 |
This article needs additional citations for verification. Please help improve this articlebyadding citations to reliable sources. Unsourced material may be challenged and removed.
Find sources: "Chanthupottu" – news · newspapers · books · scholar · JSTOR (June 2017) (Learn how and when to remove this message) |
| Chanthupottu | |
|---|---|
The music CD cover
| |
| Directed by | Lal Jose |
| Written by | Benny P Nayarambalam |
| Produced by | Lal |
| Starring | Dileep Indrajith Sukumaran Balu Varghese Lal Biju Menon Gopika Bhavana |
| Cinematography | Alagappan N |
| Edited by | Ranjan Abraham |
| Music by | Vidyasagar |
| Distributed by | Lal Release & PJ Entertainments |
Release date |
|
Running time | 125 minutes |
| Country | India |
| Language | Malayalam |
Chanthupottu is a 2005 Indian Malayalam-language romantic comedy-drama film directed by Lal Jose, written by Benny P. Nayarambalam, and produced by Lal.[1] The film was based on a play of the same name, which in turn, was based on the life of an actual man with feminine mannerisms. The story is about a man named Radhakrishnan (Dileep) who was brought up like a girl by his grandmother. The film was a commercial success at the box office.
Radhakrishnan is brought up like a girl by his grandmother who wanted a granddaughter. She calls him Radha, which becomes his nickname. Radha's father Divakaran, a fisherman, goes to jail for a murder that he accidentally commits. Radha is ridiculed among the people in the village as he is considered effeminate. However, he is not bothered and spends time with the girls singing and teaches dance. His best friend is Malu who is wooed by Kumaran, a local money lender and the son of the man whom Radha's father had killed in a fight when Kumaran harasses Radha for behaving like a girl.
Divakaran comes back from jail and dislikes his son's mannerisms, but is helpless. Slowly, Radha's liking for Malu turns into love. When Kumaran comes to know this, he beats up Radha with the help of her father Thorayil Aashan, a local astrologer, and dumps him in the deep sea by saying he is a curse to the shore. Radha is saved by Freddy, a restaurant owner, on a distant shore. Freddy takes him to his home where he lives with his sister, Rosie, and his grandmother who is a mental patient due to the shock of the sudden death of Freddy's other sibling, Jonfy. He soon becomes a part of their family as the grandmother begins to identify him as the late Jonfy. With a change in environment, Radha also tries to change his behaviour, adopting more traditionally male mannerisms. One day, Radha gets involved in a fight with Cleetus, an old enemy of Freddy, when Cleetus tries to molest Rosie. During the fight, Cleetus gets severely injured on the head, and Radha is forced to return to his home to escape from the police.
On reaching his native shore, he discovers that his family, along with his house, was burned down by Kumaran. He also learns that Malu is pregnant with Radha's child. His arrival follows a fight with Kumaran. Towards the end of the fight, Radha defeats Kumaran and when he is about to kill him, Malu arrives. He spares Kumaran by telling that he needs to live with Malu and his child. Radha reunites with Malu. Kumaran tries to kill Radha and Malu but the villagers saves him and hits Kumaran. They threatens to kill him, if he returns to the shore again. In the meantime, Malu prematurely gives birth to Radha's child. When Radha sees the child, he vows to raise it as a boy, ripping off the ribbon tied to its hair as the baby is a male. The movie ends with Radha going to the sea as a fisherman, an occupation which he refused to do in his early life.
| Chanthupottu | ||||
|---|---|---|---|---|
| Soundtrack album by | ||||
| Released | 2005 | |||
| Genre | Feature film soundtrack | |||
| Vidyasagar chronology | ||||
| ||||
The film was criticized by the LGBT community of Kerala for its distorted portrayal of gender and sexuality. In 2019, queer activists reported that the word "chanthupottu" was used to harass transgender persons and pointed at the deeply problematic idea that beatings and a heterosexual relationship could "correct" behaviour that goes against traditional gender norms.[7][8] Prabhakaran and Poovathingal (2013) argue that "the movie brought forth traditional machismo of the male hero and defined an unsophisticated masculinity", despite its attempts to portray an effeminate man in a positive light.[9] Director Lal Jose responded to the claims by saying that "In the movie, Radha or Radhakrishnan is a man, he is not a transgender person. There is no doubt about his gender. He falls in love with a woman, has a child from the woman. The only thing was that he had an effeminate aspect to his behaviour. There is no gender issue in that film.”[10]
The film was commercial success.[11][12][13]
{{cite journal}}: CS1 maint: multiple names: authors list (link)
|
Films by Lal Jose
| |
|---|---|
|
