Contents

The Mask and Mirror

1994 studio album by Loreena McKennitt

The Mask and Mirror
Studio album by Loreena McKennitt
Released	March 15, 1994[1][2]
Genre	New-age[3] folk world
Length	52:46
Label	Quinlan Road, Warner Bros.
Producer	Loreena McKennitt
Loreena McKennitt chronology
The Visit (1991) The Mask and Mirror (1994) Live in San Francisco at the Palace of Fine Arts (1995)

Professional ratings

Review scores
Source	Rating
Allmusic	[4]

The Mask and Mirror is the fifth studio album by Loreena McKennitt. Released in 1994, the album has been certified Gold in the United States.^[5]

Overview[edit]

Like most of Loreena McKennitt's albums, The Mask and Mirror is heavily influenced by her travels. Her experiences in Spain and Morocco, specifically, serve as the inspiration for this album.

As her introduction to the album, McKennitt wrote:

I looked back and forth through the window of 15th century Spain, through the hues of Judaism, Islam, and Christianity, and was drawn into a fascinating world: history, religion, cross-cultural fertilization....For some medieval minds the mirror was the door through which the soul frees itself by passing.... for others the pursuit of personal refinement was likened to polishing the mirror of the soul. From the more familiar turf of the west coast of Ireland, through the troubadoursofFrance, crossing over the Pyrenees, and then to the west through Galicia, down through Andalusia and past GibraltartoMorocco....the Crusades, the pilgrimage to Santiago, Cathars, the Knights Templar, the Sufis from Egypt, One Thousand and One NightsinArabia, the Celtic imagery of trees, the Gnostic Gospels...who was God? and what is religion, what spirituality? What was revealed and what was concealed...and what was the mask and what the mirror?^{[citation needed]}

Accompanying all the selections, as the liner remarks, are some of the entries in a traveler's log that McKennitt kept all throughout her journey.

The album's cover uses a collage made from the medieval The Hunt of the Unicorn tapestries.

Tracks[edit]

Loreena McKennitt wrote the lyrics and composed the music for all the songs except as noted.

1. "The Mystic's Dream" – 7:40
2. "The Bonny Swans" (lyrics: traditional, arr. McKennitt, music by McKennitt) – 7:18
3. "The Dark Night of the Soul" (lyrics by St. John of the Cross, OCD; arr. McKennitt; music by McKennitt) – 6:44
4. "Marrakesh Night Market" – 6:30
5. "Full Circle" – 5:57
6. "Santiago" (traditional, arr. McKennitt) – 5:58
7. "Cé Hé Mise le Ulaingt?/The Two Trees" (lyrics by W. B. Yeats, music by McKennitt) – 9:06
8. "Prospero's Speech" (lyrics by William Shakespeare, arr. McKennitt, music by McKennitt) – 3:23

Song details[edit]

• "The Mystic's Dream" was featured in the 2001 miniseries The Mists of Avalon and in the 1995 film Jade.
• "The Bonny Swans" was made into a video.
• "The Dark Night of the Soul" is based on the poem "Dark Night of the Soul" by the Roman Catholic mystic, priest, and Doctor of the Church St. John of the Cross, OCD.
• "Santiago" is named after the Spanish city of Santiago de Compostela, and the melody is based on a spirited arrangement of the early 13th-century song『Non é gran cousa se sabe,』number 26 of the Cantigas de Santa Maria.
• The opening of the song『Cé Hé Mise Le Ulaingt?/The Two Trees』is『Cé Hé Mise Le Ulaingt』("Who am I to Bear It" in Irish), It was written and performed by Patrick Hutchinson on Uilleann pipes. The second part of the song is Loreena's version of "The Two Trees". Hence the two titles.
• "The Two Trees" derives its lyrics from a poem of William Butler Yeats.
• "Prospero's Speech" is the final soliloquy and epilogue by ProsperoinWilliam Shakespeare's play The Tempest.
• "Cé Hé Mise le Ulaingt?" and "The Two Trees" were both featured in the soundtrack of Highlander III: The Sorcerer as well as "Bonny Portmore" from the album The Visit)

Chart performance[edit]

Certifications and sales[edit]

References[edit]