The reputation of the court had been established by Federico da Montefeltro. The emphasis of Federico's court was more literary than artistic, but Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters.[1]
Federico, who died in 1482, was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga. Under them, the court continued as a centre for literary culture. In 1483, Santi's son Raphael was born.[2] Santi died in Urbino in 1494.
His poetry includes an epic in honor of one of his patrons, Federico da Montefeltro, followed by a discourse on painting. The event commemorates a visit to Mantua, where the Duke marveled at the skill of Andrea Mantegna, he then goes on to comment that "In this splendid and gentle art/ so many have been famous in our century/ that it make others seem destitute".
Santi then goes on to list famous names in painting, as known to him, this constitutes a remarkably concise list of 27 prominent painters of late 15th-century Italy and the Flanders, as one painter would have known. Santi's list reproduced in no order:
^Osborne, June. Urbino: The Story of a Renaissance City. p. 39 on the population, as a "few thousand" at most; even today it is only 15,000 without the students of the University.
