Carmela discovers that A.J. was fired from his job and has kept this a secret for three weeks. Tony watches as A.J. types on a chatroom and giggles; disgusted, he tells Dr. Melfi that he hates his son. She points out that Tony wishes his mother had protected him as Carmela protects A.J. Tony finds A.J. a construction job and gently encourages him to "do good". But when A.J. resists him, Tony smashes the windshield of A.J.'s car, warning, "Don't put me to the test."
Carmela visits Paris with Rosalie. She reacts to the ancient city with emotional intensity, and thoughts about past and future, life and death. In a dream she sees Adriana walking her dog by the Eiffel Tower; a gendarme says in English, "Your friend—someone needs to tell her she's dead."
Vito unexpectedly approaches Tony at a mall and tries to convince him he is not really homosexual. He asks to buy his way back into the crew, proposing to run a business in Atlantic City involving prostitution and meth trafficking. Tony brings up the offer with Silvio, Christopher, and Paulie, who are not in favor. Vito has a reunion lunch with his family, telling his children that he has been working as an undercover spy in Afghanistan and that they must never speak about his return. He phones Jim, who totally rebuffs him.
Tony has already had a business dispute with Phil, who is now the acting boss of the Lupertazzi family. When they meet again, Phil is angry to learn that Vito is back in town. Tony decides that he can't keep protecting Vito and begins planning his murder. However, when Vito returns that night to his motel room, he is attacked by New York mobsters Fat Dom Gamiello and Gerry Torciano, who knock him down and duct-tape his mouth. Vito mutely pleads for his life as Phil comes out of the closet and watches Dom and Gerry beat him to death with pool cues.
Tony understands that Phil is sending a message, that he can kill one of Tony's capos and Tony cannot do anything about it. He decides to hit back at Phil financially, noting that he has "a wire roominSheepshead Bay."
While Sil and Carlo are at Satriale's, Dom arrives to make a payment and starts making crude jokes about Vito. When he begins to joke that Carlo and Vito were involved romantically, Sil and Carlo impulsively attack and kill him. Tony shows up, sees what has happened, and wordlessly exits, leaving Sil and Carlo to deal with the corpse.
When Vito's murder is reported in the newspaper, Francesca and Vito, Jr. learn about their father's occupation and homosexuality.
During the shoot in Paris, Edie Falco had the flu which rendered her voice almost inaudible. Sharon Angela had difficulty reacting to Carmela's dialogue when filming the scenes, and Carmela's lines had to be replaced in post-production with Falco recording them only once she had gotten well, already back in the U.S.[1]
Sharon Angela is billed in an individual credit during the opening sequence for the only time. For other episodes, she is paired with another cast member. This may be due to her key role in this episode.
Carmela believes that Adriana left Christopher but her dream suggests that Adriana is dead. In Season 2, Tony's dream reveals the truth about Big Pussy working with the FBI, and in Season 5 a dream indicates that he will need to kill his cousin, Tony Blundetto.
The Star-Ledger article reporting Vito's death contains more text than was read out by Vito Jr. to his sister. DVD freeze frame reveals that the same paragraphs are just repeated over and over with the exception of the last. The final paragraph is unique and mentions that the owner of the Fort Lee Motel where Vito is murdered is a Fort Lee resident named Miriam Shapiro who was unavailable for comment.
Carmela mentions the time A.J. was being nihilistic and denying God's existence at the time of his confirmation, which happened in the season 2 episode "D-Girl."
Carmela reads about Abelard and Heloise in her Paris guidebook and then thinks for a second. Robert Wegler prominently talked to Carmela about a book about Abelard and Heloise in the season 5 episode "Sentimental Education."
Carmela remembers what Tony spoke immediately after he woke up from his coma: "Who am I? Where am I going?" ("Join the Club").
In Carmela's dream, Adriana tells her that she found her dog Cosette (in the afterlife). Cosette was accidentally killed in the season 4 episode "The Strong, Silent Type."
When Tony asks his crew's opinion on Vito's offer for silence; Silvio references Richie Aprile disowning his son after discovering he was gay.
In the same scene above, Paulie mentions how ashamed "Salvatore Lucania" would probably be of him and his cohorts. This was the birth name of Mafia boss Lucky Luciano.
When Carmela tells Tony about her plans to visit Paris, he is watching Is Paris Burning? (1966) on television. Later, when Carmela calls from Paris, Tony jokes, "Is Paris burning?" When he hears it's been raining over there, he replies "When it drizzles!", a line from the 1953 Cole Porter song "I Love Paris."
She notes that the French call French toast and French fries by other names (pain perdu and pommes allumettes respectively).
Rosalie Aprile sees a ferry in the Seine and says, "Look! Just like Charade!"
Silvio Dante reacts to the repeated news of Vito's death by responding that Carlo Gervasi is a "regular Jimmy Olsen," a reference to Superman's photographer friend at the Daily Planet.
Tony tells Silvio that "Joe Bananas" fought a Mafia war with Carlo Gambino of retribution killings for seven years. This probably refers to the conflict of 1963–68, triggered by Joseph Bonanno's attempt to assassinate several members of the Mafia Commission. Tony also uses the expression "on the mattresses," derived from The Godfather.
"Back In Black" by AC/DC is playing on the car radio while Tony is receiving fellatio from a stripper while driving. That song was followed immediately by Lynyrd Skynyrd's "Simple Man" as Tony speaks to Vito on the phone.
The melody to "La Vie En Rose" is hummed by Rosalie as she consoles Carmela at the Gallo-Roman baths.
"As Time Goes By" from Casablanca plays through the rest of the closing credits. The city of Paris plays an important role in both Casablanca and this episode. This particular rendition is sung by Dooley Wilson.
