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Laurents ultimately regretted recommending Pollack. The director demanded the role of Hubbell be made equal to that of Katie and throughout filming, for unexplained reasons, he kept Laurents away from Redford. What was intended to be the final draft of the screenplay was written by Laurents and Pollack at Stark's condominium in Sun Valley, Idaho. Laurents, dismayed to discover very little of his work remained when it was completed, left the project. Over time, 11 writers, including [[Dalton Trumbo]], [[Alvin Sargent]], [[Paddy Chayefsky]], and [[Herb Gardner]], contributed to the script. The end result was a garbled story filled with holes that neither Streisand nor Redford liked. Laurents was asked to return and did so only after demanding and receiving an exorbitant amount of money. {{sfn|Laurents|2000|pp=267-274}} |
Laurents ultimately regretted recommending Pollack. The director demanded the role of Hubbell be made equal to that of Katie and throughout filming, for unexplained reasons, he kept Laurents away from Redford. What was intended to be the final draft of the screenplay was written by Laurents and Pollack at Stark's condominium in Sun Valley, Idaho. Laurents, dismayed to discover very little of his work remained when it was completed, left the project. Over time, 11 writers, including [[Dalton Trumbo]], [[Alvin Sargent]], [[Paddy Chayefsky]], and [[Herb Gardner]], contributed to the script. The end result was a garbled story filled with holes that neither Streisand nor Redford liked. Laurents was asked to return and did so only after demanding and receiving an exorbitant amount of money. {{sfn|Laurents|2000|pp=267-274}} |
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Because the film's start date was delayed while it underwent numerous rewrites, Cornell was lost as a shooting location |
Because the film's start date was delayed while it underwent numerous rewrites, Cornell was lost as a shooting location,{{Citation needed|date=December 2021}} as was Williams College, where the novel ''[[The Graduate (novel)|The Graduate]]'' had been written 10 years earlier. Union College in Schenectady, New York, was used, instead. Other locations included the village of [[Ballston Spa, New York|Ballston Spa]] in upstate New York; [[Central Park]]; the beach in Malibu, California; and [[Union Station (Los Angeles)|Union Station]] in Los Angeles, the latter for a scene Laurents felt was absurd and fought to have deleted, without success. {{sfn|Laurents|2000|pp=277-279}} |
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Laurents was horrified when he saw the first rough cut of the film. He thought it had a few good scenes, and some good moments in bad scenes, but overall, he thought it was a badly photographed, jumbled mess lacking coherence. Both stars appeared to be playing themselves more often than their characters, and Streisand often used a grand accent that Laurents felt hurt her performance. Pollack admitted the film was not good, accepted full responsibility for its problems, and |
Laurents was horrified when he saw the first rough cut of the film. He thought it had a few good scenes, and some good moments in bad scenes, but overall, he thought it was a badly photographed, jumbled mess lacking coherence. Both stars appeared to be playing themselves more often than their characters, and Streisand often used a grand accent that Laurents felt hurt her performance. Pollack admitted the film was not good, accepted full responsibility for its problems, and apologised for his behaviour. The following day, he retreated to the editing room to improve it as much as possible. Laurents felt the changes made it better, but never as good as it could have been.{{sfn|Laurents|2000|pp=280-281}} |
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A decade after the film was released, Redford, having made peace with Laurents, contacted him to discuss the possibility of collaborating on a new project and eventually the two settled on a sequel to ''The Way We Were''. In it, Hubbell and his daughter, a radical like Katie, would meet, but be unaware of their relationship, and complications would ensue. Both agreed they did not want Pollack to be part of the equation. Laurents sent Redford the completed script, but aside from receiving a brief note acknowledging the actor had received it and looked forward to reading it, he never heard from him again. In 1982, Pollack approached Laurents about a sequel Stark had proposed, but nothing transpired following their initial discussion. In 1996, Streisand came across the sequel Laurents had written and decided she wanted to produce and direct it, as well as co-star with Redford, but did not want to work with Stark. Laurents thought the script was not as good as he remembered it being and agreed to rewrite it once Stark agreed to sell the rights to the characters and their story to Streisand. Again, nothing happened. The following year, Stark asked Laurents if he was interested in adapting the original film for a stage musical starring [[Kathie Lee Gifford]]. Laurents declined and any new projects related to the film have been in limbo.{{sfn|Laurents|2000|pp=283-285}} |
A decade after the film was released, Redford, having made peace with Laurents, contacted him to discuss the possibility of collaborating on a new project and eventually the two settled on a sequel to ''The Way We Were''. In it, Hubbell and his daughter, a radical like Katie, would meet, but be unaware of their relationship, and complications would ensue. Both agreed they did not want Pollack to be part of the equation. Laurents sent Redford the completed script, but aside from receiving a brief note acknowledging the actor had received it and looked forward to reading it, he never heard from him again. In 1982, Pollack approached Laurents about a sequel Stark had proposed, but nothing transpired following their initial discussion. In 1996, Streisand came across the sequel Laurents had written and decided she wanted to produce and direct it, as well as co-star with Redford, but did not want to work with Stark. Laurents thought the script was not as good as he remembered it being and agreed to rewrite it once Stark agreed to sell the rights to the characters and their story to Streisand. Again, nothing happened. The following year, Stark asked Laurents if he was interested in adapting the original film for a stage musical starring [[Kathie Lee Gifford]]. Laurents declined and any new projects related to the film have been in limbo.{{sfn|Laurents|2000|pp=283-285}} |
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