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Dean Semler
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| Born | Dean William Semler (1943-05-26) 26 May 1943 (age 81)
Renmark, South Australia, Australia
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| Nationality | Australian |
| Occupations |
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| Years active | 1971–present |
| Organization(s) | Australian Cinematographers Society American Society of Cinematographers |
| Known for | Mad Max 2: The Road Warrior Razorback Dances with Wolves Dead Calm Apocalypto |
| Spouse | Anne Stockman |
| Awards | Academy Award for Best Cinematography 1991 Dances with Wolves AACTA Award for Best Cinematography 1975 A Steam Train Passes 1984 Razorback 1989 Dead Calm |
Dean William Semler AM ACS ASC (born 26 May 1943) is an Australian cinematographer and film director.[1][2] Over his career, he has worked as a cinematographer, camera operator, director, second unit director, and assistant director. He is a three-time recipient of the AACTA Award for Best Cinematography and an Academy Award winner. He is a member of both the Australian Cinematographers Society (ACS) and the American Society of Cinematographers (ASC).[3] In 2002 he was appointed a Member of the Order of Australia (AM).[4]
Semler was born in Renmark, South Australia. His first work in the production industry was as a camera operator at a local television station. Later, he began making documentary and educational films for Film Australia. He was the cinematographer for A Steam Train Passes (1974), Moving On (1974), Let the Balloon Go (1976), and A Good Thing Going (1978).
His first film was Stepping Out, in 1980. Allmovie praised his "stunning work" on the film Hoodwink (1981) with a screen play by Ken Quinnell. Semler was also the cinematographer for Mad Max 2 (1981). Semler's vast panoramic shots of the Australian Outback's deserts "...convincingly conveyed a parched, dusty, post-apocalyptic world"[5] and led to international attention for his work. Semler also acted as cinematographer for the follow-up film to The Road Warrior, Mad Max Beyond Thunderdome (1985). Semler was also a cinematographer for the acclaimed Australian miniseries Bodyline (1984).[6] In the late 1980s, Semler was the cinematographer for several popular films, such as Cocktail (1988) and Young Guns (1988).
In 1989, Semler was hired as cinematographer for Kevin Costner's Dances with Wolves (1990), for which he won an Academy Award for Best Cinematography. Semler lensed the comedy City Slickers (1991) and the action film Last Action Hero (1993) in the early 1990s. In 1995, Semler again worked with Costner on his film Waterworld. In 1992 Semler was the cinematographer of The Power of One.
In the 2000s, Semler was the cinematographer for a range of movies that included comedies (Nutty Professor II: The Klumps from 2000, and Bruce Almighty from 2003), action films (XXX from 2002 and The Alamo from 2004). In the mid-2000s, Semler was the cinematographer for the football comedy The Longest Yard (2005) and Just My Luck (2006). In 2006, Semler worked with Mel Gibson again for the film Apocalypto. Semler's camera work conveyed the beauty of the lush Mesoamerican jungle setting in Apocalypto.
| Year | Title | Director | Notes |
|---|---|---|---|
| 1971 | The Choice | Donald Crombie | |
| 1973 | Through My Eyes: Kilkenny Primary School, South Australia | Also camera operator | |
| Through My Eyes: Stradbroke Infants School, South Australia | |||
| 1974 | A Steam Train Passes | David Haythornwaite | Documentary short |
| 1980 | Stepping Out | Chris Noonan |
| Year | Title | Director | Notes |
|---|---|---|---|
| 1973 | One Good Reason | Donald Crombie | Also camera operator |
| I Need More Staff | |||
| 1977 | Outback Supply | David Haythornwaite | Also camera operator |
| 1979 | Saturday | Himself | |
| 1980 | War Without Weapons | Curtis Levy |
Director
Cinematographer
Other credits
| Year | Title | Notes |
|---|---|---|
| 1973 | The Fifth Facade: The Making of the Sydney Opera House |
Camera operator |
| 1974 | Parent Teacher Interviews | |
| 2002 | The Adventures of Pluto Nash | Director of photography: Second unit |
| 2008 | Bedtime Stories |
TV movie
| Year | Title | Director |
|---|---|---|
| 1976 | Do I Have to Kill My Child? | Donald Crombie |
| 1978 | A Good Thing Going | Arch Nicholson |
| 1986 | Passion Flower | Joseph Sargent |
| 1998 | The Clean Machine | Ken Cameron |
TV series
| Year | Title | Director | Notes |
|---|---|---|---|
| 1980 | The Russians | Arch Nicholson | TV series documentary |
| 1983 | The Dismissal | Carl Schultz George Miller Phillip Noyce George Ogilvie John Power |
Miniseries |
| 1983 | Return to Eden | Karen Arthur | Miniseries |
| 1984 | Bodyline | Carl Schultz George Ogilvie Denny Lawrence Lex Marinos |
Miniseries |
| 1988 | Great Performances | Rodney Fisher | Episode "Melba" |
Other credits
| Year | Title | Notes |
|---|---|---|
| 1962 | The Valley of Water | Floor manager |
| 1977 | Cass | Second unit director |
| 1989 | Lonesome Dove | Director of photography: Second unit |
| International |
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| National |
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| People |
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| Other |
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