There has been a church on this site for 1,000 years. The present church is built in the Gothic style, with parts dating from the 12th century. St Mary Magdalene's is one of the largest parish churches in England and is regarded as one of the finest.[3]
It is a Grade I listed building.
St Mary Magdalene's is an active parish church, with nine services per week and serving the community with youth and children's programmes.[4] The church has a ring of bells, fine organ and a choir founded in 1532.[5]
In his 2009 book England's Thousand Best Churches, Simon Jenkins awards the church four stars, saying: "Built over the two centuries of Perpendicular ascendancy after the Black Death, it piles high above its constricted urban site. A style so often dull is here exhilarating, the vistas mystic, the furnishings rich... The Nave is a wonder of proportion. Pevsner attributes this to the old Decorated plan, giving the aisles breadth, while the later masons added height."[6]
In about 1180 the church was substantially rebuilt, with a crypt that still exists. The piers of the crossing, and the west tower, date from around 1220, and the spire from about 100 years later. The greater part of the church (the nave with its aisles and clerestory, and the chancel) are 15th century, with transepts and chapels added in the early 16th century. The mid 19th century saw a thorough restoration by Sir George Gilbert Scott, and there was further restoration in the 20th century by Sir Ninian Comper and others.[1]
The Church of St Mary Magdalene, Newark, is a large Gothic church, with aisled and clerestoried nave and chancel, transepts, and a single tower topped by a spire, at the western end. On the south side is a two-storey porch with a library over it. There is a vestry to the side of the south chancel aisle. The exterior has crenellated parapets, except on the south aisle, where the west end terminates in a large gable and is set with a tall window, making the west front asymmetrical.[1] The material is ashlar masonry.
The west tower rises at the end of the nave, framed by the ends of the aisles. It dates from about 1220, and is in the Early English Gothic style, with simple lancet openings and arcading but set with a later large window with Perpendicular tracery. The tower is 115 feet (35 metres) high, topped by a tall, octagonal spire some 117 feet (36 metres) high, making a total height of 232 feet (71 metres) to the base of the weathervane.[8] There is a visible hole in the spire which is claimed to have been made by a musket ball during the Civil War.[9]
The tower holds a peal of ten bells by John Taylor &Co of Loughborough, dating from 1842.[10] The tenor is in C at 533.5 Hz and weighs 31cwt, 1qr, 11 lb (3,511 pounds (1,593 kg)).
For many years the clock in the church tower was the only chronicler of hours in the town, except for one at Nicholson's foundry.[11] By the end of the 19th century it was erratic, and a new clock was gifted by the Mayor, Alderman B. Tidd Pratt, and set going on 14 July 1898.[12] It has three 7-foot (2.1 m) diameter and one 9-foot (2.7 m) diameter dials and a mechanism by Joyce of Whitchurch, dated 1898. It sounds Westminster Quarters. It was converted to electrical power in 1971 by Smith of Derby.[13]
The central piers remain from the previous church, dating from the 11th or 12th century. The upper parts of the tower and spire were completed about 1350; the nave dates from between 1384 and 1393, and the chancel from 1489.
The sanctuary is bounded on the south and north by two chantry chapels, the former of which has on one of its panels a remarkable painting from the Dance of Death. There are a few old monuments, and an exceedingly fine brass of the 14th century.
Interior view of the church
The library above south porch was presented by Bishop White in 1698. On the north wall hangs the oil painting The Raising of LazarusbyWilliam Hilton RA. It was previously used as an altarpiece for the high altar.
The chapel of St George was decorated by W.D. Caroe around 1920. The chapel of the Holy Spirit was decorated by Sir Ninian Comper in 1930. The reredos, given in 1937 in memory of William Bradley and his wife Elizabeth, was also designed by Comper.
The church was designated a Grade I listed building, being of outstanding architectural or historic interest, on 29 September 1950.[14]
The roofs of the whole of the south aisle, nave and chancel were restored between 1850 and 1852. The whole of the west window was revealed when the floor of the ringing chamber, formerly on a level with the transom of the window, was raised.
The church was heavily restored between 1853 and 1855 by Sir George Gilbert Scott.[1] The plastered ceilings were removed, and replaced with oak. The galleries and pews were removed, the stonework of the pillars, arches and windows was cleaned and repaired. The floor was levelled and concreted and in the nave laid with black and red Minton tiles. The chancel was fitted with encaustic tiles. A new reredosinAncaster stone replaced Hinton's picture, which was moved to the north transept. The screen had its paint removed, and was restored. The old stalls, miserere seats, and desks were repaired and restored. The organ was moved from the rood loft, and placed in the south chancel aisle, with an entry to the vestry through the middle of it. The windows of the nave and transepts were renewed with Hartley's rough plate glass in quarries. The walls of the nave were lined to the height of six feed with oak panelling. It re-opened for worship on 12 April 1855[15]
The spire was damaged in a lightning strike in May 1894. The weather cock was re-instated on 22 August 1894 witnessed by a large crowd of spectators.[16] The nave roof, south porch and spire were restored in 1913.
The church is supported by the Magnus Bequest, a charitable foundation created in the early 1530s by Thomas Magnus, who gave farms and lands in south Yorkshire, Lincolnshire and Nottinghamshire for a fourfold purpose:
The establishment and endowment of a free grammar school;[18]
The provision and endowment of a song school to ensure the maintenance of a high standard of worship in the parish;[19]
the provision of a sufficient sum to guarantee the efficient administration of the bequest and proper upkeep of the farms and lands from which the income was to be derived;
the provision of occasional sums to be used for the general well-being of the church or the town (if there be any surplus after the first three objects had been fully accomplished).
At the beginning of the 19th century a new organ, by George Pike England, with three manuals, was provided by the trustees of the Magnus, Brown's and Phyllypott's charities at a cost of £1,300. It was opened on 11 November 1804 by Thomas Spofforth.[20]
It was placed on the west gallery from where the choir sang services. In 1814 the organ was re-located on the chancel screen and the choir returned to the chancel. In the 1850s the organ was rebuilt by Forster and AndrewsofHull, provided with a new case and again re-located, this time to its present position in the south choir aisle.
In 1866 the organ was rebuilt and enlarged by Henry Willis. Willis virtually doubled the size of the instrument and its case, creating a large Romantic four-manual organ. The organ was again rebuilt by William Hill & Sons in 1910 at the expense of Mrs Becher Tidd Pratt and family, and subsequently by Hill, Norman and Beard in 1924, 1938, 1964 and 1978 when it was rebuilt and more voices added.
It is now electrically operated by the Ellen Dynamic Transmission system which allows much greater mobility of the organ console, providing more direct contact with the congregation and the choir; it is the first four-manual instrument in the country to be so equipped, enabling a live performance to be electronically recorded and replayed automatically.[21]
The Choral Foundation was set up by Thomas Magnus in 1532[18][19] and was said to be the only existing pre-reformation choir outside cathedrals and Oxbridge colleges. Girl choristers were admitted into the main choir from 2008.
In February 2012 choral services stopped following the dismissal of the Master of the Song School.[22] The choir was refounded in 2015. It has an emphasis on the training of young people, supported by the Magnus Bequest.
Masters of the Song School
[edit]Masters of the Song School, the Magnus Foundation, Newark
Charles Harrison 1991-1992 (formerly Assistant Director of Music at Lincoln Cathedral and now Organist and Master of the Choristers at Chichester Cathedral.)
^Pask, B. M. (1995), The Parish Church of St Mary Magdalene, The District Church Council of The Parish Church of St Mary Magdalene, Newark, ISBN0-9516888-8-X
^Flannery, Julian (2016). Fifty English Steeples: The Finest Medieval Parish Church Towers and Spires in England. New York City, New York, United States: Thames and Hudson. pp. 142–151. ISBN978-0-500-34314-2.
^ ab"Home page". Newark-upon-Trent, United Kingdom: Magnus Church of England School. Archived from the original on 9 July 2012. Retrieved 28 April 2012. Magnus Church of England School was formed from the amalgamation of two schools: the Magdalene High School, which was named after Newark's Parish Church, St. Mary Magdalene, and the Thomas Magnus School. Thomas Magnus was Chaplain to King Henry VIII and gave money to start a Grammar School and a Song School.
^ ab"Sing a Song for Newark". Lincolnshire Echo. Lincoln, England. 21 February 2010. Archived from the original on 5 May 2013. Retrieved 28 April 2012. The Song School or music department at Newark Parish Church has a rich history. Established by Thomas Magnus in 1532, at a time when many choral foundations were being destroyed by King Henry VIII, the original choir consisted of just six men and six boys to sing the daily services.
^Warner, Tim. "Hamlet lay outside the town walls". Newark Advertiser. Newark-on-Trent, United Kingdom: Advertiser Group Newspapers). Retrieved 28 April 2012. A deed from May, 1507, (quoted by N. G. Jackson in his history of the Magnus) makes reference to a Robert Kyrkbye of Osmundthorpe who was described as a 'singing man' (presumably a music teacher). This is thought to be the same Kyrkbye who became first master of the Magnus Song School from 1532 to 1574.
^"John Alcock (Jun): Eight Easy Voluntaries for the Organ (London 1775)". Greg Lewin Music: New Titles. Bridgnorth, United Kingdom: Greg Lewin Music. Retrieved 28 April 2012. John Alcock jun (1740–1791) was a chorister under his father at Lichfield Cathedral. He took his BMus degree at Oxford in 1766. He was Organist and Master of the Song School at Newark from 1758 to 1768 and organist of St Matthew's church, Walsall from 1773.
^Who's Who in Music. Shaw Publishing Co. Ltd. London. First Post-war Edition. 1949/50
