Jump to content
 







Main menu
   


Navigation  



Main page
Contents
Current events
Random article
About Wikipedia
Contact us
Donate
 




Contribute  



Help
Learn to edit
Community portal
Recent changes
Upload file
 








Search  

































Create account

Log in
 









Create account
 Log in
 




Pages for logged out editors learn more  



Contributions
Talk
 



















Contents

   



(Top)
 


1 Early life  





2 Career  





3 Works  



3.1  Self portrait  





3.2  Dreaming  





3.3  Manjushri (2001)  





3.4  Waiting for 52 Excelsior (2001)  





3.5  Garfield High Mural (2006)  





3.6  Silver Avenue Family Health Center (2006)  







4 Exhibitions  



4.1  Solo exhibitions  





4.2  Group exhibitions  







5 Collections  





6 Honors and reward  





7 References  





8 Further reading  





9 External links  














Marta Ayala







Add links
 









Article
Talk
 

















Read
Edit
View history
 








Tools
   


Actions  



Read
Edit
View history
 




General  



What links here
Related changes
Upload file
Special pages
Permanent link
Page information
Cite this page
Get shortened URL
Download QR code
Wikidata item
 




Print/export  



Download as PDF
Printable version
 
















Appearance
   

 






From Wikipedia, the free encyclopedia
 


Marta Ayala is a Salvadoran-American painter and a woman muralist in San Francisco. Her work involves experimenting with colors, themes, etc.[1] She is not tied to a single theme, medium or style. The majority of her work revolves around engaging with the community by collaborating together with other artists and teaching classes.[2] She experiments with various colors and uses easily definable lines in her paintings and murals.[1] Ayala's paintings and murals display a mix of colorful images reminiscent of childhood, earthly materials such as rocks and water with a mix of ancient culture. This is the reason for the word "primitive" to describe her work.[3]

Early life[edit]

Marta Ayala's artistic career began when she immigrated from El Salvador to San Francisco in 1968 along with her family. Ayala started producing paintings and drawings as a child.[2] She received inspiration from her uncle Camilo Minero.[4] He was a muralist and she followed in his footsteps. Her artwork has primitive and childlike characteristics. She is self-taught, evident from the outlines used in her images.

She attended schools throughout San Francisco and in Venezuela to further her skills.[1]

Ayala received her college education in San Francisco. She attended San Francisco City college between 1977 and 1978. After a short break, in the years 1980-82, Ayala left San Francisco for Venezuela to study at the Art Institute of Sucre. From 1989 through 1993 she went to the Precita Eyes Mural Center to apprentice with Susan Cervantes (Latina muralist). She returned to San Francisco City college after her apprenticeship.

Career[edit]

She teaches various members of the Bay area community about murals, especially children. She works with young children in a "Spanish Through Art" class. Because of the murals she painted all over the city (with contributions from others) she received Best Public Art award in San Francisco.[4]

Ayala has contributed to the infamous Balmy Alley in the Mission District of San Francisco. Las Mujeres Muralistas paved the way for Ayala and other Latinas in the San Francisco mural movement.[5]

Works[edit]

Self portrait[edit]

This 18 × 24 inch painting was created with oil on canvas. Ayala painted herself grinning with satisfaction while her dream-like self is depicted in darker colors with a serious demeanor in the background. The style is primitive as there is a clear distinction between herself and the background.[1]

Dreaming[edit]

Dreaming was created using charcoal. Ayala contributes to a theme that is common to many Latin American artists–dreams. In this piece, a woman is lying down dreaming of a naked angel-looking-man that the woman is drooling over. The third part of the image appears to be a heart inflamed. It is stated that Ayala is trying to depict the sin of lust. The woman seems content, but a mixed emotions flow because of the enflamed heart–portraying shame.[1]

Manjushri (2001)[edit]

The Manjushri mural is in Balmy Alley. It shows an enlightened Buddhist creature painted with various colors surrounding the piece. Ayala uses elements from Tibetan Art with a mix of Latin American Art.[3]

Waiting for 52 Excelsior (2001)[edit]

This public mural was created with paint on a wall. Nature and urbanism are displayed in this mural but without clear distinctions; everything flows together, symbolizing both worlds living together. The mural is located on Excelsior Avenue.[6]

Garfield High Mural (2006)[edit]

This mural was painted on a wall at Garfield High School in Palo Alto, California. This work involved the students of the high school as instructed by Ayala. It has childlike characteristics as it was painted by children. The mural displays a small town on a grassy hill filled with butterflies full of color and flowers throughout. It irepresents the transformation of their city or hopes for transformation to a more positive and beautiful one. The cursive words above the mural read, "Latino Power Hope to Transform Our City, Our Future Community, Leadership, Our Friendships, Family." [citation needed]

Silver Avenue Family Health Center (2006)[edit]

The Silver Avenue Family Health Center mural is a colorful piece. The mural displays people dancing in different ways in various color schemes. This was a piece of art created with the community.[citation needed]

Exhibitions[edit]

Solo exhibitions[edit]

Group exhibitions[edit]

Collections[edit]

Honors and reward[edit]

References[edit]

  1. ^ a b c d e Henkes, Robert (1999). Latin American Women Artists of the United States. McFarland. pp. 26–32.
  • ^ a b "Roots and Frequencies Basic to our Education". ArtAround. January 2016. Retrieved May 27, 2019.
  • ^ a b Cohen, Jonathan (December 31, 2013). "Manjushri – Balmy Alley, Mission District, San Francisco, California". ipernity. Retrieved May 28, 2019.
  • ^ a b "Featured Artists". The Mission. Retrieved 2019-05-01.
  • ^ Sprague, Alyson (May 2012). "Mission Murialismo: Examining Identity in San Francisco's Mission District Via an Exploration of Public Mural Art" (PDF). {{cite journal}}: Cite journal requires |journal= (help)
  • ^ Young, Kerri (2020-03-20). "Public Art in the Excelsior". San Francisco Heritage. Retrieved 2024-03-04.
  • ^ "Marta Ayala | San Francisco Public Murals and Paintings | About the Artist". martaayala.com. Retrieved 2019-05-01.
  • Further reading[edit]

    External links[edit]


    Retrieved from "https://en.wikipedia.org/w/index.php?title=Marta_Ayala&oldid=1226323309"

    Categories: 
    Living people
    American people of Salvadoran descent
    American women artists
    American muralists
    Women muralists
    21st-century American women artists
    Hidden categories: 
    CS1 errors: missing periodical
    Articles with short description
    Short description matches Wikidata
    BLP articles lacking sources from July 2019
    All BLP articles lacking sources
    All articles with unsourced statements
    Articles with unsourced statements from July 2019
    Year of birth missing (living people)
     



    This page was last edited on 29 May 2024, at 22:29 (UTC).

    Text is available under the Creative Commons Attribution-ShareAlike License 4.0; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.



    Privacy policy

    About Wikipedia

    Disclaimers

    Contact Wikipedia

    Code of Conduct

    Developers

    Statistics

    Cookie statement

    Mobile view



    Wikimedia Foundation
    Powered by MediaWiki