| The Don Is Dead | |
|---|---|
 | |
| Directed by | Richard Fleischer |
| Written by | Christopher Trumbo[1] Marvin H. Albert Michael Butler |
| Based on | The Don is Dead by Marvin H. Albert |
| Produced by | Paul Nathan Hal B. Wallis |
| Starring | Anthony Quinn Frederic Forrest Robert Forster Al Lettieri Angel Tompkins Charles Cioffi |
| Cinematography | Richard H. Kline |
| Edited by | Edward A. Biery |
| Music by | Jerry Goldsmith |
| Distributed by | Universal Pictures |
Release date |
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Running time | 115 min. |
| Country | United States |
| Language | English |
The Don Is Dead is a 1973 American crime film directed by Richard Fleischer and written by Christopher Trumbo, Michael Butler, and Marvin H. Albert, adapted from Albert's novel of the same name. It stars Anthony Quinn, Frederic Forrest, Robert Forster, Al Lettieri, and Angel Tompkins.
It was released by Universal Pictures on November 14, 1973, and received mixed reviews.
Frank (played by Robert Forster) is the ambitious son of an organized-crime boss. He plans a heroin deal with the help of Tony Fargo (Frederic Forrest) and his brother Vince (Al Lettieri). But when a gangland snitch secretly tips off the cops, Frank's drug deal results in a violent gun battle. In the end, Frank and the Fargos survive. Later, on discovering who set them up, Frank learns of the death of his powerful father, caused by a stroke. A meeting is thus called among the various mob families to select a new don. There, it is decided that Frank, still too young to take over for his dead father, will instead learn the business under the wing of his dad's lifelong friend, Don Angelo (Anthony Quinn). In doing so, Angelo becomes a sort of Lord Protector to the future mob boss, Frank.
Unfortunately, Don Angelo begins an illicit romance with Frank's young and beautiful fiancée, named Ruby (Angel Tompkins). This sends the hot-tempered Frank into a self-destructive rage. He beats up Ruby so badly she has to be hospitalized. She informs Don Angelo, who swears vengeance against Frank. Miraculously, Frank survives the attempt on his life. But the incident causes everyone to choose sides, and a bloody, all-out war is waged in the streets.
A.H. WeilerofThe New York Times was positive: "Expertise, if not imagination, is evident in the explosive, action-oriented direction of Richard Fleischer... The Don Is Dead has the attributes of some lively, pithily accented performances that are adult and effectively natural. Among these are Forrest, as the brainly hood who attempts to escape the racket, but winds up a don, Al Lettieri, as his roughhewn, dependent, ill-fated brother, and Forster, as the rising, vengeful muscleman who is eventually cut down. As the embattled don who is finally felled by a stroke, not a gun, Quinn is moodily menacing and as polished and relaxed as a professional long familiar with this sort of role."[2]
