| The Happy Time | |
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theatrical poster
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| Directed by | Richard Fleischer |
| Screenplay by | Earl Felton |
| Based on | Samuel A. Taylor (based on the Play by) Robert Fontaine (And the Book by) |
| Produced by | Earl Felton |
| Starring | Charles Boyer Louis Jourdan |
| Cinematography | Charles Lawton Jr. |
| Edited by | William A. Lyon |
| Music by | Dimitri Tiomkin |
Production | Stanley Kramer Productions |
| Distributed by | Columbia Pictures |
Release date |
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Running time | 94 minutes |
| Country | United States |
| Language | English |
The Happy Time is a 1952 American comedy-drama film directed by Richard Fleischer, based on the 1945 novel of the same name by Robert Fontaine, which Samuel A. Taylor turned into a hit play. A boy, played by Bobby Driscoll, comes of age in a close-knit French-Canadian family. The film stars Charles Boyer and Louis Jourdan as his father and uncle respectively. The play was also adapted into a musical in 1967 by composer John Kander, lyricist Fred Ebb, and librettist N. Richard Nash, and starred Robert Goulet.
Young Robert "Bibi" Bonnard (Bobby Driscoll) grows up in Ottawa, Ontario, with his parents, Jacques (Charles Boyer) and Susan (Marsha Hunt), and his roving rogue of a grandfather, Grandpere (Marcel Dalio). Across the street is his uncle, amiable drunkard Louis (Kurt Kasznar), who ignores the complaints of his hard-working dressmaker wife Felice (Jeanette Nolan) and her worries about the future of their daughter Yvonne. Louis agitates about meeting his prospective son-in-law, Alfred Grattin, a teetotaler bank clerk who wishes to marry Yvonne. Next-door neighbour and schoolmate Peggy O'Hare (Marlene Cameron) has a crush on Bibi, but he is as yet too young to understand.
On his birthday, Bibi is taken to see the vaudeville acts at the theatre where his violinist / conductor father works. During the magic act, the Great Gaspari tries to steal a kiss from Mignonette Chappuis (Linda Christian), the assistant he is in the process of sawing in half. She storms offstage and quits. Jacques offers her a job as a maid, which she gladly accepts. Bibi is intrigued, but a little confused about his feelings for the new addition to the household. Equally fascinated, but not at all perplexed as to why is another unexpected arrival, Uncle Desmonde (Louis Jourdan), a traveling salesman and notorious ladies' man. He has been summoned back to take the place of the recently deceased sales manager, though he informs his employer it is only until a replacement can be found.
Uncle Desmonde starts courting Mignonette, but though she is attracted to him, she tells him she is fed up with living on the road and wants to settle down. He shows her the picture of a lovely house he expects to inherit, weakening her resistance.
Meanwhile, Peggy becomes jealous of Bibi's attentions to Mignonette. Bibi has already gotten into trouble for bringing La Vie Parisienne to school. When a dirty picture is found by the principal, Mr. Frye, Peggy falsely claims she saw Bibi draw it. Bibi denies it, angering Frye. He straps Bibi on the hand three times, and tells him it will be repeated every day until he confesses. When the adult Bonnards find out, they see Frye and straighten him out, though with great difficulty.
When they return in triumph, Desmonde discovers that Mignonette has quit after finding out that he lied about the house, and because she is under the impression that he has been sneaking into her bedroom and stealing kisses when she is asleep. Bibi confesses that he is the guilty party. Desmonde then realizes that Mignonette is not like all of his other women. He finds her and they become engaged.
The adults explain Peggy's behavior to Bibi. To Peggy's delight, Bibi forgives her and makes her his girl. Then his voice breaks.
Richard Fleischer had previously worked with Stanley Kramer and Carl Foreman on So This is New York. They borrowed Fleischer from RKO after the director had some additional reshoots on His Kind of Woman. Fleischer brought with him his regular writer, Earl Felton. He says Kurt Kasznar wanted too much money to reprise his Broadway performance so Kramer and Fleischer cast Zero Mostel instead. However then Harry Cohn became aware of the casting and overruled it - as Mostel was politically suspect due to communist sympathies. Kasznar was cast.[1]
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Films directed by Stanley Kramer
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