Born in Odesa, Iofan graduated in 1916 from Italy's Regio Istituto Superiore di Belle Arti (now Accademia di Belle Arti) in Rome with a degree in architecture, initially following the Neoclassical tradition. His first major work was a Barvikha sanatorium for the Party elite (1929), which introduced him to clients at the top of the state.
In 1931, Iofan completed the elite block-wide House on the Embankment (official name Дом Правительства, Government Building). The structure, containing 505 apartments,[2] two theaters and retail stores, became an iconic example of early Stalinism. Boris Iofan was a lifelong resident of this building.
Iofan's entry to the Palace of Soviets contest won in 1932 (first prize was actually split among three competing entries, but eventually Joseph Stalin awarded the job to Iofan). His design was awarded a gold medal during the 1937 International Exposition dedicated to Art and Technology in Modern Life in Paris. The Cathedral of Christ the Saviour, a monument initiated by Alexander I (and consecrated by Alexander III), was razed for construction of the palace (before the contest began). Construction proceeded slowly; in response to the Nazi invasion of the Soviet Union as part of Operation Barbarossa, in June 1941 construction work was halted at a time when the structure's steel frame stood 50 metres high. The frame was subsequently disassembled and scrapped for weapons production. In 1958, the Moscow Swimming Pool was erected at the site, after construction of the palace was abandoned. This open-air pool was eventually shut down and the cathedral was rebuilt at the same location in 1994–1995.
Iofan designed the Soviet Pavilions at the World Expo in Paris (1937) and New York (1939). Later, he bid for the Moscow State University skyscraper project in Moscow (1947); the job was awarded to Lev Rudnev. In his later years, Iofan was awarded the title of People's Architect of the USSR (October 20, 1970).[3]
1935 – Sanatorium of the Medical and Sanitary Management of the Kremlin "Barvikha" (now clinical sanatorium "Barvikha")
1937 – Pavilion of the international exhibition in Paris and the idea of the sculpture by V. Mukhina Worker and Kolkhoz Woman
1938 – ZiS Culture House (then the cinema and branch No. 1 of the Amo Palace of Culture "ZiL", now the Leisure Center in the Zyuzino area on Simferopol Boulevard, 4)
1939 – Soviet pavilion of the exhibition in New York
1962–1975 – Complex of apartment buildings in Moscow on Shcherbakovskaya Street (houses No. 7, 9, 11, co-authors D. Alekseev, N. Chelyshev, A. Smekhov)
Gary Berkovich (2021). Reclaiming a History: Jewish Architects in Imperial Russia and the USSR. Volume 2: Soviet Avant-garde: 1917–1933. Weimar / Rostock: Grunberg, ISBN978-3-933713-63-6, p. 145.
