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American artist (born 1951)
Joseph Nechvatal
Nechvatal in 2015
Born January 15, 1951 (1951-01-15 ) (age 73 ) Known for post-conceptual art , digital art , sound art , art theory , art criticism , poetry , novella , artificial life , computer -robotic painting , noise music , no wave postminimalism Movement post-conceptualism generative art no wave
Joseph Nechvatal (born January 15, 1951)[1] : 1176 post-conceptual digital artist and art theoretician [2] computer animations , often using custom-created computer viruses .
Life and work
[ edit ] Joseph Nechvatal birth Of the viractual 2001 computer-robotic assisted acrylic on canvas Full viral symphOny
Joseph Nechvatal was born in Chicago .[1] : 1176 Southern Illinois University Carbondale , Cornell University and Columbia University .[1] : 1176 Doctor of Philosophy in Philosophy of Art and Technology at the Planetary Collegium at University of Wales, Newport [3] art theory and art history at the School of Visual Arts .[3] [4] [5]
His work in the late 1970s and early 1980s chiefly consisted of postminimal gray palimpsest -like drawings that were often photo-mechanically enlarged.[6] Colab , organized the Public Arts International/Free Speech series, and helped established the non-profit group ABC No Rio .[7] avant-garde electronic art music audio project Tellus Audio Cassette Magazine .[8] XS: The Opera Opus [9] no wave musical composer Rhys Chatham .[10]
He began using computers and robotics to make post-conceptual paintings in 1986 [11] computer viruses .[12] [13] Louis Pasteur Atelier in Arbois , France and at the Saline Royale /Ledoux Foundation's computer lab. There he worked on The Computer Virus Project , his first artistic experiment with computer viruses and computer virus animation .[14] Documenta 8 in 1987.[15] [16]
In 2002 he extended his experimentation into viral artificial life through a collaboration with the programmer Stephane Sikora of music2eye in a work called the Computer Virus Project II .[17]
Nechvatal has also created a noise music work called viral symphOny Alfred University .[18] [19] [20] Selected Sound Works (1981-2021) and in 2022 his The Viral Tempest , a double vinyl LP of new audio work.[21]
From 1999 to 2013, Nechvatal taught art theories of immersive virtual reality and the viractual at the School of Visual Arts in New York City (SVA). A book of his collected essays entitled Towards an Immersive Intelligence: Essays on the Work of Art in the Age of Computer Technology and Virtual Reality (1993–2006) was published by Edgewise Press in 2009. Also in 2009, his virtual reality art theory and art history book Immersive Ideals / Critical Distances was published.[22] Immersion Into Noise was published by Open Humanities Press in conjunction with the University of Michigan Library's Scholarly Publishing Office.[23] Punctum Books : Minóy Destroyer of Naivetés (poetry—2015) and Styling Sagaciousness (poetry—2022).[24] art theory cybersex farce novella venus©~Ñ~vibrator, even was book published by Orbis Tertius Press.[25]
Viractualism
[ edit ]
Viractualism is an art theory concept developed by Nechvatal in 1999[26] [27] [28] Planetary Collegium at University of Wales, Newport . There he developed his concept of the viractual, which strives to create an interface between the actual and the virtual.[29]
[ edit ]
^ a b [1 ] ZKM Center for Art and Media Karlsruhe lecture page Joseph Nechvatal: Immersion Into Noise
^ "bOdy pandemOnium. Immersion into Noise" . art-in-berlin.de (in German). Retrieved 2021-04-03 .
^ [2 ] Joseph Nechvatal Interview: The Viral Tempest November 10, 2023
^ Collins, Tricia; Milazzo, Richard (1990). "Deprivileging Critique". Collected essays 1983-1990 ISBN 2-908139-02-2 OCLC 25610584 .
^ Goodeve, Thyrza Nichols (2015-12-09). "THE MIGRANT AS CONSCIENTIOUS OBJECTOR JOSEPH NECHVATAL with Thyrza Nichols Goodeve" . The Brooklyn Rail . Retrieved 2021-03-13 .
^ The downtown book : the New York art scene, 1974-1984 ISBN 0-691-12286-5 OCLC 58832292 .{{cite book }}: CS1 maint: others (link )
^ Rhys Chatham , Die Donnergötter (LP, CD), Table of the Elements/Radium 2006, CD Book, p. 14
^ Sharp, Willoughby (1984). Joseph Nechvatal OCLC 761232484 .
^ Joseph Nechvatal, Selected Writings . Paris: Editions Antoine Candau, 1990
^ Popper, Frank (2007). From technological to virtual art ISBN 978-0-262-16230-2 OCLC 57142521 .
^ Lieser, Wolf (2009). Digital art ISBN 978-3-8331-5338-9 OCLC 319500677 .
^ Robert C. Morgan Digital Hybrids, Art Press volume #255, pp. 75-76.
^ Documenta 8 : Kassel 1987, 12. Juni-20. Sept ISBN 3-925272-11-9 OCLC 16875226 .{{cite book }}: CS1 maint: others (link )
^ Nechvatal, J. 1987. Theoretical Statement Concerning Computer Robotic Paintings , Documenta 8 Catalogue, Vol. 3
^ Liu, Alan (2004). The laws of cool : knowledge work and the culture of information ISBN 978-0-226-48700-7 OCLC 688291784 .
^ "Artist in Residence Archive" . Archived from the original on 2013-01-27. Retrieved 2012-10-17 .
^ "Joseph Nechvatal :: Viral symphony :: IEA :: 2007" .
^ Morgan, Robert (June 2012). "Joseph Nechvatal: nOise anusmOs" . The Brooklyn Rail .
^ Joseph Nechvatal / The Viral Tempest Interview at It’s Psychedelic Baby music magazine
^ Nechvatal. J. Immersive Ideals / Critical Distances , LAP Lambert Academic Publishing (July 7, 2009) ISBN 3-8383-0445-4 / ISBN 978-3-8383-0445-8
^ Immersion Into Noise University of Michigan Library's Scholarly Publishing Office. Ann Arbor. 2011.
^ [3 ] Joseph Nechvatal Interview: The Viral Tempest November 10, 2023
^ [4 ] Joseph Nechvatal Interview: The Viral Tempest November 10, 2023
^ Christiane Paul, in her book Digital Art , discusses Nechvatal's concept of viractualism on page 58. One of the images she chooses to illustrate that section of the book is Nechvatal's painting entitled the birth Of the viractual (2001). Joe Lewis, in the March 2003 issue of Art in America (pp.123-124), discusses the viractual in his review Joseph Nechvatal at Universal Concepts Unlimited . John Reed in Artforum Web 3-2004 Critic's Picks discusses the concept in his piece #1 Joseph Nechvatal . Frank Popper also writes about the viractual concept in his book From Technological to Virtual Art on page 122.
^ "CTheory.net" . Archived from the original on 2012-02-05. Retrieved 2006-09-01 .
^ The title of the Ph.D. dissertation is "Immersive Ideals / Critical Distances : A Study of the Affinity Between Artistic Ideologies Based in Virtual Reality and Previous Immersive Idioms". A url introduction to the thesis, entitled "Frame and Excess", can be read on-line and the entire thesis downloaded in PDF at: [5 ]
^ Paul, Christiane (2008). Digital art ISBN 978-0-500-20398-9 OCLC 191753179 .
Further reading
[ edit ]
John Johnston, The Allure of Machinic Life: Cybernetics, Artificial Life, and the New AI , MIT Press, 2008, cover
Donald Kuspit , The Matrix of Sensations VI: Digital Artists and the New Creative Renaissance
Joline Blais and Jon Ippolito , The Edge of Art , Thames & Hudson Ltd, p. 213
Frank Popper , From Technological to Virtual Art , MIT Press, pp. 120–123
Johanna Drucker , [6 ] Joseph Nechvatal : Critical Pleasure
Robert C. Morgan , Voluptuary: An algorithic hermaphornology , Tema Celeste Magazine, volume #93, p. 94
Bruce Wands, Art of the Digital Age , London: Thames & Hudson, p. 65
Robert C. Morgan , Laminations of the Soul , Editions Antoine Candau, 1990, pp. 23–30
Margot Lovejoy , Digital Currents: Art in the Electronic Age Routledge 2004
Joseph Nechvatal, Immersive Excess in the Apse of Lascaux , Technonoetic Arts 3, no3. 2005
Joseph Nechvatal. Immersion Into Noise University of Michigan Library's Scholarly Publishing Office. Ann Arbor. 2011
Johanna Drucker , Joseph Nechvatal : Critical Pleasure , Redaktion Frank Berndt, 1996, pp. 10–13
Mario Costa, Phenomenology of New Tech Arts , Artmedia, Salerno, 2005, p. 6 & pp. 36 – 38
Dominique Moulon , L'art numerique: spectateur-acteuret vie artificielle , Les images numeriques #47-48, 2004, pp. 124–125
Christine Buci-Glucksmann , L'art à l'époque virtuel , in Frontières esthétiques de l'art , Arts 8, Paris: L'Harmattan, 2004
Brandon Taylor, Collage
Dominique Moulon , [7 ] Archived 2009-06-17 at the Wayback Machine Conférence Report : Media Art in France , Un Point d'Actu, L'Art Numerique, pp. 124–125
Edmond Couchot , Des Images, du temps et des machines , édité Actes Sud, 2007, pp. 263–264
Fred Forest , Art et Internet , Editions Cercle D'Art / Imaginaire Mode d'Emploi, pp. 48 –51
Wayne Enstice & Melody Peters, Drawing: Space, Form, & Expression , New Jersey: Prentice Hall, pp. 312–313
Ellen K. Levy, Synthetic Lighting: Complex Simulations of Nature , Photography Quarterly (#88) 2004, pp. 7–9
Marie-Paule Nègre, Des artistes en leur monde , volume 2, la Gazette de l'Hotel Drout, 2008, pp. 82–83
Corrado Levi, È andata così: Cronaca e critica dell'arte 1970-2008 , Joseph Nechvatal intervistato nel suo studio a New York (1985–86) , pp. 130–135
Donald Kuspit , Del Atre Analogico al Arte Digital in Arte Digital Y Videoarte , Kuspit, D. ed., Consorcio del Circulo de Bellas Artes, Madrid, pp. 33–34 & pp. 210 – 212
Robert C. Morgan , Nechvatal's Visionary Computer Virus , in Gruson, L. ed. 1993. Joseph Nechvatal: Computer Virus Project , Royal Saltworks at Arc-et-Senans : Fondation Claude-Nicolas Ledoux , pp. 8–15
Sarah J. Rogers (ed ), Body Mécanique: Artistic Explorations of Digital Realms , Columbus, Ohio, Wexner Center for the Arts, The Ohio State University
Edward A. Shanken , Art and Electronic Media . London: Phaidon, 2009. ISBN 978-0-7148-4782-5 , pp. 42, 285, 160
External links
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International
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Artists
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R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Joseph_Nechvatal&oldid=1227349098 " C a t e g o r i e s : ● 1 9 5 1 b i r t h s ● L i v i n g p e o p l e ● 2 0 t h - c e n t u r y A m e r i c a n p a i n t e r s ● A m e r i c a n m a l e p a i n t e r s ● 2 1 s t - c e n t u r y A m e r i c a n p a i n t e r s ● 2 1 s t - c e n t u r y A m e r i c a n m a l e a r t i s t s ● S c h o o l o f V i s u a l A r t s f a c u l t y ● A m e r i c a n c o n c e p t u a l a r t i s t s ● A m e r i c a n d i g i t a l a r t i s t s ● A m e r i c a n e x p a t r i a t e s i n F r a n c e ● A r t i s t s f r o m C h i c a g o ● A r t i s t s f r o m N e w Y o r k ( s t a t e ) ● C e l l u l a r a u t o m a t i s t s ● A m e r i c a n e x p e r i m e n t a l c o m p o s e r s ● G e n e t i c p r o g r a m m i n g ● A m e r i c a n i n s t a l l a t i o n a r t i s t s ● M a s s m e d i a t h e o r i s t s ● A m e r i c a n n e w m e d i a a r t i s t s ● A m e r i c a n n o i s e m u s i c i a n s ● A m e r i c a n p o s t m o d e r n a r t i s t s ● R o b o t i c a r t ● A m e r i c a n s o u n d a r t i s t s ● A m e r i c a n m a l e c l a s s i c a l c o m p o s e r s ● 2 0 t h - c e n t u r y A m e r i c a n p r i n t m a k e r s ● 2 0 t h - c e n t u r y A m e r i c a n c o m p o s e r s ● 2 0 t h - c e n t u r y A m e r i c a n m a l e m u s i c i a n s ● A m e r i c a n c o n t e m p o r a r y p a i n t e r s ● 2 0 t h - c e n t u r y A m e r i c a n m a l e a r t i s t s ● T e c h s p r e s s i o n i s t a r t i s t s H i d d e n c a t e g o r i e s : ● C S 1 G e r m a n - l a n g u a g e s o u r c e s ( de ) ● C S 1 m a i n t : o t h e r s ● A r t i c l e s w i t h s h o r t d e s c r i p t i o n ● S h o r t d e s c r i p t i o n i s d i f f e r e n t f r o m W i k i d a t a ● A r t i c l e s w i t h h C a r d s ● W e b a r c h i v e t e m p l a t e w a y b a c k l i n k s ● A r t i c l e s w i t h F A S T i d e n t i f i e r s ● A r t i c l e s w i t h I S N I i d e n t i f i e r s ● A r t i c l e s w i t h V I A F i d e n t i f i e r s ● A r t i c l e s w i t h B N F i d e n t i f i e r s ● A r t i c l e s w i t h B N F d a t a i d e n t i f i e r s ● A r t i c l e s w i t h G N D i d e n t i f i e r s ● A r t i c l e s w i t h J 9 U i d e n t i f i e r s ● A r t i c l e s w i t h L C C N i d e n t i f i e r s ● A r t i c l e s w i t h N T A i d e n t i f i e r s ● A r t i c l e s w i t h M o M A i d e n t i f i e r s ● A r t i c l e s w i t h P I C i d e n t i f i e r s ● A r t i c l e s w i t h R K D a r t i s t s i d e n t i f i e r s ● A r t i c l e s w i t h U L A N i d e n t i f i e r s ● A r t i c l e s w i t h S U D O C i d e n t i f i e r s
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