J u m p t o c o n t e n t
M a i n m e n u
M a i n m e n u
N a v i g a t i o n
● M a i n p a g e ● C o n t e n t s ● C u r r e n t e v e n t s ● R a n d o m a r t i c l e ● A b o u t W i k i p e d i a ● C o n t a c t u s ● D o n a t e
C o n t r i b u t e
● H e l p ● L e a r n t o e d i t ● C o m m u n i t y p o r t a l ● R e c e n t c h a n g e s ● U p l o a d f i l e
S e a r c h
Search
A p p e a r a n c e
● C r e a t e a c c o u n t ● L o g i n
P e r s o n a l t o o l s
● C r e a t e a c c o u n t ● L o g i n
P a g e s f o r l o g g e d o u t e d i t o r s l e a r n m o r e ● C o n t r i b u t i o n s ● T a l k
( T o p )
1 C a r e e r
2 F i l m o g r a p h y
3 T e l e v i s i o n
4 A c c o l a d e s
5 R e f e r e n c e s
6 E x t e r n a l l i n k s
T o g g l e t h e t a b l e o f c o n t e n t s
J o s e p h L a S h e l l e
9 l a n g u a g e s
● ا ل ع ر ب ي ة ● D e u t s c h ● ف ا ر س ی ● F r a n ç a i s ● I t a l i a n o ● م ص ر ى ● P o l s k i ● P o r t u g u ê s ● Р у с с к и й
E d i t l i n k s
● A r t i c l e ● T a l k
E n g l i s h
● R e a d ● E d i t ● V i e w h i s t o r y
T o o l s
T o o l s
A c t i o n s
● R e a d ● E d i t ● V i e w h i s t o r y
G e n e r a l
● W h a t l i n k s h e r e ● R e l a t e d c h a n g e s ● U p l o a d f i l e ● S p e c i a l p a g e s ● P e r m a n e n t l i n k ● P a g e i n f o r m a t i o n ● C i t e t h i s p a g e ● G e t s h o r t e n e d U R L ● D o w n l o a d Q R c o d e ● W i k i d a t a i t e m
P r i n t / e x p o r t
● D o w n l o a d a s P D F ● P r i n t a b l e v e r s i o n
A p p e a r a n c e
F r o m W i k i p e d i a , t h e f r e e e n c y c l o p e d i a
Joseph LaShelle ASC (July 9, 1900 – August 20, 1989) was an American film cinematographer.[1]
He won an Academy Award for Laura
LaShelle's first job in the film industry was as an assistant in the Paramount West Coast Studio lab in 1920. Instead of going to college as planned, he remained in the film industry after a promotion to supervisor of the printing department.
In 1925, Charles G. Clarke convinced him he should be a cameraman. He went to work with Clarke and after three months he was promoted to second cameraman, and he worked for various cinematographers at the Hollywood Metropolitan Studios. LaShelle was transferred from Metropolitan to Pathé where he began a 14-year association with Arthur C. Miller . He later went with Miller to Fox Films .[2]
After working as a camera operator on Fox productions such as How Green Was My Valley The Song of Bernadette A.S.C. [3]
Some of his well-known works are the film noirs: Laura Fallen Angel Road House Otto Preminger and Billy Wilder .
Filmography [ edit ]
Rocking Moon (1926)
The Flame of the Yukon
The Bermuda Mystery (1944)
Happy Land
The Eve of St. Mark
Take It or Leave It
Laura
Thunderhead - Son of Flicka
Doll Face
Fallen Angel
A Bell for Adano
Hangover Square
Claudia and David
If I'm Lucky
Cluny Brown
The Late George Apley
The Foxes of Harrow
Captain from Castile
Road House
The Luck of the Irish
Deep Waters
The Fan
Everybody Does It
Come to the Stable
Mother Didn't Tell Me
The Jackpot
Mister 880
Where the Sidewalk Ends
Under My Skin
Elopement
The Guy Who Came Back
The 13th Letter
Mr. Belvedere Rings the Bell
My Cousin Rachel
Les Misérables
Something for the Birds
The Outcasts of Poker Flat
Dangerous Crossing
Mister Scoutmaster
River of No Return
Marty
The Abductors
Storm Fear
Run for the Sun
The Conqueror
Our Miss Brooks
No Down Payment
The Bachelor Party
Crime of Passion
The Fuzzy Pink Nightgown
I Was a Teenage Werewolf
Fury at Showdown
The Naked and the Dead
The Long, Hot Summer
Career
The Apartment
The Outsider
The Honeymoon Machine
All in a Night's Work
How the West Was Won
Irma la Douce
A Child Is Waiting
Kiss Me, Stupid
Wild and Wonderful
The Fortune Cookie
The Chase
7 Women
Barefoot in the Park
Kona Coast
80 Steps to Jonah (1969)
Source:[4]
Television [ edit ]
LaShelle also worked in television, such as the first episode of The Twilight Zone Where Is Everybody? ").
Accolades [ edit ]
Wins
Nominations
Academy Awards: Oscar, Best Cinematography, Black-and-White, for Come to the Stable ; 1949.
Academy Awards: Oscar, Best Cinematography, Black-and-White, for My Cousin Rachel , 1952.
Academy Awards: Oscar, Best Cinematography, Black-and-White, for Marty ; 1956.
Academy Awards: Oscar, Best Cinematography, Black-and-White, for Career ; 1960.
Academy Awards: Oscar, Best Cinematography, Black-and-White, for The Apartment ; 1961.
Academy Awards: Oscar, Best Cinematography, Color for: Irma la Douce ; 1964.
Academy Awards: Oscar, Best Cinematography, Color, for How the West Was Won ; 1964. Shared with: William H. Daniels , Milton R. Krasner , and Charles Lang .
Academy Awards: Oscar, Best Cinematography, Black-and-White; for The Fortune Cookie ; 1967.
References [ edit ]
^ Steeman, Albert . Internet Encyclopedia of Cinematographers, "Joseph LaShelle page," Rotterdam, The Netherlands, 2007. Last accessed: December 13, 2007.
^ Katz's Film Encyclopedia
^ Goble, Alan. The Complete Index to World Film, since 1885. 2008. Index home page .
External links [ edit ]
t
e
1928–1950
1951–1975
1976–2000
2001–present
International
National
Other
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Joseph_LaShelle&oldid=1175388138 " C a t e g o r i e s : ● 1 9 0 0 b i r t h s ● 1 9 8 9 d e a t h s ● A m e r i c a n c i n e m a t o g r a p h e r s ● B e s t C i n e m a t o g r a p h e r A c a d e m y A w a r d w i n n e r s ● F i l m p e o p l e f r o m L o s A n g e l e s H i d d e n c a t e g o r i e s : ● A r t i c l e s w i t h s h o r t d e s c r i p t i o n ● S h o r t d e s c r i p t i o n i s d i f f e r e n t f r o m W i k i d a t a ● A r t i c l e s w i t h h C a r d s ● A r t i c l e s w i t h I S N I i d e n t i f i e r s ● A r t i c l e s w i t h V I A F i d e n t i f i e r s ● A r t i c l e s w i t h W o r l d C a t E n t i t i e s i d e n t i f i e r s ● A r t i c l e s w i t h B N E i d e n t i f i e r s ● A r t i c l e s w i t h B N F i d e n t i f i e r s ● A r t i c l e s w i t h B N F d a t a i d e n t i f i e r s ● A r t i c l e s w i t h G N D i d e n t i f i e r s ● A r t i c l e s w i t h J 9 U i d e n t i f i e r s ● A r t i c l e s w i t h L C C N i d e n t i f i e r s ● A r t i c l e s w i t h N K C i d e n t i f i e r s ● A r t i c l e s w i t h S U D O C i d e n t i f i e r s
● T h i s p a g e w a s l a s t e d i t e d o n 1 4 S e p t e m b e r 2 0 2 3 , a t 1 8 : 0 7 ( U T C ) . ● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n . ● P r i v a c y p o l i c y ● A b o u t W i k i p e d i a ● D i s c l a i m e r s ● C o n t a c t W i k i p e d i a ● C o d e o f C o n d u c t ● D e v e l o p e r s ● S t a t i s t i c s ● C o o k i e s t a t e m e n t ● M o b i l e v i e w
