Gregory Crewdson (born September 26, 1962) is an American photographer[1] who makes large-scale, cinematic, psychologically charged prints of staged scenes set in suburban landscapes and interiors. He directs a large production and lighting crew to construct his images.[2]
As a teenager, he was part of a power pop group called the Speedies.[3] Their song, "Let Me Take Your Foto" was in 2005 used by Hewlett-Packard in advertisements to promote its digital cameras.[4]
Crewdson attended Purchase College, State University of New York, where he initially planned to study psychology.[5] At Purchase, he enrolled in a photography course taught by Laurie Simmons[6] and also studied with Jan Groover.[7] He received an MFA in photography from the Yale School of Art.[8]
Crewdson is a professor and the director of graduate studies in photography at Yale School of Art.[9]
Untitled photo from Crewdson's series Beneath the Roses (2003–2008)
Crewdson's photographs are elaborately planned, produced, and lit using crews familiar with motion picture production who light large scenes using cinema production equipment and techniques.[10] He works with a lighting team, art director, make-up and wardrobe department, props and effects to create mood, atmosphere, and open-ended narrative images.[11] He has worked with the same director of photography, Richard Sands, along with other core team members, for some 25 years.[12] He works much like a director with a budget similar to that of a movie production,[13] each image involves dozens of people and weeks to months of planning.[14]
Crewdson's most widely-known bodies of work include Twilight (1998–2002), Beneath the Roses (2003–2008), Cathedral of the Pines (2013–2014), An Eclipse of Moths (2018–2019),[19] and Eveningside (2021–2022). Crewdson's only body of work made outside of the U.S. was Sanctuary (2009), set at the abandoned Cinecittá studios outside of Rome.[20] Nearly all of his other work before and since was made in the small towns and cities in Western Massachusetts.[21]
In 2012, he was the subject of the feature documentary film Gregory Crewdson: Brief Encounters.[22] The film series followed the construction of and an explanation by Crewdson of his thought process and vision for pieces of Beneath the Roses.
Crewdson lives primarily in western Massachusetts in a former Methodist church.[23] His partner, Juliane Hiam,[24] is a writer and producer[25] and the two work closely together.[26] Hiam has also appeared as a subject in numerous of Crewdson's pictures.[27][28] He has two children, Lily and Walker, from a previous marriage to Ivy Shapiro.[29] Crewdson is an open-water swimmer[30] and has said that the meditative state he achieves with his daily swimming practice is fundamental to his creative process as an artist.[31]
Gregory Crewdson: Eveningside, 2012–2022. Milan: Skira Editore, 2022. ISBN8857248429. Text by Jean-Charles Vergne.
Gregory Crewdson. Munich, London, New York: Prestel, 2024. ISBN9783791391243. Edited by Walter Moser, with texts by David Fincher, Daniela Hammer-Tugendhat, Beate Hofstadler, Astrid Mahler, Watler, Moser, Matthieu Orléan, and Emily St. John Mandel.
Gregory Crewdson: Twilight, Luhring Augustine, New York, NY, 2002;[35] White Cube, London, 2002;[36] Gagosian Gallery, Beverly Hills, CA, 2002[37]
Gregory Crewdson: Beneath the Roses, Luhring-Augustine Gallery, New York, 2005;[38] White Cube, London, 2005;[39] Gagosian Gallery, Beverly Hills, CA, 2005 (all three concurrently)[40]
Gregory Crewdson: 1985–2005, Kunstverein Hannover, Hanover, Germany;[41] and traveled to Kunstmuseen Krefeld, Germany, 2006;[42] Fotomuseum Winterthur, Switzerland; and Landsgalerie Linz, Austria, 2006[43]
Gregory Crewdson: Fireflies, Skarstedt Fine Art, New York, NY, 2006[44]
Gregory Crewdson: Beneath the Roses Gagosian Gallery, Beverly Hills, CA, 2008;[45]Gregory Crewdson, White Cube, London, 2008;[46]Gregory Crewdson, Luhring Augustine, New York, NY, 2008[47]
Gregory Crewdson: In a Lonely Place, traveling show, C/O Berlin, Berlin, 2011; Det Kongelige Bibliotek, Kulturhuset, Stockholm, Sweden, 2011;[48] Copenhagen, Denmark, 2011/2012;[49][50] Centre for Contemporary Photography, Melbourne, Australia, 2012;[51] Institute of Modern Art, Brisbane, Australia, 2013;[52] City Gallery Wellington; and Dunedin Art Gallery, Dunedin, New Zealand, 2013[53]
Gregory Crewdson: Sanctuary, Gagosian Gallery, New York, NY. 2010;[57]Gagosian Gallery, Rome, Italy, 2011;[58] TIFF '11 Festival, Toronto, Canada, 2011[59] La Fábrica Gallery, Madrid, Spain[60]
Gregory Crewdson: Dream House, The San Diego Museum of Art, San Diego, CA, 2015[61]
Cathedral of the Pines,Gagosian Gallery, New York, 2016;[62] Galerie Templon, Brussels and Paris concurrently, September–October 2016;[63]The Photographers' Gallery, London, 2017;[64] Centre of Contemporary Art, Toruń, Poland, November 2017 – January 2018[65]
The Becket Pictures, FRAC Auvergne, Clermont-Ferrand, France, 2017[67]
Gregory Crewdson: Eveningside (a survey of work from 2012 to 2022), Gallerie d'Italia, Turin, Italy, October 2022 – January 2023,[68] exhibition traveled to the LUMA FoundationatRencontres d'Arles, Arles, France, July–September 2023,[69] and VB Photography Center, Kuopio, Finland, June 12-Sept. 15 2024[70]
Gregory Crewdson: Forest Fables, University of San Diego, San Diego, CA, September–October 2023[71]
Gregory Crewdson: Eveningside, Reflex Gallery, Amsterdam, Netherlands, Mar 11-May 6, 2023,[72] Alan Koppel Gallery, Chicago, Apr 7-Aug 11 2023,[73] Templon, Paris, France, Nov. 8-Dec. 23 2023[74]
Gregory Crewdson: Retrospektive, The Albertina Museum, Vienna, Austria, May 29-Sept 8 2024[75]
There But Not There (2017) – short documentary about Crewdson's casting process, directed by Juliane Hiam[95]
Making Eveningside (2022) – short interpretive documentary directed by Harper Glantz, set to original music by Stuart Bogie and James Murphy (electronic musician) about the making of Eveningside
