The Black Album was met with widespread critical acclaim. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, it received an average score of 84, based on 19 reviews.[2]AllMusic's John Bush claimed Jay-Z was retiring at his peak with the album.[3]Vibe magazine said it was remarkable as an apotheosis of his genuinely thoughtful songwriting and lyrics "delivered with transcendent skill",[13] while Steve Jones from USA Today said even with "top-shelf work" from elite producers, the album was elevated by Jay-Z's uniquely deft and diverse rapping style.[12] Writing for The A.V. Club, Nathan Rabin felt Jay-Z returned to "brevity and consistency" on an album that demonstrated his lyrical abilities and, more importantly, hip hop's best producers.[14] Jon Caramanica wrote in The Rolling Stone Album Guide (2004) that The Black Album was both "old-school and utterly modern", showcasing Jay-Z "at the top of his game, able to reinvent himself as a rap classicist at the right time, as if to cement his place in hip-hop's legacy for generations to come".[15]
Some reviewers were less enthusiastic. In Rolling Stone, Touré determined that The Black Album was slightly inferior to Jay-Z's best records, namely Reasonable Doubt (1996) and The Blueprint (2001).[11] Dave Simpson from The Guardian was more critical, dismissing the music as "an aural equivalent of that old American favourite, the schmaltzy biopic."[5]InThe Village Voice, Robert Christgau gave the record a back-handed compliment: "[Jay-Z] raps like a legend in his own time—namely, Elvis in Vegas".[16] Nonetheless, in a retrospective review in 2011, Christgau stated that he was impressed by the stretch of songs from "Encore" to "Justify My Thug" and thought "the fanfares, ovations, maternal reminiscences, and vamp-till-ready shout-outs were overblown at best" at the time of its release, but they came to sound "prophetic" because of the entrepreneurial success and fame he continued to achieve afterwards. "He's got a right to celebrate his autobiography in rhyme because he's on track to become a personage who dwarfs any mere rapper," Christgau wrote, "and not only can he hire the best help dark green can buy, he can make it sing."[7]
The Black Album debuted at number one on the US Billboard 200 chart, selling 463,000 copies in its first week, according to Nielsen Soundscan.[24] This became Jay-Z's sixth US number one album.[24] Another note on the alter was that the Black Album also blocked the soundtrack to the Tupac Shakur documentary, Tupac: Resurrection, and the G-Unit debut album, Beg for Mercy, from the top position. Both albums charted at numbers two and three respectively.[25] In its second week, the album dropped to number four on the chart, selling an additional 288,000 copies.[26] In its third week, the album climbed to number one on the chart, selling 288,000 more copies.[27] In its fourth week, the album dropped to number ten on the chart, selling 124,000 copies.[28] On August 16, 2005, the album was certified RIAA Certificationtriple platinum by the Recording Industry Association of America (RIAA) for shipments of over three million copies.[29] As of July 2013, the album had sold 3,516,000 copies in the US.[30] According to Billboard, it became Jay-Z's top selling record of the 2000s and the 136th highest selling record of the decade in the United States.[31]
Three singles were released from the album and appeared on the Billboard charts. "Change Clothes" and "Dirt off Your Shoulder" both reached the top 10 of the Hot 100, while "99 Problems" peaked at number 30.[32]
In December 2004, Roc-A-Fella Records released The Black Album on vinyl with no beats underneath Jay-Z's lyrics, spurring producers and DJs to rework his farewell disc into creations such as The Brown Album and even The Grey Album, by Los Angeles producer Danger Mouse, which combines Jay's words with music from the Beatles' self-titled album (also known as the "White Album"), breaking with the Roc-A-Fella's tradition of not releasing acappella 12-inches, so producers could "remix the hell out of it."[33]
Several notable reworkings were released but of all the remixed albums, The Grey Album was the most popular. The hype around The Grey Album gained notoriety when EMI attempted to halt its distribution despite approval from Jay-Z and the two surviving Beatles, Paul McCartney and Ringo Starr.[34] EMI ordered Danger Mouse and retailers carrying the album to cease distribution.[35] Music industry activist group Downhill Battle responded by coordinating Grey Tuesday, an electronic civil disobedience event held on February 24, 2004. Participating websites posted copies of The Grey Album for free download for a 24-hour period in protest of EMI's attempts to prevent distribution of the mashup on the grounds that sampling is fair use and that a statutory license should be provided in the same manner as if an artist were to perform or record a cover version of a song. Hundreds of websites publicized the event with 170 hosting the album for download. Over 100,000 copies were downloaded on that day alone.[36] The legal repercussions of the protest were minimal; a number of the participants received cease and desist letters from EMI, but no charges were filed in connection with the event.
"December 4th" contains a sample of "That's How Long" written by Walter Boyd and Elijah Powell Jr., and performed by The Chi-Lites.
"What More Can I Say" contains samples of "Something for Nothing" written by Thom Bell, Kenneth Gamble and Roland Chambers, and performed by MFSB, and "Keep Your Hands High" written by Tracey Lee and Christopher Wallace, and performed by Tracey Lee featuring The Notorious B.I.G.
"Threat" contains a sample from "A Woman's Threat" written and performed by R. Kelly.
"99 Problems" contains samples of "Long Red" written by Norman Landsberg, Felix Pappalardi, John Ventura and Leslie Weinstein, and performed by Mountain, "Get Me Back on Time, Engine Number 9" performed by Wilson Pickett, "The Big Beat" written and performed by Billy Squier, elements of "99 Problems" written by Tracy Marrow and Alphonso Henderson, and performed by Ice-T, interpolations of "Touched" written by Chad Butler and Bernard Freeman, and performed by UGK, and portions of "Children's Story" written and performed by Slick Rick.
"Public Service Announcement (Interlude)" contains a portion of "No One Can Do It Better" written by Tracy Curry and Andre Young, and performed by The D.O.C., and a sample of "Seed of Love" written by Raymond Levin, and performed by Little Boy Blues.
"Lucifer" contains a sample of "Chase the Devil" written by Hugh Perry and Maxie Smith, and performed by Max Romeo.
"My 1st Song" contains a sample of『Tu y Tu Mirar...Yo y Mi Canción』written by Germain de La Fuente, and performed by Los Angeles Negros, and a vocal portion of The Notorious B.I.G.'s 1996 interview for MTV.
* Sales figures based on certification alone. ^ Shipments figures based on certification alone. ‡ Sales+streaming figures based on certification alone.
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