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Latest revision Your text
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==Move to Singapore==

==Move to Singapore==

In 1928 at the age of 21, Zubir went to [[Singapore]] to make a living as a musician, taking up the suggestion of a sailor friend who had described the island as a place of "glittering lights, seller [coffee with milk] and butter". This was done in the face of objections from his village chieftain father, Mohamad Said bin Sanang, who believed music to be against religion. Zubir's first job was as a musician with City Opera, a ''[[bangsawan]]'' or Malay opera troupe based in [[Tanjong Pagar]]. He became the troupe's bandleader. Thereafter, in 1936, he joined the recording company [[HMV|His Master's Voice]].<ref name=B>{{cite magazine|pages=4–9|title=The Bright Lights: Zubir Said and the Golden Age of Singapore Cinema|author=Low Zu Boon|magazine=BeMuse|volume=5|issue=4|publisher=National Heritage Board Singapore}}</ref> Zubir went to [[Java]] to marry Tarminah Kario Wikromo, a ''[[keroncong]]'' singer, in 1938; they returned to Zubir's home town of Bukittinggi in 1941 just before the outbreak of World War II.

In 1928 at the age of 21, Zubir went to [[Singapore]] to make a living as a musician, taking up the suggestion of a sailor friend who had described the island as a place of "glittering lights, seller [coffee with milk] and butter". This was done in the face of objections from his village chieftain father, Mohamad Said bin Sanang, who believed music to be against religion. Zubir's first job was as a musician with City Opera, a ''[[bangsawan]]'' or Malay opera troupe based in [[Tanjong Pagar]]. He became the troupe's bandleader. Thereafter, in 1936, he joined the recording company [[HMV|His Master's Voice]].<ref name=B>{{cite magazine|pages=4-9|title=The Bright Lights: Zubir Said and the Golden Age of Singapore Cinema|author=Low Zu Boon|magazine=BeMuse|volume=5|issue=4|publisher=National Heritage Board Singapore}}</ref> Zubir went to [[Java]] to marry Tarminah Kario Wikromo, a ''[[keroncong]]'' singer, in 1938; they returned to Zubir's home town of Bukittinggi in 1941 just before the outbreak of World War II.



Coming back to Singapore in 1947, Zubir worked as a part-time photographer with the ''[[Utusan Malaysia|Utusan Melayu]]'' newspaper<ref>According to Zubir Said's third daughter Dr. Rohana Zubir, her father also travelled from village to village taking [[National Registration Identity Card|NRIC]]-sized photographs for the villagers: see {{citation|author=Serene Lim|title=Zubir Said: The man behind the music|url=http://ourstory.asia1.com.sg/independence/ref/zubir1.html|newspaper=[[The Straits Times]] (republished on Headlines, Lifelines)|date=9 March 1990|page=28|url-status=dead|archive-url=https://web.archive.org/web/20040813002046/http://ourstory.asia1.com.sg/independence/ref/zubir1.html|archive-date=13 August 2004}}.</ref> while composing and performing music and songs. In 1949 he took up the post of orchestra conductor at [[Shaw Organisation|Shaw Brothers]]' Malay Film Production, and in 1952 he joined [[Cathay Organisation#Studio operations|Cathay-Keris Film Productions]] as a score arranger and songwriter for the company's Malay films, including ''Sumpah Pontianak'' (''Blood of [[Pontianak (folklore)|Pontianak]]'', 1958) and ''Chuchu Datuk Merah'' (''Grandchildren of Datuk Merah'', 1963).<ref>{{IMDb name|1008031|Zubir Said}}. Retrieved 2 November 2007.</ref> In 1957, he received his first public recognition when his songs were performed at the [[Victoria Theatre and Concert Hall|Victoria Theatre]].<ref name=Infopedia/><ref name=Bahizal/><ref name="ST: Man Behind the Music">{{citation|author=Serene Lim|title=Zubir Said: The man behind the music|url=http://ourstory.asia1.com.sg/independence/ref/zubir1.html|newspaper=[[The Straits Times]] (republished on Headlines, Lifelines)|date=9 March 1990|page=28|url-status=dead|archive-url=https://web.archive.org/web/20040813002046/http://ourstory.asia1.com.sg/independence/ref/zubir1.html|archive-date=13 August 2004}}.</ref>

Coming back to Singapore in 1947, Zubir worked as a part-time photographer with the ''[[Utusan Malaysia|Utusan Melayu]]'' newspaper<ref>According to Zubir Said's third daughter Dr. Rohana Zubir, her father also travelled from village to village taking [[National Registration Identity Card|NRIC]]-sized photographs for the villagers: see {{citation|author=Serene Lim|title=Zubir Said: The man behind the music|url=http://ourstory.asia1.com.sg/independence/ref/zubir1.html|newspaper=[[The Straits Times]] (republished on Headlines, Lifelines)|date=9 March 1990|page=28|url-status=dead|archive-url=https://web.archive.org/web/20040813002046/http://ourstory.asia1.com.sg/independence/ref/zubir1.html|archive-date=13 August 2004}}.</ref> while composing and performing music and songs. In 1949 he took up the post of orchestra conductor at [[Shaw Organisation|Shaw Brothers]]' Malay Film Production, and in 1952 he joined [[Cathay Organisation#Studio operations|Cathay-Keris Film Productions]] as a score arranger and songwriter for the company's Malay films, including ''Sumpah Pontianak'' (''Blood of [[Pontianak (folklore)|Pontianak]]'', 1958) and ''Chuchu Datuk Merah'' (''Grandchildren of Datuk Merah'', 1963).<ref>{{IMDb name|1008031|Zubir Said}}. Retrieved 2 November 2007.</ref> In 1957, he received his first public recognition when his songs were performed at the [[Victoria Theatre and Concert Hall|Victoria Theatre]].<ref name=Infopedia/><ref name=Bahizal/><ref name="ST: Man Behind the Music">{{citation|author=Serene Lim|title=Zubir Said: The man behind the music|url=http://ourstory.asia1.com.sg/independence/ref/zubir1.html|newspaper=[[The Straits Times]] (republished on Headlines, Lifelines)|date=9 March 1990|page=28|url-status=dead|archive-url=https://web.archive.org/web/20040813002046/http://ourstory.asia1.com.sg/independence/ref/zubir1.html|archive-date=13 August 2004}}.</ref>

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