"Moe n' Joe" is the 75th episode of the HBO original series The Sopranos and the 10th of the show's sixth season. Written by Matthew Weiner and directed by Steve Shill, it originally aired on May 14, 2006.
Knowing that a plea agreement with the FBI would involve the confiscation of most of his assets, Johnny sends his brother-in-law Anthony Infante to ask Tony to convince two businessmen in New Orleans, with whom Johnny is a silent partner, to sell their company so he can get his share. Tony reluctantly agrees, but only one of the pair is willing to sell and he does not press the matter.
During Ginny's birthday celebration, Janice admires Johnny's house. Tony proposes to Johnny that he will guarantee his partners in New Orleans will sell their company; in exchange, Johnny will sell his house at a discount to Janice and Bobby. Johnny, with few options, agrees. Johnny learns from his lawyer he will have to enter an allocution. In an agonizing decision, he accepts the plea deal. He receives a fifteen-year sentence, forfeits $4.1 million in assets, and admits in court that he was a member of a New York faction of the Mafia. This is met with anger and contempt by the members of his crew.
Carmela again pressures Tony to meet with the building inspector and have the stop order lifted on her spec house project. Because of it, Carmela has less time for the family, for shopping and cooking, and is not there to comfort Meadow, who is distressed by her souring relationship with Finn. Tony enlists Silvio to intercede, but later tells Carmela that the building inspector could not be persuaded, and she should consider selling the spec house.
Janice accuses Tony of being unfair to her and Bobby. She claims that he blames them for his being shot by Junior, and that he ridicules Bobby and does not promote him, even though he is Tony's brother-in-law. In therapy with Dr. Melfi, Tony speaks of resentments dating from childhood and admits he is mistreating Janice in revenge; Melfi suggests that her "misery" reminds him of his mother. When Tony obtains the house for her, Janice is overcome with gratitude.
While making collections in a dangerous section of Newark, Bobby is mugged by a gang of African-American youths. After they take his money and gun, one of them fires it into the pavement in front of him and sends concrete fragments into his right eye. Paulie calls Tony to deliver the news, and reveals that he is having radiotherapy for early-stage prostate cancer.
InNew Hampshire, Vito, who now lives with Jim, admits that he left a family and a job in "contracting" in New Jersey. He gets a job as a handyman and wins admiration in the town by assisting the firefighter team in a rescue operation. Vito and Jim declare their love for each other. However, Vito grows discontented with the slow pace of his new life, and one morning, while Jim is still asleep, he leaves. Drinking vodka from the bottle, Vito rounds a corner on a country road and crashes into a parked Jeep Wagoneer. When the owner refuses to take cash as compensation and starts walking to his home to call the cops, Vito murders him and drives away. Back in New Jersey, he slowly drives through the old neighborhood, stopping briefly in front of Satriale's before speeding off.
"Moe n' Joe" marks the final appearance of the character Finn DeTrolio, Meadow's then-boyfriend. The couple later break up and Finn is only mentioned in future episodes.
While playing with his model train set, Bobby asks his son to watch the "Moe 'n Joe action." The term "Moe and Joe" is in reference to a model flatcar from Lionel (which includes the Moe and Joe characters, a pair of workmen) that unloads wooden boards, as shown in the episode.[1] A model train reference as an episode title will be used again for the penultimate episode of the series, "The Blue Comet."
The title could also refer to the relationship between Vito and Jim or their relationship as the slang Moe ('mo) for homosexual and Joe as in "regular Joe" for a working-class male.
This episode marks the first time we see Tony getting the newspaper at the end of his driveway this season. The "newspaper shot" is usually featured in the first episode of each season.
Following a love scene between Vito and Jim, the director cuts to the image of a train entering a tunnel (Bobby's Lionel) and later Vito sawing wood, metaphors for sex.
