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Ich habe meine Zuversicht BWV 188Performed 17 October 1728? (1728?-10-17 ) : Leipzig Movements 6 Vocal SATB Instrumental
taille
2 violins
viola
organ
continuo
Ich habe meine Zuversicht BWV 188church cantata by Johann Sebastian Bach . He composed the cantata in Leipzig for the 21st Sunday after Trinity and probably first performed it on 17 October 1728.
History and text
[ edit ]
Bach composed this cantata for the 21st Sunday after Trinity . However, the score was "cut to pieces and sold to private individuals" in the 1800s; the work as it now exists is a reconstruction.[1]
The prescribed readings for the day were Ephesians 6:10–17 , and John 4:46–54 . The text for movements 2 to 5 was written by Picander .[2] Auf meinen lieben Gott ", written before 1603.[3]
The earliest possible date for the first performance is 17 October 1728, but it could have also been a year later.[4]
Scoring and structure
[ edit ]
The work is scored for four solo voices (soprano , alto , tenor , and bass ), a four-part choir , two oboes , taille , two violins , viola , organ , and basso continuo .[3]
The piece has six movements:
Sinfonia
Aria (tenor): Ich habe meine Zuversicht
Recitative (bass): Gott meint es gut mit jedermann
Aria (alto): Unerforschlich ist die Weise
Recitative (soprano): Die Macht der Welt verlieret sich
Chorale: Auf meinen lieben Gott
Music
[ edit ]
The opening sinfonia for solo organ and orchestra derives from the third movement of Bach's keyboard concerto in D minor, BWV 1052 .[5]
The tenor aria has been compared to movements from both the French Suites and the Fifth English Suite . It opens with a string ritornello doubled by oboe; the two parts move into counterpoint after the tenor enters. Formally, the movement has an extended two-part A section before moving to a B section remarkable for its emphasis on instrumental arpeggiation .[5]
The bass recitative is secco and concludes with a pastoral arioso .[5]
The alto aria is "dark and dramatic", in E minor with cello and organ obbligato . The organ line is complex, contributing to a movement that is "a complex and ever-changing kaleidoscope of richly entwined rhythms and melodies".[5]
The soprano recitative is short and accompanied by chordal strings. The final movement is a four-part setting of the chorale tune, doubled by oboe, taille, and strings.[5]
Recordings
[ edit ]
Gächinger Kantorei / Württembergisches Kammerorchester Heilbronn , Helmuth Rilling . Die Bach Kantate . Hänssler , 1983.
Holland Boys Choir / Netherlands Bach Collegium , Pieter Jan Leusink . Bach Edition Vol. 5 . Brilliant Classics, 1999.
Monteverdi Choir / English Baroque Soloists , John Eliot Gardiner . Bach Cantatas Vol. 11 . Soli Deo Gloria , recorded 2000.
Amsterdam Baroque Orchestra & Choir , Ton Koopman . J.S. Bach: Complete Cantatas Vol. 19 . Antoine Marchand , 2003.
Bach Collegium Japan , Masaaki Suzuki . J. S. Bach: Cantatas Vol. 49 . BIS, 2010.
References
[ edit ]
^ a b "BWV 188" . University of Alberta. Retrieved 5 June 2013 .
^ "Bach digital - Ich habe meine Zuversicht BWV 188" . www.bach-digital.de . Retrieved 2023-08-31 .
^ a b c d e Mincham, Julian. "Chapter 45 BWV 188" . jsbachcantatas. Retrieved 7 September 2022 .
External links
[ edit ]
International
National
Other
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Ich_habe_meine_Zuversicht,_BWV_188&oldid=1173257855 " C a t e g o r i e s : ● C h u r c h c a n t a t a s b y J o h a n n S e b a s t i a n B a c h ● 1 7 2 8 c o m p o s i t i o n s H i d d e n c a t e g o r i e s : ● A r t i c l e s c o n t a i n i n g G e r m a n - l a n g u a g e t e x t ● P a g e s w i t h t i m e l i n e m e t a d a t a ● W o r k s w i t h I M S L P l i n k s ● A r t i c l e s w i t h I n t e r n a t i o n a l M u s i c S c o r e L i b r a r y P r o j e c t l i n k s ● A r t i c l e s w i t h V I A F i d e n t i f i e r s ● A r t i c l e s w i t h B N F i d e n t i f i e r s ● A r t i c l e s w i t h B N F d a t a i d e n t i f i e r s ● A r t i c l e s w i t h G N D i d e n t i f i e r s ● A r t i c l e s w i t h J 9 U i d e n t i f i e r s ● A r t i c l e s w i t h L C C N i d e n t i f i e r s ● A r t i c l e s w i t h M u s i c B r a i n z w o r k i d e n t i f i e r s
● T h i s p a g e w a s l a s t e d i t e d o n 1 S e p t e m b e r 2 0 2 3 , a t 0 8 : 2 5 ( U T C ) . ● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n . ● P r i v a c y p o l i c y ● A b o u t W i k i p e d i a ● D i s c l a i m e r s ● C o n t a c t W i k i p e d i a ● C o d e o f C o n d u c t ● D e v e l o p e r s ● S t a t i s t i c s ● C o o k i e s t a t e m e n t ● M o b i l e v i e w
