"Tell Me What You See" is a song by the English rock band the Beatles that first appeared in 1965 on their album Help! in the United Kingdom and on Beatles VI in the United States. The song is credited to Lennon–McCartney but mainly written by Paul McCartney. Regarding the song's authorship, McCartney said, "I seem to remember it as mine. I would claim it as a 60–40 but it might have been totally me."[1]John Lennon said, in his interviews with Playboy (1980) and Hit Parader (1972), that "Tell Me What You See" was written completely by McCartney.
Although "Tell Me What You See" is credited to the Lennon–McCartney songwriting partnership,[2] both John Lennon and Paul McCartney identified it as being primarily written by McCartney. McCartney said in the 1997 biography Many Years from Now: "I seem to remember it as mine. I would claim it as a 60–40 but it might have been totally me."[1] Asked about the song in 1980, Lennon simply said, "That's Paul."[3] McCartney recalled little of its writing, later describing it as a filler track: "Not one of the better songs but they did a job, they were very handy for albums or B-sides. You need those kind of sides."[4]
"Tell Me What You See" has been described as a folk rock song,[5] foreshadowing the direction of the Beatles' next album, Rubber Soul.[6] It is in the key of G major and is in common time.[7] The song's second verse draws from a religious motto hung in Lennon's childhood home with his aunt Mimi Smith.[8] Lennon himself would parody the lines in the story "Silly Norman" from his 1965 book A Spaniard in the Works:[9]
Original motto
"Tell Me What You See"
"Silly Norman"
However black the clouds may be In time they'll pass away Have faith and trust and you will see God's light make bright your day[8]
Big and black the clouds may be Time will pass away If you put your trust in me I'll make bright your day[10]
However blackpool tower maybe, In time they'll bassaway. Have faith and trumpand B B C – Griffs' light make bright your day.[11]
The band then added several overdubs to take four.[14] McCartney and Lennon added vocals – McCartney on lead and Lennon on harmony, with McCartney then doubling his part.[15] Starr added claves and maracas, Lennon added tambourine, and McCartney added an electric piano part to the break, played on a Hohner Pianet.[16][nb 1] Martin, Smith, and Scott mixed the track for mono on 20 February and Smith and Malcolm Davies mixed it for stereo on 23 February.[18]
