Jump to content
 







Main menu
   


Navigation  



Main page
Contents
Current events
Random article
About Wikipedia
Contact us
Donate
 




Contribute  



Help
Learn to edit
Community portal
Recent changes
Upload file
 








Search  

































Create account

Log in
 









Create account
 Log in
 




Pages for logged out editors learn more  



Contributions
Talk
 



















Contents

   



(Top)
 


1 Early life  





2 Businessman  





3 Caster, moulder, sculptor  





4 Phrenologist  





5 Death and legacy  





6 Bibliography  





7 Family  





8 References  














James De Ville






Deutsch
Malagasy
 

Edit links
 









Article
Talk
 

















Read
Edit
View history
 








Tools
   


Actions  



Read
Edit
View history
 




General  



What links here
Related changes
Upload file
Special pages
Permanent link
Page information
Cite this page
Get shortened URL
Download QR code
Wikidata item
 




Print/export  



Download as PDF
Printable version
 




In other projects  



Wikimedia Commons
 
















Appearance
   

 






From Wikipedia, the free encyclopedia
 


James De Ville (12 March 1777 – 6 May 1846) was a British lamp maker, sculptor and plaster-caster, known also as a phrenologist. He acquired moulds and busts for business purposes, manufacturing reproductions, and also built up a renowned phrenological collection.

Early life[edit]

From a Swiss Protestant background on his father's side, he was born in Hammersmith, the son of James Louis De Ville and his wife Mary Bryant.[1][2] His family fell on hard times, and as a boy De Ville was fostered by an uncle who had a brickmaking business there.[1]

De Ville learned plaster casting from Charles Harris (died 1796), to whom he was apprenticed at age 12.[3][4]

Businessman[edit]

De Ville set up a plaster works in Soho in 1803, moving on after two years to Great Newport Street in the Covent GardenLeicester Square area.[2][5] In the 1810s he was in business as a lampmaker and plaster caster, dealing also in lighthouse fittings.[6] From 1814, he had business premises at 367 Strand, London, opposite Fountain Court.[2][7]

In other lines of business, De Ville dealt in architectural metal wares, and supplied lights for the Menai Bridge. He joined the Institute of Civil Engineers in 1823.[8] From the late 1820s he provided gas fittings to Hanwell Asylum.[9] He also engaged in radical politics.[10]

Caster, moulder, sculptor[edit]

While still young, De Ville worked for the sculptor Joseph Nollekens on casting. He later bought the moulds for busts made by Nollekens.[11] In 1817 Bryan Donkin, representing an early British phrenological group, commissioned him to do some reproductive moulding work.[12]

De Ville's first life-mask was that of William Blake, taken 1 August 1823.[13] He travelled to Devon to take another, of the teenage William Makepeace Thackeray, in 1824–5; it was much later used by Joseph Boehm and Onslow Ford.[14]

Life-maskofWilliam Blake, plaster cast by James De Ville 1823 (Fitzwilliam Museum, Cambridge)

In the period 1823 to 1826, De Ville showed busts at the Royal Academy. His sitters included Harford Jones-Brydges.[11]

Phrenologist[edit]

Satirical print of 1826, Bumpology, showing a caricature phrenologist, intended for James De Ville, conducting an examination of a youth

De Ville started to collect phrenological specimens in 1817, and in 1821 began to cast heads from life.[15] In 1829 Johann Spurzheim referred to his collection as data supporting phrenology.[16] Franz Joseph Gall sent a wax mould of a dissected brain.[1] There were casts taken from the collection of Joshua Brookes, and skulls from Australia including some supplied by Robert Espie.[10]

George Murray Paterson, who began to teach phrenology in the Bengal Presidency in 1825, ordered 90 phrenological busts from De Ville to show in his lectures.[17] In a room adjacent to his shop, De Ville gave public shows of part of his collection of casts and skulls.[10] Jonathan Mason Warren saw the collection in 1832 and found it impressive; on the same occasion De Ville did a phrenological reading of James Jackson Jr., which Warren did not find convincing.[18]

De Ville campaigned against penal transportation, at the same time involving himself with phrenological examination of convicts.[19] In 1826 James Wardrop hired him to examine convicts about to be transported in the England to Australia. Of 148 convicts, De Ville provided notes on around one-third, to the ship's surgeon George Thomson. Wardrop's intention was to discredit De Ville's evaluations: in the event, there was a plot among the convicts to take over the ship, and the effect, according to Thomson's notes, was to validate De Ville's prediction of troublemakers.[20][21]

Joseph d'Ortigue and Ludwig Rellstab, early biographers of Franz Liszt, recount how Liszt at age 15 was examined in 1825 by De Ville.[22] As a phrenological practitioner, he examined a large number of heads including those of John Elliotson, Hermann Prince of Pückler-Muskau, Charles Bray, George Eliot, William Blake, Richard Dale Owen, Richard Carlile, the Duke of Wellington and Prince Albert.[1] Harriet Martineau, a believer in phrenology but mocker of incompetent phrenologists, found it amusing that De Ville's examination of her head led to the conclusion that she lived "a life of constant failure through timidity."[23]

De Ville also took an interest in the heads of criminals, such as François Benjamin Courvoisier.[24] He had a cast of the head of Daniel Good (provenance not clear), another convicted murderer who was convicted in 1842.[25]

In the mid-1830s De Ville lectured on phrenology at Sass's Academy, where William Powell Frith was in his audience.[26] In 1840 he became a member of the Phrenological Association. He resigned in 1842 on the schism among British phrenologists. It occurred when William Collins Engledue (1813–1858), in a speech before the Association, announced that phrenology and materialism were the same.[1]

Death and legacy[edit]

De Ville's casts were distributed throughout the world; and some are extant in the collection of the Edinburgh School of Anatomy.[1] De Ville & Co. was carried on by his son-in-law William Matthews.[2]

Bibliography[edit]

Family[edit]

De Ville married in 1797 Jane Smith, and they had five children, including sons William and George, daughters Emily and Jane, who married William Matthews, and a further daughter.[2]

References[edit]

  1. ^ a b c d e f "History of Phrenology on the Web". www.historyofphrenology.org.uk.
  • ^ a b c d e "British bronze sculpture founders and plaster figure makers, 1800-1980 - D - National Portrait Gallery". www.npg.org.uk.
  • ^ Pearce, Nick (5 July 2017). William Hunter's World: The Art and Science of Eighteenth-Century Collecting. Routledge. p. 458. ISBN 978-1-351-53691-2.
  • ^ Smith, Dorothy Bentley (15 December 2017). No Ordinary Surgeon: The Life and Times of William Binley Dickinson. Amberley Publishing Limited. p. 452. ISBN 978-1-4456-7641-8.
  • ^ Martineau, Harriet (21 December 2006). Autobiography. Broadview Press. p. 298 note 2. ISBN 978-1-77048-074-2.
  • ^ Cooter, Roger (1984). The Cultural Meaning of Popular Science: Phrenology and the Organization of Consent in Nineteenth-Century Britain. Cambridge University Press. p. 279. ISBN 978-0-521-22743-8.
  • ^ Haggarty, S.; Mee, J. (28 November 2008). Blake and Conflict. Springer. p. 36. ISBN 978-0-230-58428-0.
  • ^ Skempton, A. W.; Chrimes, Mike (2002). A Biographical Dictionary of Civil Engineers in Great Britain and Ireland: 1500-1830. Thomas Telford. p. 180. ISBN 978-0-7277-2939-2.
  • ^ "The reports of the visiting justices of the County Lunatic Asylum at Hanwell to the Epiphany Sessions, 1839". Printed by M'Gowan and Co. 1842: 41. JSTOR 60204897. {{cite journal}}: Cite journal requires |journal= (help)
  • ^ a b c Turnbull, Paul (29 November 2017). Science, Museums and Collecting the Indigenous Dead in Colonial Australia. Springer. pp. 160–163. ISBN 978-3-319-51874-9.
  • ^ a b Gunnis, Rupert (1968). Dictionary of British Sculptors 1660–1851 (Revised ed.). p. 130.
  • ^ The Phrenological Journal and Magazine of Moral Science from the year 1846 VOL.XIX. Vol. XIX. 1846. pp. 332–333.
  • ^ Bentley, Gerald Eades (2003). The Stranger from Paradise: A Biography of William Blake. Yale University Press. p. 368 note. ISBN 978-0-300-10030-3.
  • ^ Bock, Peter; Ormond, Richard (1974). Early Victorian Portraits: Text. Vol. I. H.M. Stationery Office. p. 462. ISBN 978-0-11-290093-1.
  • ^ Martineau, Harriet (21 December 2006). Autobiography. Broadview Press. p. 510 note 248. ISBN 978-1-4604-0314-3.
  • ^ Spurzheim, Johann Caspar (1829). Outlines of Phrenology. p. 1.
  • ^ Poskett, James (18 February 2022). Materials of the Mind: Phrenology, Race, and the Global History of Science, 1815-1920. University of Chicago Press. p. 137. ISBN 978-0-226-82064-4.
  • ^ Arnold, Howard Payson (1886). Memoir of Jonathan Mason Warren, M.D. University Press. p. 321.
  • ^ Giustino, David de (17 June 2016). Conquest of Mind: Phrenology and Victorian Social Thought. Routledge. pp. 155–156. ISBN 978-1-317-23775-4.
  • ^ Anderson, Clare (13 January 2022). Convicts: A Global History. Cambridge University Press. ISBN 978-1-108-84072-9.
  • ^ Cox, Robert (1836). Selections from the Phrenological Journal: Comprising Forty Articles in the First Five Volumes. Maclachlan & Steward, and John Anderson Jun. pp. 140–142.
  • ^ Trippett, David (2015). "Exercising Musical Minds: Phrenology and Music Pedagogy in London circa 1830". 19th-Century Music. 39 (2): 103–104. doi:10.1525/ncm.2015.39.2.99. JSTOR 26348854.
  • ^ Orestano, Francesca (2009). Strange Sisters: Literature and Aesthetics in the Nineteenth Century. Peter Lang. p. 49. ISBN 978-3-03911-840-3.
  • ^ The Phrenological Journal, and Magazine of Moral Science. Machlachlan, Stewart & Company. 1840. p. 328.
  • ^ Wade, Rebecca (18 October 2018). Domenico Brucciani and the Formatori of 19th-Century Britain. Bloomsbury Publishing USA. p. 80. ISBN 978-1-5013-3221-0.
  • ^ "Know thyself? Did Phrenology help William Powell Frith address middleclass Victorian crowd anxiety? by Jane de Beneducci, open.conted.ox.ac.uk (beta)". open.conted.ox.ac.uk. p. 206.
  • ^ The Phrenological Journal and Magazine of Moral Science. 1846. pp. 329–344.

  • Retrieved from "https://en.wikipedia.org/w/index.php?title=James_De_Ville&oldid=1123710397"

    Categories: 
    1777 births
    1846 deaths
    British sculptors
    British male sculptors
    Phrenologists
    Hidden categories: 
    CS1 errors: missing periodical
    Articles with short description
    Short description matches Wikidata
    Use dmy dates from April 2022
    Articles with VIAF identifiers
     



    This page was last edited on 25 November 2022, at 07:18 (UTC).

    Text is available under the Creative Commons Attribution-ShareAlike License 4.0; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.



    Privacy policy

    About Wikipedia

    Disclaimers

    Contact Wikipedia

    Code of Conduct

    Developers

    Statistics

    Cookie statement

    Mobile view



    Wikimedia Foundation
    Powered by MediaWiki