in a Leading Role
| Emma Thompson
| {{nom}}
|-
| Best Costume Design
| Jenny Beavan and John Bright
| {{nom}}
|-
| Best Production Design
| Luciana Arrighi and Ian Whittaker
| {{nom}}
|-
| rowspan="6"| [[47th British Academy Film Awards|British Academy Film Awards]]<ref>{{cite web|url=http://awards.bafta.org/award/1994/film |title=Film in 1994 |access-date=2 July 2017 |publisher=[[British Academy of Film and Television Arts]]}}</ref> 
| [[BAFTA Award for Best Film|Best Film]]
| Ismail Merchant, Mike Nichols, [[John Calley]], and James Ivory
| {{nom}}
|-
| [[BAFTA Award for Best Direction|Best Direction]]
| James Ivory
| {{nom}}
|-
| [[BAFTA Award for Best Actor in a Leading Role|Best Actor in a Leading Role]]
| Anthony Hopkins
| {{won}}
|-
| [[BAFTA Award for Best Actress in a Leading Role|Best Actress in a Leading Role]]
| Emma Thompson
| {{nom}}
|-
| [[BAFTA Award for Best Adapted Screenplay|Best Adapted Screenplay]]
| Ruth Prawer Jhabvala
| {{nom}}
|-
| [[BAFTA Award for Best Cinematography|Best Cinematography]]
| [[Tony Pierce-Roberts]]
| {{nom}}
|-
| rowspan="3"| [[Chicago Film Critics Association Awards 1993|Chicago Film Critics Association Awards]]<ref>{{cite web|url=https://chicagofilmcritics.org/awards-blog/archives |title=1988-2013 Award Winner Archives |website=[[Chicago Film Critics Association]] |date=January 2013 |access-date=August 24, 2021}}</ref>
| [[Chicago Film Critics Association Award for Best Actor|Best Actor]]
| Anthony Hopkins
| {{nom}}
|-
| [[Chicago Film Critics Association Award for Best Actress|Best Actress]]
| Emma Thompson
| {{nom}}
|-
| [[Chicago Film Critics Association Award for Best Screenplay|Best Screenplay]]
| Ruth Prawer Jhabvala
| {{nom}}
|-
| rowspan="2"| [[Dallas–Fort Worth Film Critics Association Awards 1993|Dallas–Fort Worth Film Critics Association Awards]]
| colspan="2"| [[Dallas–Fort Worth Film Critics Association Award for Best Film|Best Film]]
| {{nom}}
|-
| [[Dallas–Fort Worth Film Critics Association Award for Best Actor|Best Actor]]
| Anthony Hopkins
| {{won}}
|-
| rowspan="3"| [[David di Donatello|David di Donatello Awards]]
| [[David di Donatello for Best Foreign Film|Best Foreign Film]]
| James Ivory
| {{nom}}
|-
| [[David di Donatello for Best Foreign Actor|Best Foreign Actor]]
| Anthony Hopkins
| {{won}}
|-
| [[David di Donatello for Best Foreign Actress|Best Foreign Actress]]
| Emma Thompson
| {{won}}
|-
| [[46th Directors Guild of America Awards|Directors Guild of America Awards]]<ref>{{cite web|url=https://www.dga.org/Awards/History/1990s/1993.aspx?value=1993|title=46th DGA Awards |website=[[Directors Guild of America Awards]] |access-date=July 5, 2021}}</ref>
| [[Directors Guild of America Award for Outstanding Directing – Feature Film|Outstanding Directorial Achievement in Motion Pictures]]
| James Ivory
| {{nom}}
|-
| [[Evening Standard British Film Awards#1993 Winners|Evening Standard British Film Awards]]
| Best Actress
| Emma Thompson {{small|(Also for ''[[Much Ado About Nothing (1993 film)|Much Ado About Nothing]]'')}}
| {{won}}
|-
| rowspan="5"| [[51st Golden Globe Awards|Golden Globe Awards]]<ref>{{cite web|url=https://www.goldenglobes.com/film/remains-day |title=The Remains of the Day – Golden Globes |website=[[HFPA]] |access-date=July 5, 2021 |ref={{harvid|HFPA|1994}}}}</ref>
| colspan="2"| [[Golden Globe Award for Best Motion Picture – Drama|Best Motion Picture – Drama]]
| {{nom}}
|-
| [[Golden Globe Award for Best Actor – Motion Picture Drama|Best Actor in a Motion Picture – Drama]]
| Anthony Hopkins
| {{nom}}
|-
| [[Golden Globe Award for Best Actress in a Motion Picture – Drama|Best Actress in a Motion Picture – Drama]]
| Emma Thompson
| {{nom}}
|-
| [[Golden Globe Award for Best Director|Best Director – Motion Picture]]
| James Ivory
| {{nom}}
|-
| [[Golden Globe Award for Best Screenplay|Best Screenplay – Motion Picture]]
| Ruth Prawer Jhabvala
| {{nom}}
|-
| [[9th Goya Awards|Goya Awards]]
| [[Goya Award for Best European Film|Best European Film]]
| James Ivory
| {{nom}}
|-
| rowspan="2"| Kansas City Film Critics Circle Awards<ref>{{cite web |url=https://kcfcc.org/kcfcc-award-winners-1990-99/ |title=KCFCC Award Winners – 1990-99 |website=kcfcc.org |date=December 14, 2013 |access-date=May 15, 2021}}</ref>
| Best Actor
| Anthony Hopkins
| {{won}}
|-
| Best Actress
| Emma Thompson
| {{won}}
|-
| rowspan="3"| [[London Film Critics Circle Awards 1993|London Film Critics Circle Awards]]<ref>{{cite web|url=https://criticscircle.org.uk/critics-circle-film-year-1980-2010/ |title=Critics' Circle Film of the Year: 1980–2010 |date=December 4, 2010 |access-date=2 July 2017 |publisher=[[London Film Critics' Circle]]}}</ref><ref>{{cite web|url=https://mubi.com/awards-and-festivals/london-ccfas?year=1994 |title=London Film Critics Circle Awards 1994 |website=[[Mubi (streaming service)|Mubi]] |access-date=July 5, 2021}}</ref>
| colspan="2"| [[London Film Critics' Circle Award for British or Irish Film of the Year|British Film of the Year]]
| {{won}}
|-
| [[London Film Critics' Circle Award for Director of the Year|Director of the Year]]
| James Ivory
| {{won}}
|-
| [[London Film Critics' Circle Award for Actor of the Year|Actor of the Year]]
| Anthony Hopkins
| {{won}}
|-
| [[1993 Los Angeles Film Critics Association Awards|Los Angeles Film Critics Association Awards]]<ref>{{cite web|url=http://www.lafca.net/Years/1993.php |title=The 19th Annual Los Angeles Film Critics Association Awards |website=[[Los Angeles Film Critics Association]] |access-date=July 5, 2021}}</ref> 
| [[Los Angeles Film Critics Association Award for Best Actor|Best Actor]]
| Anthony Hopkins {{small|(Also for ''[[Shadowlands (1993 film)|Shadowlands]]'')}}
| {{won}}
|-
| [[Movieguide Awards]]
| colspan="2"| Best Movie for Mature Audiences
| {{won}}
|-
| [[Nastro d'Argento]]
| Best Foreign Director
| James Ivory
| {{nom}}
|-
| rowspan="2"| [[National Board of Review Awards 1993|National Board of Review Awards]]<ref>{{cite web|url=https://nationalboardofreview.org/award-years/1993/ |title=1993 Award Winners |website=[[National Board of Review]] |access-date=July 5, 2021}}</ref>
| colspan="2"| [[National Board of Review: Top Ten Films|Top Ten Films]]
| {{draw|3rd Place}}
|-
| [[National Board of Review Award for Best Actor|Best Actor]]
| rowspan="3"| Anthony Hopkins {{small|(Also for ''[[Shadowlands (1993 film)|Shadowlands]]'')}}
| {{won}}
|-
| [[1993 National Society of Film Critics Awards|National Society of Film Critics Awards]]<ref>{{cite web|url=https://nationalsocietyoffilmcritics.com/about-2/ |title=Past Awards |date=19 December 2009 |access-date=2 July 2017 |publisher=[[National Society of Film Critics]]}}</ref> 
| [[National Society of Film Critics Award for Best Actor|Best Actor]]
| {{draw|3rd Place}}
|-
| rowspan="2"| [[1993 New York Film Critics Circle Awards|New York Film Critics Circle Awards]]<ref>{{cite web|url=https://www.nyfcc.com/awards/?awardyear=1993 |title=1993 New York Film Critics Circle Awards |website=[[New York Film Critics Circle]] |access-date=July 5, 2021}}</ref>
| [[New York Film Critics Circle Award for Best Actor|Best Actor]]
| {{Runner-up}}
|-
| [[New York Film Critics Circle Award for Best Actress|Best Actress]]
| Emma Thompson {{small|(Also for ''[[Much Ado About Nothing (1993 film)|Much Ado About Nothing]]'')}}
| {{Runner-up}}
|-
| [[5th Golden Laurel Awards|Producers Guild of America Awards]]<ref>{{cite news|last1=Cox|first1=Dan|title=Laurel noms announced|url=https://variety.com/1994/film/news/laurel-noms-announced-117589/|access-date=October 16, 2017|work=Variety|date=January 19, 1994|archive-url=https://web.archive.org/web/20170923135549/http://variety.com/1994/film/news/laurel-noms-announced-117589/|archive-date=September 23, 2017|url-status=live}}</ref>
| [[Producers Guild of America Award for Best Theatrical Motion Picture|Outstanding Producer of Theatrical Motion Pictures]]
| Mike Nichols, John Calley, and Ismail Merchant
| {{nom}}
|-
| [[12th Robert Awards|Robert Awards]]
| [[Robert Award for Best Foreign Film|Best Foreign Film]]
| James Ivory
| {{won}}
|-
| rowspan="2"| Southeastern Film Critics Association Awards<ref>{{cite web |url=https://www.sefca.net/winners#/1993 |title= 1993 SEFA Awards |website=sefca.net |access-date=May 15, 2021}}</ref>
| colspan="2"| Top Ten Films
| {{draw|3rd Place}}
|-
| Best Actor
| Anthony Hopkins {{small|(Also for ''[[Shadowlands (1993 film)|Shadowlands]]'')}}
| {{won}}
|-
| [[Turkish Film Critics Association|Turkish Film Critics Association Awards]]
| colspan="2"| Best Foreign Film
| {{draw|7th Place}}
|-
| colspan="2"| [[USC Scripter Award]]s<ref>{{cite web |url=https://libraries.usc.edu/scripter/past-scripter-awards |title=Past Scripter Awards |website=[[USC Scripter Award]] |access-date=November 8, 2021}}</ref>
| Ruth Prawer Jhabvala {{small|(screenwriter)}}; [[Kazuo Ishiguro]] {{small|(author)}}
| {{nom}}
|-
| [[46th Writers Guild of America Awards|Writers Guild of America Awards]]<ref>{{cite web|url=http://articles.latimes.com/1994-03-14/entertainment/ca-33988_1_jane-campion |title='Schindler's' Adds a Pair to the List : Awards: Spielberg epic takes more honors--for screenwriting and editing. Jane Campion's 'The Piano' also wins. |last=Fox |first=David J. |date=14 March 1994 |access-date=3 July 2017 |work=[[The Los Angeles Times]]}}</ref>
| [[Writers Guild of America Award for Best Adapted Screenplay|Best Screenplay – Based on Material Previously Produced or Published]]
| Ruth Prawer Jhabvala
| {{nom}}
|}

* The film is #64 at the [[British Film Institute]]'s "[[BFI Top 100 British films|Top 100 British films]]".
* The film was also nominated for the [[American Film Institute]]'s "[[AFI's 100 Years...100 Passions|100 Years...100 Passions]]" list.<ref>{{cite web|url=http://www.afi.com/Docs/100Years/passions400.pdf |title=AFI's 100 Years...100 Passions Nominees |access-date=19 August 2016}}</ref>
==Soundtrack==
{{Infobox album
| name = The Remains of the Day
| type = film
| artist = [[Richard Robbins (composer)|Richard Robbins]]
| cover =
| alt =
| released = 1993
| recorded =
| venue =
| studio =
| genre =
| length = 49:26
| label =
| producer =
| prev_title =
| prev_year =
| next_title =
| next_year =
}}
{{Album ratings
|rev1 = ''[[Entertainment Weekly]]''
|rev1Score = A [https://archive.today/20130727192324/http://www.ew.com/ew/article/0,,309067,00.html link]
}}
The original [[Film score|score]] was composed by [[Richard Robbins (composer)|Richard Robbins]]. It was nominated for the [[Academy Award for Best Original Score]], but lost to ''[[Schindler's List (soundtrack)|Schindler's List]]''.

;Track listing
#Opening Titles, Darlington Hall – 7:27
#The Keyhole and the Chinaman – 4:14
#Tradition and Order – 1:51
#The Conference Begins – 1:33
#Sei Mir Gegrüsst (Schubert) – 4:13
#The Cooks in the Kitchen – 1:34
#Sir Geoffrey Wren and Stevens, Sr. – 2:41
#You Mean a Great Deal to This House – 2:21
#Loss and Separation – 6:19
#Blue Moon – 4:57
#Sentimental Love Story/Appeasement/In the Rain – 5:22
#A Portrait Returns/Darlington Hall/End Credits – 6:54

==See also==
* [[BFI Top 100 British films]]
* [[Cliveden set]]

==Notes==
{{notelist|group=notes}}

==References==
{{reflist}}

==Bibliography ==
* Gale, Steven H. ''Sharp Cut: Harold Pinter's Screenplays and the Artistic Process''. Lexington, Ky.: The University Press of Kentucky, 2003.
* Gale, Steven H., ed. ''The Films of Harold Pinter''. Albany: SUNY Press, 2001.
* Hudgins, Christopher C. "Harold Pinter's ''Lolita'': 'My Sin, My Soul'." In ''The Films of Harold Pinter''. Steven H. Gale, ed. Albany, N.Y.: SUNY Press, 2001.
* Hudgins, Christopher C. "Three Unpublished Harold Pinter Filmscripts: ''The Handmaid's Tale'', ''The Remains of the Day'', ''Lolita''." ''The Pinter Review: Nobel Prize / Europe Theatre Prize Volume: 2005 – 2008''. Francis Gillen with Steven H. Gale, eds. Tampa, Fla.: University of Tampa Press, 2008.

==External links==
* {{AFI film|59638}}
* {{Amg movie|122235|The Remains of the Day}}
* {{Mojo title|remainsoftheday}}
* {{IMDb title|0107943|The Remains of the Day}}
* {{rotten-tomatoes|id=remains_of_the_day|title=The Remains of the Day}}
* {{tcmdb title|id=18880}}
*''[http://merchantivory.com/remains.html The Remains of the Day]'' at [[Merchant Ivory Productions]]

{{Merchant Ivory Productions}}
{{James Ivory}}
{{London Film Critics Circle Award for British Film of the Year}}
{{Kazuo Ishiguro}}
{{Portal bar|Film}}

{{DEFAULTSORT:Remains Of The Day}}
[[Category:1993 films]]
[[Category:1993 drama films]]
[[Category:American drama films]]
[[Category:British drama films]]
[[Category:BAFTA winners (films)]]
[[Category:Films based on British novels]]
[[Category:Films directed by James Ivory]]
[[Category:Films set in England]]
[[Category:Films set in 1935]]
[[Category:Films set in 1936]]
[[Category:Films set in 1938]]
[[Category:Films set in 1956]]
[[Category:Merchant Ivory Productions films]]
[[Category:Films with screenplays by Harold Pinter]]
[[Category:Films with screenplays by Ruth Prawer Jhabvala]]
[[Category:Films set in country houses]]
[[Category:Films about social class]]
[[Category:Domestic workers in films]]
[[Category:Films about Nazism]]
[[Category:Columbia Pictures films]]
[[Category:1990s English-language films]]
[[Category:1990s American films]]
[[Category:1990s British films]]
[[Category:Films scored by Richard Robbins]]

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The Remains of the Day: Sitelink, Statement: P1562, Statement: P345, Title, Description: en, Statement: P2631, Statement: P3593, Statement: P31, Statement: P360, Statement: P1258, Miscellaneous (e.g. aliases, entity existence)
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English Wikipedia: Label: en
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