Façade of the church of San Pancrazio, showing the columns and architrave removed from the Rucellai Chapel
Province
Florence
Region
Tuscany
Location
San Pancrazio is a church in Florence, Italy, in Piazza San Pancrazio, behind Palazzo Rucellai. With the exception of the Rucellai Chapel, it is deconsecrated and is home to the museum dedicated to the sculptor Marino Marini. The Rucellai Chapel contains the Rucellai Sepulchre or Tempietto del Santo Sepolcro. Since February 2013 it has been possible to visit the chapel from within the Marini museum.[1]
The church was built in the early Christian age, and is documented from 931; according to the historian Giovanni Villani, it was founded by Charlemagne. The adjoining Vallombrosian monastery was established in 1157. It was suppressed in 1808. The church was restored and enlarged from the 14th century. The cloister houses a fresco by Neri di Bicci.
For the same Rucellai family Leon Battista [Alberti] made in the same way [i.e., with architraves supported by columns] in San Pancrazio a chapel supported by large architraves placed on two columns and two pilasters, cutting through the wall of the church, which is difficult, but safe. Thus this work is among the best that this architect did. In the middle of this chapel is a sepulchre of marble, very well made, in shape oval and oblong, and similar, as can be read on it, to the sepulchre of Jesus Christ in Jerusalem.
Alberti's work on the Rucellai Chapel and on the sepulchre within it probably began in about 1458; the origins of the chapel date to 1417, when the walls of the nave of San Pancrazio were built.[4] According to the inscription above the door, the sepulchre was completed in 1467. The sepulchre is based on the Holy Sepulchre in the AnastasisinJerusalem. The exterior is decorated with marble intarsiae; inside are the tombs of Giovanni Rucellai and members of his family, and a fresco by Alesso Baldovinetti.
^Per i medesimi Rucellai in questa stessa maniera fece Leon Batista in San Brancazio una cappella, che si regge sopra gl’architravi grandi, posati sopra due colonne, e due pilastri; forando sotto il muro della chiesa, che è cosa difficile ma sicura. Onde questa opera è delle migliori, che facesse questo architetto. Nel mezo di questa cappella è un sepolcro di marmo molto ben fatto, in forma ovale, & bislungo, simile, come in esso si legge, al sepolcro di Gesù Cristo in Gierusalem.