Two of the medallions at Hampton Court designed by Giovanni da Maiano.
In June 1521, Giovanni wrote from Rome in Latin to Cardinal Wolsey requesting payment for his work at Hampton Court. He had made, painted, and gilded, eight terracotta medallions costing £2 6s 8d each, with three Stories of Hercules costing £4 each, with 20 shillings expense on fixing the sculptures.[2] Some of these medallions commissioned by Wolsey can still be seen in place on the palace.
From 1527 Giovanni worked with Hans Holbein the Younger on decorations at Greenwich Palace for Henry VIII. Some of his relief decorations for a temporary banqueting house were made with old linen cloth in a papier-mâché technique.[3]Edward Hall described these decorations in his Chronicle; the windows of the banqueting house had grotesque-work, "karved with vinettes and trailes of savage worke, and richly gilted with gold and bice," on the arches at either end of the hall were made "many sundry antiques and devices".[4][5] The bill for Giovanni's work for the temporary banqueting hall at Greenwich Palace, includes six "antique hedds, gilt, silveryd, and painted at xxvjs viijd [26s-8d] the pece". These were probably the busts of emperors mentioned by the Venetian diplomat Gasparo Spinelli. Giovanni made the heads at a workshop at Bridewell, and they were carried by boat to the palace.[6]
Giovanni began to work on a tomb for Wolsey with the Italian sculptor and bronze-founder, Benedetto da Rovezzano, but the project had to be abandoned after the Cardinal fell out of royal favour in 1529. The artist and biographer of artists, Giorgio Vasari mentions the project under Benedetto's name, but thought the tomb was for Henry VIII.[8][9]
^Wyatt, Michael (2005). The Italian Encounter with Tudor England, a cultural politics of translation. Cambridge: Cambridge University Press. pp. 50–51. ISBN0521848962.
^Lindley, Philip (1991). Gunn; Lindley (eds.). Cardinal Wolsey, Church, State and Art. Cambridge: Cambridge University Press. pp. 263–278. ISBN9780521375689.
