Natalie KingOAM (born 1966) is an Australian curator and writer working in Melbourne, Australia. She specializes in Australian and international programs for contemporary art and visual culture. This includes exhibitions, publications, workshops, lectures and cultural partnerships across contemporary art and indigenous culture.[1]
King was formerly Chief Curator of Melbourne Biennial Lab,[2][3] the Creative Associate of MPavilion[4] and curator of Tracey Moffatt for the Australian Pavilion at the 57th International Art Exhibition, Venice Biennale 2017.[2][5]
As from 2017, she is a senior research fellow at the Victorian College of the Arts, University of Melbourne, Australia[5] and was recently appointed to the role of enterprise professor at the VCA.[6] In that role she was named in The Australian Financial Review 100 Women of Influence awards for Arts, Culture and Sport in October 2018.[7] In September 2019, King was appointed as curator of the first Pacific and transgender artist, Yuki Kihara, to represent Aotearoa New Zealand at the 59th Venice Biennale 2022.[8]
Natalie King grew up in North Balwyn, Melbourne Victoria, in a conventional Jewish household.[9] From a young age she had an interest in the indigenous history of the city, including the work of Aboriginal artist Destiny Deacon and long-time collaborator Virginia Fraser.[9]
Natalie King curated Tracey Moffatt for the Australian pavilion at the 57th International Art Exhibition, Venice Biennale 2017.[4][10]
King curated the first Pasifika and Samoan artist, Yuki Kihara for the New Zealand pavilion at the 59th International Art Exhibition, Venice Biennale 2022.[11]
In 2024, King curated the inaugural Timor-Leste pavilion, Maria Madeira: Kiss and Don’t Tell at the 60th International Art Exhibition, Venice Biennale 2024.[12]
Her previous roles include Chief Curator of Melbourne Biennial Lab, City of Melbourne; senior research fellow, Victorian College of the Arts, The University of Melbourne and Creative Associate of MPavilion.[1][4]
In 2018, Natalie King was selected as a finalist for the Australian Financial Review100 Women of Influence. The award was established to recognize the achievements of Australian women across a broad range of professions and disciplines.[13]
In the 2020 Queen's Birthday Honours, King was awarded the Medal of the Order of Australia (OAM) for "service to the contemporary visual arts".[14]
In 2023 King won the Best Artist-Led Publication AWAPA award by the Art Association of Australia & New Zealand for editing the publication Paradise Camp by Yuki Kihara. (Thames and Hudson, 2022)[15]
Natalie King is co-editor (with Professor Larissa Hjorth and Mami Kataoka) of the anthology Art in the Asia Pacific: Intimate Publics, Routledge, 2014.[1] She is also editor/curator of Up Close: Carol Jerrems with Larry Clark, Nan Goldin and William Yang, Heide Museum of Modern Art.[1] King also co-edited a publication on biennial curator Hou Hanru.[4] She is widely published in arts media including LEAP, Photofile and Flash Art.[1]
She is also a member of the International Association of Art Critics, Paris.[2]
Tracey Moffatt: My Horizon, by Natalie King, Thames & Hudson, 1 May 2017 ISBN9780500501078[17]
Whisper in my mask: TarraWarra Biennial 2014, edited by Natalie King and Djon Mundine, TarraWarra, 2014, ISBN9780980540871
Hou Hanru, edited by Natalie King and Victoria Lynn, University of Melbourne, 2013, ISBN9780734048875
Jitish Kallat: Circa, edited by Natalie King and Bala Starr, University of Melbourne, 2012, ISBN9780734048226
Shadowlife, curated by Djon Mundine and Natalie King, Asialink, 2012, ISBN9780734047571
Up Close: Carol Jerrems with Larry Clark, Nan Goldin and William Yang, Edited by Natalie King, 31 August 2010 ISBN9781863955010[18]
Destiny Deacon: Walk & don't look blak, curated by Natalie King, Museum of Contemporary Art, 2004, ISBN1875632972
2017, My Horizon: Tracey Moffatt, Australian Pavilion, 57th Venice Biennale, Venice[21]
2016, Monyet Gila: Episode One – The Episode with the Crazy Monkey, Contemporary Asian Art, Sydney, co-curated with Mikala Tai[22]
2016, Melbourne Biennial Lab: What happens now?, Melbourne Festival[23]
2016, Conversations: Endless Acts in Human History, Entang Wiharso and Sally Smart, National Gallery of Indonesia, Jakarta, co-curated with Suwarno Wisetrotomo[24]
2014, One Night Stand: Slow Art Collective & The Telepathy Project, MPavilion, Melbourne[25]
2014, Whisper in My Mask: TarraWarra Biennial 2014 (with Djon Mundine), TarraWarra Museum of Art, Victoria[26]
2014, Episodes: Australian Photography Now 13th Dong Gang International Photo Festival 2014, Dong Gang Museum of Photography, Korea[27]
2013, Jitish Kallat: Circa, Ian Potter Museum of Art, Melbourne, co-curated with Bala Starr and Andrew Jamieson[28]
2012, Shadowlife (with Djon Mundine), Bangkok Arts & Cultural Centre; Kaohsiung Museum of Fine Arts, Taiwan; Nanyang Academy of Fine Art, Singapore; Bendigo Art Gallery, Victoria[29][30]
2012, Gigi Scaria: Prisms of Perception, Ian Potter Museum of Art, Melbourne, co-curated with Bala Starr[31]
2010, Up Close: Carol Jerrems with Larry Clark, Nan Goldin & William Yang, Heide Museum of Modern Art, Melbourne[32]
2004, Destiny Deacon: Walk & don’t look blak, Adam Art Gallery, Wellington; Tjibaou Cultural Centre, New Caledonia; Tokyo Metropolitan Museum of Photography, Japan and Ian Potter Museum of Art, Melbourne, Museum of Contemporary Art, Sydney[33]
2004, Supernatural Artificial, Tokyo Metropolitan Museum of Photography, Japan[34]
1999, aero-zone, Rosemary Laing, National Museum of Art, Osaka, Australian Centre for Contemporary Art, Melbourne[35][36]
1994, Primavera 1994: Young Australian Artists, Museum of Contemporary Art, Sydney[37]
