George Hurd is an American composer whose work focuses primarily on electroacoustic music combining classical instrumentation and electronics. He has also written a substantial amount of music for solo electronics and classical chamber ensemble. He is based in Berlin, Germany and heads The Hurd Ensemble,[1] a chamber group dedicated to performing his pieces. A large portion of his work is concert music for The Hurd Ensemble and other groups/artists such as the Grammy-winning Third Coast Percussion, Elevate Ensemble, and violinist Carla Kihlstedt, and music for dance, most notably with choreographer Loni Landon and LEVYdance on Meet Me Normal[2] (2014) and the murmur of yearning for Kinetech Arts.
He has collaborated with numerous artists, such as German experimental electronic composer Hainbach, and American composer Danny Clay. He released Nightmare Light,[3] a self-titled EP with composer Joel St. Julien.
He has launched a travel-based composition project called Echolocation[4] based on his travels throughout Europe, North America, and New Zealand using location-specific sound-recordings and The Hurd Ensemble to create pieces about each place he visited. He premiered a solo electronic version of the suite at the Mutek festival in 2020.
His most notable work includes the body of electro-acoustic music written for his group, The Hurd Ensemble, namely the pieces included on his 2016 Innova Recordings album, Navigation Without Numbers, which includes 11 pieces for combinations of violin, viola, cello, bass, piano, vibes, harp, and electronics, as well as a piece - also entitled Navigation Without Numbers - for solo violin and electronics written for and recorded by violinist/composer Carla Kihlstedt.[5] In July 2016 The Hurd Ensemble performed at Kennedy CenterinWashington D.C., a special request of Kennedy Center composer-in-residence Mason Bates.[6]
He has put out music on both the Berlin-based 7K! Records [7] (2023) and a 2024 release on UK-based Accidental Records.
Additionally, Hurd composed a piece for piano and electronics entitled Vivarium, for pianist Elyse Weakley. It premiered in March 2015 alongside pieces by Mason Bates, Aphex Twin and Anna Clyne.[8]
Hurd contributed to the feature-length documentary To the Edge of the Sky with celebrated composer Mark Orton (who also mixed Navigation Without Numbers, Hurd's debut record with the Hurd Ensemble).
Hurd's most substantial film score is for the feature-length documentary Freeing Bernie Baran,[9] directed by Daniel Alexander. The instrumentation for this score would be the inspiration for his choice in instruments for The Hurd Ensemble.
He also scored the shorts Jessica's Gift [10] and An Ordinary Moment[11] for filmmaker Joseph Voves. An Ordinary Moment won for Best Original Music at the 2006 Chicago 48-Hour Film Festival.[12]
Commission by Grammy-winning Third Coast Percussion, to write What Stories We Tell for percussion quartet and electronics.
Commission for Undercover Music Series. Morning BellbyRadiohead arranged for violin, viola, cello, bass, bass clarinets, piano, steel pans, vibraphone, singer and electronics.[14]
Composer's Residency, 2011 - New Spectrum Foundation - New York NY: Awarded a composer's residency at the New Spectrum Foundation in New York, NY from Oct 2011 - Jan 2012. Composed Navigation Without Numbers, a single-movement piece for solo violin and electronics written for violinist/composer Carla Kihlstedt.
Commission from Musiktheater Im Revier Gelsenkirchen, Germany, 2010. Two pieces for the Internetoper project: Fulcrum and Flux for violin, cello, bass clarinet, piano, vibraphone and electronics.
Winner of Best Music: 48 Hour Film Competition - Chicago 2006
