Odia script | ଚିନ୍ତା କାମୋଦୀ |
---|---|
Melā | Sri |
Jati | Oudaba - Bakra Sampurna |
Badi | Rusabha |
Sambadi | Panchama |
Allied Ragas | Rasa Kamodi |
Chinta Kamodi (Odia: ଚିନ୍ତା କାମୋଦୀ, romanized: chintā kāmodi) is a rāga belonging to the tradition of Odissi music.[1][2][3] Falling under the meḷa Sri,[4] the raga uses both suddha nisada and komala nisada swaras and is traditionally associated with the bhakti rasa.[5] Occasionally, the komala gandhara is employed in a bakra prayoga.
An ancient raga, Chinta Kamodi is accepted as one of the primary melas in Odissi music due to its prominence. It has been used by hundreds of poet-composers for well-over the past many centuries.[6] Its bakra or devious aroha-abaroha are given below:
Aroha: S R M P D S
Abaroha: S N D n D P M G R S
Oṛiśī Sangīta |
Odissi music |
---|
![]()
Mahāprabhu Jagannātha
|
Composers |
Shāstras |
Compositions |
Instruments |
|
Some of the well-known traditional compositions in this raga include: