| Roxanne | |
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Theatrical release poster
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| Directed by | Fred Schepisi |
| Screenplay by | Steve Martin |
| Based on | Cyrano de Bergerac byEdmond Rostand |
| Produced by | Michael I. Rachmil Daniel Melnick |
| Starring |
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| Cinematography | Ian Baker |
| Edited by | John Scott |
| Music by | Bruce Smeaton |
| Distributed by | Columbia Pictures |
Release date |
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Running time | 107 minutes |
| Country | United States |
| Language | English |
| Budget | $12 million (est.)[1] |
| Box office | $40.1 million (domestic)[2] |
Roxanne is a 1987 American romantic comedy film directed by Fred Schepisi and starring Steve Martin and Daryl Hannah. It is a modern retelling of Edmond Rostand's 1897 verse play Cyrano de Bergerac, adapted by Steve Martin. Rostand is mentioned in the opening credits.
Charlie "C.D." Bales is the intelligent, witty, charismatic and athletic fire chief of the small town of Nelson where he is well liked by the town residents. Nevertheless, he is sensitive about his abnormally large nose, which most of the town knows not to mention in front of him. When the beautiful Roxanne Kowalski, an astronomy PhD student, arrives to stay in town over the Summer while searching for a passing comet, he, and many others, are drawn to her. However, he believes she would never be attracted to him because of his nose. Though Roxanne adores him as a friend, she is physically attracted to Chris McConnell, a handsome but dimwitted fireman newly recruited into C.D.'s bumbling and slow-learning team.
After seeing Chris buy a book by Sartre for a friend, she assumes he is deeply intelligent and asks C.D. to approach him on her behalf. When Chris hears of her interest, he feels ill as women intimidate him. He tries to write her a letter but takes all day with little result. He then convinces C.D. to write it with prose that successfully woos Roxanne. When told Roxanne wants to meet up, a nerve-wracked Chris insists C.D. help him seem equally brilliant in person. He arrives at Roxanne's wearing concealed earphones that relay C.D.'s words. When the equipment fails, Chris bungles it by objectifying Roxanne and she furiously ends their date. He begs C.D. for help and, as Chris is unable to relay what C.D. prompts, C.D. obscures himself behind a tree and confesses his true feelings of love for Roxanne while pretending to be Chris. His words touch Roxanne and she invites Chris inside her home to make love, much to C.D.'s chagrin.
Roxanne goes out of town for a week and leaves her hotel address with C.D. so Chris can write to her. Instead of telling Chris, C D. writes her three times a day, each letter more impactfully romantic than the last. Meanwhile, Chris and local bartender Sandy begin flirting. While writing a new letter, C.D.'s god sister and close friend Dixie encourages him to tell Roxanne he loves her. Upon learning that Roxanne has returned early, C.D. rushes to warn Chris that she may mention the letters, leaving behind his new letter which Dixie reads. Roxanne tries to get Chris to be the man in the letters, revealing his looks are only secondary for her. Feeling ill, and believing his looks are all he has, he runs out, leaving her confused. Chris leaves town with Sandy for Tahoe, writing Roxanne a breakup letter.
C.D. visits Roxanne who reveals she knows the truth: Dixie delivered C.D.'s final letter with a note revealing him as the author and Roxanne compared the handwriting with Chris's poorly-written letter. Furious that C.D. misled and tricked her, she punches him in the nose and throws him out. Before he can say more, he is distracted by his extra-keen sense of smell detecting a fire. He alerts his team and leads them to a large fire which they successfully extinguish.
While resting on his roof, C.D. hears Roxanne reciting his words to him. She tells C.D. that it was his words that she fell in love with, which made her feel romantic, intelligent, and feminine, and it is C.D. she truly loves. C.D. stylishly descends from the roof, and they kiss before retiring inside his home. To C.D.'s delight she tells him she named the comet Charlie, but reveals it is named after her father.
Steve Martin had always been a fan of the José Ferrer version of Cyrano de Bergerac:
I remember just thinking it was the greatest thing I ever saw. I think it's because the character is so strong. He's like a very smart version of what, coincidentally, is popular in movies today. He's smarter than everybody else, quicker than everybody else, wittier than everybody else and tops everybody. That's what the original Cyrano is like. And this just sort of takes that vicious edge off it.[1]
In the early-1980s Martin had the idea of updating the play, only with the difference that Cyrano would get the girl in the end. He decided to write the screenplay himself, writing 25 drafts over three years.[1] The film was greenlit at Columbia by then-production chief Guy McElwaine. He was replaced by David Puttnam who liked the script, continued the studio's support and suggested the casting of Daryl Hannah. It was the first film released under Puttnam's auspices at Columbia.[3]
Roxanne was filmed in the summer of 1986 in the town of Nelson, British Columbia.[4] Steve Martin chose to use the local fire hall on Ward Street as a primary set. Although the movie has references to the town's name being "Nelson", it is portrayed as being in the USA. The mailboxes which figure in the plot are USPS blue, not Canada Post red. In the bar scenes, neon signs for Miller beer show the advertising slogan of the time: "Made the American Way", which was not used in Canada. There is also a scene which shows the fire truck to have a Washington license plate, which complements an earlier scene in which Martin's character makes a reference to Seattle. Martin's nose makeup took 90 minutes to apply every day and two minutes to take off. "God how I hated that thing", he said.[1]
Roxanne received an 88% approval rating on Rotten Tomatoes based on 43 reviews, with the consensus being: "Though its sweetness borders on sappiness, Roxanne is an unabashedly romantic comedy that remains one of Steve Martin's funniest".[5] Metacritic gave film a score of 73 based on 19 reviews, indicating "generally favorable reviews".[6] Roger Ebert hailed the film as a "gentle, whimsical comedy", giving it a 3 and half stars of four, also stating: "What makes "Roxanne" so wonderful is not this fairly straightforward comedy, however, but the way the movie creates a certain ineffable spirit".[7] It is number #71 on Bravo's "100 Funniest Movies".
It has also won and has been nominated for a number of awards, including:[8]
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Works directed by Fred Schepisi
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