Taylor Mead (December 31, 1924 – May 8, 2013) was an American writer, actor and performer. Mead appeared in several of Andy Warhol's underground films filmed at Warhol's Factory,[1] including Tarzan and Jane Regained... Sort of (1963) and Taylor Mead's Ass (1964).
Born in Detroit, Michigan and raised by divorced parents mostly in the wealthy suburb of Grosse Pointe,[2] he appeared in Ron Rice's beat classic The Flower Thief (1960), in which he "traipses with elfin glee through a lost San Francisco of smoke-stuffed North Beach cafés ..."[3] Film critic P. Adams Sitney called The Flower Thief "the purest expression of the Beat sensibility in cinema." Village Voice film critic J. Hoberman called Mead "the first underground movie star."[4]
In the mid-1970s, Gary Weis made some short films of Mead talking to his cat in the kitchen of his Ludlow Street apartment on Manhattan's Lower East Side called Taylor Mead's Cat. One film of Mead extemporizing on the virtues of constant television watching aired during the first season of Saturday Night Live. He also appeared in films by Rosa von Praunheim, for example in 1979 in Tally Brown, New York. Mead was friend with both (the director and Tally Brown).
In 1995, Mead spent eight hours a day for a week at the Bon Temps bar, New Orleans, being documented in the photobooth costumed as a series of Warholian characters for Blake Nelson Boyd's documentary Photobooth Trilogy. Characters included Superman and Mickey Mouse from Warhol's Myth series and references to Mead's performances in Lonesome Cowboys and Nude Restaurant.
While living on Ludlow Street, Mead read his poetry regularly at The Bowery Poetry Club. His first book of poems, "Taylor Mead on Amphetamines and in Europe", was written in 1968 (Republished by the Taylor Mead Estate, September 2015) [5]
His last book of poems (published by Bowery Poetry Books) is called A Simple Country Girl.[6] He was the subject of William A. Kirkley's documentary Excavating Taylor Mead, which debuted at the Tribeca Film Festival in 2005. The film shows him engaging in his nightly habit of feeding stray cats in an East Village cemetery after bar-hopping, and features a cameobyJim Jarmusch, in which Jarmusch explains that once, when Mead went to Europe, he enlisted Jarmusch's brother to feed the cemetery cats in Mead's absence.
Mead appeared in the final segment of Jarmusch's 2003 film Coffee and Cigarettes. He has been "a beloved icon of the downtown New York art scene since the 60s."[7]
Mead appeared at the Yerba Buena Center for the Arts in San Francisco, from September 18 to 21, 2008, for a series of three films (The Flower Thief, Lonesome Cowboys, and Excavating Taylor Mead) .[8]
Mead was displaced from Ludlow Street in April 2013, receiving a settlement to move out, after many years of a dispute with his landlord.[9][10] He lived with his niece, Priscilla Mead, in Denver and was planning to return to New Orleans on May 21[11] to prepare for the opening of his exhibition at the Boyd Satellite Gallery on Julia Street in that city,[12] but he died on May 8, 2013, in Denver. He was 88.[13]
^C. Carr (Oct 23, 2002). "Buried Alive". Village Voice. Archived from the original on May 14, 2008. Retrieved 2006-09-21.
^Mead, Taylor; Mead, Priscilla (1968). Taylor Mead on Amphetamine and in Europe: Excerpts from the Anonymous Diary of a New York Youth. Boss Books. ISBN9781515054245.
^Mead, Taylor (2005). Taylor Mead, A Simple Country Girl. YBK Publishers. ISBN097643590X.
