Dina Iordanova (born 1960) is an educationalist and Professor of Film Studies[1] at the University of St. Andrews.[2] A specialist in world cinema, her special expertise is in the cinema of the Balkans, Eastern Europe, and Europe in general. Her research approaches cinema on a meta-national level and focuses on the dynamics of transnational film; she has special interest in issues related to cinema at the periphery and in alternative historiography. She has published extensively on international and transnational film art and film industry, and convenes research networks on film festivals and on the Dynamics of World Cinema,[3] with funding from the Leverhulme Trust.[4]
Born in an intellectual family in communist Bulgaria, she read Philosophy and German and obtained her doctorate under the guidance of Prof. Isaac Passy in Aesthetics and cultural history at Kliment Okhridski University in Sofia, in 1986. She worked at the Institute for Cultural Studies before emigrating to Canada in 1990. In emigration Iordanova lived and worked in Canada and the US, later on settling in the UK in 1998 and becoming actively engaged in European networks and projects.[5]
Iordanova created the Film Studies programme at the University of St. Andrews, where she was appointed to the first Chair in Film in 2004 and engaged in a wide-ranging effort to modernize the university's portfolio, bringing the programme to an internationally respected status within a short time.[citation needed] She also founded the Centre for Film Studies, which she currently directs[6] and was behind the Carnegie Trust for the Universities of Scotland-funded initiative of the Scottish Consortium of Film and Visual Studies.[7]
Her book Cinema of Flames[8] reviewed in over thirty journals, including Kinoeye,[9] Screening the Past,[10] Post Script,[11] Europe-Asia Studies,[12] and has been extensively discussed in various scholarly contexts.[13]Cinema of the Other Europe,[14] the 2003 monograph on the cinemas of Central Europe, was reviewed in Screening the Past,[15] Film Quarterly,[16] Kinema,[17] and a range of other print journals. She has published monographs on director Emir Kusturica, and on the Cinema of Bulgaria. Her work on transnational cinema includes the volume Cinema at the Periphery, work related to the representation of Romanies in international film, as well as on the representation of human trafficking and other current social problems.[18]
Since 2009 she has been publishing the series of Film Festival Yearbooks, which includes volumes on The Festival Circuit[19] (with Ragan Rhyne), Film Festivals and Imagined Communities[20] (with Ruby Cheung).
She writes the blog DinaView on topics related to world cinema, culture, technology and investing.
