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Kiang Malingue is a commercial art gallery with premises in Hong Kong and Shanghai, China. It was founded by Edouard Malingue and Lorraine Kiang Malingue as the Edouard Malingue Gallery in 2010.[1] The establishment combines different disciplines, ranging from video and installation to painting and sound, and also actively works with international institutions and curators to present off-site artistic projects and exhibitions.[2]
Since 2010, as Edouard Malingue Gallery, the institution has produced over 100 exhibitions in Hong Kong, Shanghai, Beijing, and internationally. Notable solo exhibitions in recent years include Chou Yu-Cheng's "Sedimentary Gradient" in 2022,[3] Yeung Hok Tak's "What a big smoke ring" in 2022,[4] Nabuqi's "Ghost, Skin, Dwelling" in 2021,[5] Yang Chi-Chuan's "Plastonki" in 2021,[6] Yu Ji's "Forager" in 2020,[7] Günther Förg's『1986 – 1992』in 2020,[8] Ko Sin Tung's "Adaption" in 2019,[9] "R for Rhombicuboctahedron" in 2019, the eighth volume of Ho Tzu Nyen's series "The Critical Dictionary of Southeast Asia",[10] "The highway is like a lion's mouth" by Samson Young in 2018,[11] Wong Ping's "Who's the Daddy" in 2017,[12] "Refresh, Sacrifice, New Hygiene, Infection, Clean, Robot, Air, Housekeeping, www.ayibang.com, Cigarette, Dyson, Modern People" by Chou Yu-Cheng in 2017,[13] among others.
Notable international projects include Yuan Yuan's exhibition "Alternative Realities" in the Palazzo Terzi, Bergamo in 2018,[14]Su-Mei Tse's "A Certain Frame Work 3 (Villa Farnesina)" for Hayward Gallery's Waterloo Billboard Commission in 2018,[15] and the moving image project "Dreams, Illusions, Phantom Flowers" in partnership with Elephant West, London in 2019.[16]
The gallery's first space opened in 2010 and was designed by the Office for Metropolitan Architecture Asia (Hong Kong),[citation needed] led by the architect Rem Koolhaas. In January 2015, the gallery expanded twice in size and moved to a new space, occupying an entire floor, designed by the Hong Kong-based firm BEAU Architects.[44]
