The Project Gutenberg EBook of Index of The Project Gutenberg Works of
Thackeray, by William Makepeace Thackeray

This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever.  You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online at
www.gutenberg.org.  If you are not located in the United States, you'll
have to check the laws of the country where you are located before using
this ebook.



Title: Index of The Project Gutenberg Works of Thackeray

Author: William Makepeace Thackeray

Editor: David Widger

Release Date: September 24, 2018 [EBook #57966]

Language: English

Character set encoding: UTF-8

*** START OF THIS PROJECT GUTENBERG EBOOK WORKS OF THACKERAY ***




Produced by David Widger





 




INDEX OF THE PROJECT GUTENBERG 
WORKS OF 

WILLIAM MAKEPEACE  THACKERAY  





Compiled by David Widger  






THACK





CONTENTS  

Click on the ## before each title to view a linked
 table of contents for each of the ebooks.  

Click on the title itself to open the original online file.  

##  VANITY FAIR

##  THE ROSE AND THE RING

THE HISTORY OF SAMUEL TITMARSH

##  CATHERINE A STORY

##  MEN'S WIVES

##  THE BEDFORD-ROW CONSPIRACY

##  THE HISTORY OF HENRY ESMOND, ESQ.

##  ROUNDABOUT PAPERS

##  THE SECOND FUNERAL OF NAPOLEON

JOHN LEECH'S PICTURES OF LIFE AND CHARACTER

GEORGE CRUIKSHANK

##  BURLESQUES

##  THE BOOK OF SNOBS

##  THE CHRISTMAS BOOKS

##  BALLADS

##  THE PARIS SKETCH BOOK

##  MEMOIRS OF MR. YELLOWPLUSH

##  THE WOLVES AND THE LAMB

##  THE FITZ-BOODLE PAPERS

##  LITTLE TRAVELS AND ROADSIDE SKETCHES

##  THE FATAL BOOTS

##  A LITTLE DINNER AT TIMMINS'S

##  BARRY LYNDON

##  THE HISTORY OF PENDENNIS

##  THE NEWCOMES

##  THE VIRGINIANS

THE LOVING BALLAD OF LORD BATEMAN

##  HENRY ESMOND; THE ENGLISH HUMOURISTS

##  THACKERAYANA

##  DOCTOR BIRCH AND HIS YOUNG FRIENDS

THE MAHOGANY TREE

##  JOURNEY FROM CORNHILL TO GRAND CAIRO

##  THE ADVENTURES OF MAJOR GAHAGAN














TABLES OF CONTENTS OF VOLUMES  















VANITY FAIR  

By William Makepeace Thackeray  






CONTENTS  

I   Chiswick Mall
II   In Which Miss Sharp and Miss Sedley Prepare to Open the Campaign
III   Rebecca Is in Presence of the Enemy
IV   The Green Silk Purse
V   Dobbin of Ours
VI   Vauxhall
VII   Crawley of Queen's Crawley
VIII   Private and Confidential
IX   Family Portraits
X   Miss Sharp Begins to Make Friends
XI   Arcadian Simplicity
XII   Quite a Sentimental Chapter
XIII   Sentimental and Otherwise
XIV   Miss Crawley at Home
XV   In Which Rebecca's Husband Appears for a Short Time
XVI   The Letter on the Pincushion
XVII   How Captain Dobbin Bought a Piano
XVIII   Who Played on the Piano Captain Dobbin Bought
XIX   Miss Crawley at Nurse
XX   In Which Captain Dobbin Acts as the Messenger of Hymen
XXI   A Quarrel About an Heiress
XXII   A Marriage and Part of a Honeymoon
XXIII   Captain Dobbin Proceeds on His Canvass
XXIV   In Which Mr. Osborne Takes Down the Family Bible
XXV   In Which All the Principal Personages Think Fit to Leave Brighton
XXVI   Between London and Chatham
XXVII   In Which Amelia Joins Her Regiment
XXVIII   In Which Amelia Invades the Low Countries
XXIX   Brussels
XXX   "The Girl I Left Behind Me"
XXXI   In Which Jos Sedley Takes Care of His Sister
XXXII   In Which Jos Takes Flight, and the War Is Brought to a Close
XXXIII   In Which Miss Crawley's Relations Are Very Anxious About Her
XXXIV   James Crawley's Pipe Is Put Out
XXXV   Widow and Mother
XXXVI   How to Live Well on Nothing a Year
XXXVII   The Subject Continued
XXXVIII   A Family in a Very Small Way
XXXIX   A Cynical Chapter
XL   In Which Becky Is Recognized by the Family
XLI   In Which Becky Revisits the Halls of Her Ancestors
XLII   Which Treats of the Osborne Family
XLIII   In Which the Reader Has to Double the Cape
XLIV   A Round-about Chapter between London and Hampshire
XLV   Between Hampshire and London
XLVI   Struggles and Trials
XLVII   Gaunt House
XLVIII   In Which the Reader Is Introduced to the Very Best of Company
XLIX   In Which We Enjoy Three Courses and a Dessert
L   Contains a Vulgar Incident
LI   In Which a Charade Is Acted Which May or May Not Puzzle the Reader
LII   In Which Lord Steyne Shows Himself in a Most Amiable Light
LIII   A Rescue and a Catastrophe
LIV   Sunday After the Battle
LV   In Which the Same Subject is Pursued
LVI   Georgy is Made a Gentleman
LVII   Eothen
LVIII   Our Friend the Major
LIX   The Old Piano
LX   Returns to the Genteel World
LXI   In Which Two Lights are Put Out
LXII   Am Rhein
LXIII   In Which We Meet an Old Acquaintance
LXIV   A Vagabond Chapter
LXV   Full of Business and Pleasure
LXVI   Amantium Irae
LXVII   Which Contains Births, Marriages, and Deaths














THE ROSE AND THE RING  

By William Makepeace Thackeray  





CONTENTS  




PRELUDE 

THE ROSE AND THE RING 


I.   SHOWS HOW THE ROYAL FAMILY SATE DOWN TO BREAKFAST  

II.   HOW KING VALOROSO GOT THE CROWN, AND PRINCE GIGLIO  WENT WITHOUT 

III.   TELLS WHO THE FAIRY BLACKSTICK WAS 

IV.   HOW BLACKSTICK WAS NOT ASKED TO THE PRINCESS  ANGELICAS CHRISTENING 

V.   HOW PRINCESS ANGELICA TOOK A LITTLE MAID 

VI.   HOW PRINCE GIGLIO BEHAVED HIMSELF 

VII.   HOW GIGLIO AND ANGELICA HAD A QUARREL 

VIII.   HOW GRUFFANUFF PICKED THE FAIRY RING UP 

IX.   HOW BETSINDA GOT THE WARMING PAN 

X.   HOW KING VALOROSO WAS IN A DREADFUL PASSION 

XI.   WHAT GRUFFANUFF DID TO GIGLIO AND BETSINDA 

XII.   HOW BETSINDA FLED, AND WHAT BECAME OF HER 

XIII.   HOW QUEEN ROSALBA CAME TO THE CASTLE OF THE BOLD  COUNT HOGGINARMO 

XIV.   WHAT BECAME OF GIGLIO 

XV.   WE RETURN TO ROSALBA 

XVI.   HOW HEDZOFF RODE BACK AGAIN TO KING GIGLIO 

XVII.   HOW A TREMENDOUS BATTLE TOOK PLACE, AND WHO WON IT  

XVIII.      HOW THEY ALL JOURNEYED BACK TO  THE CAPITAL 

XIX.   AND NOW WE COME TO THE LAST SCENE IN THE PANTOMIME  















CATHERINE: A STORY  

[Catherine, A Story by Ikey Solomons, Esq., Junior.]  

by William Makepeace Thackeray  





CONTENTS  






ADVERTISEMENT 

CHAPTER I. INTRODUCING TO THE READER THE CHIEF PERSONAGE OF THIS  NARRATIVE. 

CHAPTER II. IN WHICH ARE DEPICTED THE PLEASURES OF A SENTIMENTAL  ATTACHMENT. 

CHAPTER III. IN WHICH A NARCOTIC IS ADMINISTERED, AND A GREAT DEAL OF  GENTEEL SOCIETY DEPICTED. 

CHAPTER IV. IN WHICH MRS. CATHERINE BECOMES AN HONEST WOMAN AGAIN. 

CHAPTER V. CONTAINS MR. BROCK'S AUTOBIOGRAPHY, AND OTHER MATTERS. 

CHAPTER VI. ADVENTURES OF THE AMBASSADOR, MR. MACSHANE. 

CHAPTER VII. WHICH EMBRACES A PERIOD OF SEVEN YEARS. 

CHAPTER VIII. ENUMERATES THE ACCOMPLISHMENTS OF MASTER THOMAS BILLINGSINTRODUCES  BROCK AS DOCTOR WOODAND ANNOUNCES THE EXECUTION OF ENSIGN  MACSHANE. 

CHAPTER IX. INTERVIEW BETWEEN COUNT GALGENSTEIN AND MASTER THOMAS  BILLINGS, WHEN HE INFORMS THE COUNT OF HIS PARENTAGE. 

CHAPTER X. SHOWING HOW GALGENSTEIN AND MRS. CAT RECOGNISE EACH OTHER IN  MARYLEBONE GARDENSAND HOW THE COUNT DRIVES HER HOME IN HIS  CARRIAGE. 

CHAPTER XI. OF SOME DOMESTIC QUARRELS, AND THE CONSEQUENCE THEREOF. 

CHAPTER XII. TREATS OF LOVE, AND PREPARES FOR DEATH. 

CHAPTER XIII. BEING A PREPARATION FOR THE END. 

CHAPTER THE LAST. 

ANOTHER LAST CHAPTER. 















MEN'S WIVES  

By William Makepeace Thackeray  





CONTENTS  






MEN'S WIVES, BY G. FITZ-BOODLE 




THE RAVENSWING 




CHAPTER I. WHICH IS ENTIRELY INTRODUCTORYCONTAINS AN ACCOUNT OF  MISS CRUMP, HER SUITORS, AND HER FAMILY CIRCLE. 

CHAPTER II. IN WHICH MR. WALKER MAKES THREE ATTEMPTS TO ASCERTAIN THE  DWELLING OF MORGIANA. 

CHAPTER III. WHAT CAME OF MR WALKER'S DISCOVERY OF THE BOOTJACK.  

CHAPTER IV. IN WHICH THE HEROINE HAS A NUMBER MORE LOVERS, AND CUTS A  VERY DASHING FIGURE IN THE WORLD. 

CHAPTER V. IN WHICH MR. WALKER FALLS INTO DIFFICULTIES, AND MRS. WALKER  MAKES MANY FOOLISH ATTEMPTS TO RESCUE HIM. 

CHAPTER VI. IN WHICH MR. WALKER STILL REMAINS IN DIFFICULTIES, BUT SHOWS  GREAT RESIGNATION UNDER HIS MISFORTUNES. 

CHAPTER VII. IN WHICH MORGIANA ADVANCES TOWARDS FAME AND HONOUR, AND IN  WHICH SEVERAL GREAT LITERARY CHARACTERS MAKE THEIR APPEARANCE. 

CHAPTER VIII. IN WHICH MR. WALKER SHOWS GREAT PRUDENCE AND FORBEARANCE.  




MR. AND MRS. FRANK BERRY. 




CHAPTER I. THE FIGHT AT SLAUGHTER HOUSE. 

CHAPTER II. THE COMBAT AT VERSAILLES. 




DENNIS HAGGARTY'S WIFE. 




FOOTNOTES 















THE BEDFORD-ROW CONSPIRACY  

By William Makepeace Thackeray  





CONTENTS  

THE BEDFORD-ROW CONSPIRACY


CHAPTER I. -- OF THE LOVES OF MR. PERKINS AND MISS GORGON, AND OF THE TWO GREAT FACTIONS IN THE TOWN OF OLDBOROUGH.

CHAPTER II. -- SHOWS HOW THE PLOT BEGAN TO THICKEN IN OR ABOUT BEDFORD ROW.

CHAPTER III. -- BEHIND THE SCENES.















THE HISTORY OF HENRY ESMOND, ESQ.

A Colonel In The Service Of Her Majesty Queen Anne Written By Himself  

By William Makepeace Thackeray  





CONTENTS  




PREFACE. 

THE HISTORY OF HENRY ESMOND. 


BOOK I    THE EARLY YOUTH OF HENRY ESMOND 

CHAPTER I. -- AN ACCOUNT OF THE FAMILY OF ESMOND OF CASTLEWOOD HALL. 

CHAPTER II. -- RELATES HOW FRANCIS, FOURTH VISCOUNT, ARRIVES AT CASTLEWOOD. 

CHAPTER III. -- WHITHER IN THE TIME OF THOMAS, THIRD VISCOUNT, I HAD PRECEDED HIM AS PAGE TO ISABELLA. 

CHAPTER IV. -- I AM PLACED UNDER A POPISH PRIEST AND BRED TO THAT RELIGION.VISCOUNTESS CASTLEWOOD. 

CHAPTER V. -- MY SUPERIORS ARE ENGAGED IN PLOTS FOR THE RESTORATION OF KING JAMES II. 

CHAPTER VI. -- THE ISSUE OF THE PLOTS.THE DEATH OF THOMAS, THIRD VISCOUNT OF CASTLEWOOD; AND THE IMPRISONMENT OF HIS VISCOUNTESS. 

CHAPTER VII. -- I AM LEFT AT CASTLEWOOD AN ORPHAN, AND FIND MOST KIND PROTECTORS THERE. 

CHAPTER VIII. -- AFTER GOOD FORTUNE COMES EVIL. 

CHAPTER IX. -- I HAVE THE SMALL-POX, AND PREPARE TO LEAVE CASTLEWOOD. 

CHAPTER X. -- I GO TO CAMBRIDGE, AND DO BUT LITTLE GOOD THERE. 

CHAPTER XI. -- I COME HOME FOR A HOLIDAY TO CASTLEWOOD, AND FIND A SKELETON IN THE HOUSE. 

CHAPTER XII. -- MY LORD MOHUN COMES AMONG US FOR NO GOOD. 

CHAPTER XIII. -- MY LORD LEAVES US AND HIS EVIL BEHIND HIM. 

CHAPTER XIV. -- WE RIDE AFTER HIM TO LONDON. 


BOOK III.   THE END OF MR. ESMOND'S ADVENTURES IN ENGLAND  

CHAPTER I. -- I AM IN PRISON, AND VISITED, BUT NOT CONSOLED THERE. 

CHAPTER II. -- I COME TO THE END OF MY CAPTIVITY, BUT NOT OF MY TROUBLE. 

CHAPTER III. -- I TAKE THE QUEEN'S PAY IN QUIN'S REGIMENT. 

CHAPTER IV. -- RECAPITULATIONS. 

CHAPTER V. -- I GO ON THE VIGO BAY EXPEDITION, TASTE SALT-WATER AND SMELL POWDER. 

CHAPTER VI. -- THE 29TH DECEMBER. 

CHAPTER VII. -- I AM MADE WELCOME AT WALCOTE. 

CHAPTER VIII. -- FAMILY TALK. 

CHAPTER IX. -- I MAKE THE CAMPAIGN OF 1704. 

CHAPTER X. -- AN OLD STORY ABOUT A FOOL AND A WOMAN.

  CHAPTER XI. -- THE FAMOUS MR. JOSEPH ADDISON. 

CHAPTER XII. -- I GET A COMPANY IN THE CAMPAIGN OF 1706. 

CHAPTER XIII. -- I MEET AN OLD ACQUAINTANCE IN FLANDERS, AND FIND MY MOTHER'S GRAVE AND MY OWN CRADLE THERE. 















ROUNDABOUT PAPERS  

By William Makepeace Thackeray  





CONTENTS  






ROUNDABOUT PAPERS. 




ON A LAZY IDLE BOY. 

ON TWO CHILDREN IN BLACK. 

ON RIBBONS. 

ON SOME LATE GREAT VICTORIES. 

THORNS IN THE CUSHION. 

ON SCREENS IN DINING-ROOMS. 

TUNBRIDGE TOYS. 

DE JUVENTUTE. 

ON A JOKE I ONCE HEARD FROM THE LATE THOMAS HOOD. 

ROUND ABOUT THE CHRISTMAS TREE. 

ON A CHALK-MARK ON THE DOOR 

ON BEING FOUND OUT. 

ON A HUNDRED YEARS HENCE. 

SMALL-BEER CHRONICLE. 

OGRES. 

ON TWO ROUNDABOUT PAPERS WHICH I INTENDED TO WRITE. 

A MISSISSIPPI BUBBLE. 

ON LETTS'S DIARY. 

NOTES OF A WEEK'S HOLIDAY. 

NIL NISI BONUM. 

ON HALF A LOAF. 

THE NOTCH ON THE AXE.A STORY A LA MODE. 

DE FINIBUS. 

ON A PEAL OF BELLS. 

ON A PEAR-TREE. 

DESSEIN'S. 

ON SOME CARP AT SANS SOUCI. 

AUTOUR DE MON CHAPEAU. 

ON ALEXANDRINES. 

ON A MEDAL OF GEORGE THE FOURTH. 

STRANGE TO SAY, ON CLUB PAPER. 

THE LAST SKETCH. 















THE SECOND FUNERAL OF NAPOLEON  

By William Makepeace Thackeray  

AKA Michael Angelo Titmarch.  





CONTENTS  

I.—ON THE DISINTERMENT OF NAPOLEON AT ST. HELENA.

II.—ON THE VOYAGE FROM ST. HELENA TO PARIS.

III.—ON THE FUNERAL CEREMONY.















BURLESQUES  

By William Makepeace Thackeray  





CONTENTS  




NOVELS BY EMINENT HANDS. 




GEORGE DE BARNWELL 

CODLINGSBY. 

PHIL FOGARTY. 

BARBAZURE. 

LORDS AND LIVERIES. 

CRINOLINE. 

THE STARS AND STRIPES. 

A PLAN FOR A PRIZE NOVEL. 


THE DIARY OF C. JEAMES DE LA PLUCHE, ESQ., 

THE TREMENDOUS ADVENTURES OF MAJOR GAHAGAN. 



CHAPTER I. -- TRUTH IS STRANGE, STRANGER THAN FICTION. 

CHAPTER II. -- ALLYGHUR AND LASWAREE. 

CHAPTER III. -- A PEEP INTO SPAINACCOUNT OF THE ORIGIN AND SERVICES OF THE AHMEDNUGGAR IRREGULARS.  

CHAPTER IV. -- THE INDIAN CAMPTHE SORTIE FROM THE FORT. 

CHAPTER V. -- THE ISSUE OF MY INTERVIEW WITH MY WIFE. 

CHAPTER VI. -- FAMINE IN THE GARRISON.  

CHAPTER VII. -- THE ESCAPE. 

CHAPTER VIII. -- THE CAPTIVE. 

CHAPTER IX. -- SURPRISE OF FUTTYGHUR. 





A LEGEND OF THE RHINE. 




CHAPTER I. -- SIR LUDWIG OF HOMBOURG. 

CHAPTER II. -- THE GODESBERGERS. 

CHAPTER III. -- THE FESTIVAL. 

CHAPTER IV. -- THE FLIGHT. 

CHAPTER V. -- THE TRAITOR'S DOOM.  

CHAPTER VI. -- CONFESSION. 

CHAPTER VII. -- THE SENTENCE. 

CHAPTER VIII. -- THE CHILDE OF GODESBERG. 

CHAPTER IX. -- THE LADY OF WINDECK. 

CHAPTER X. -- THE BATTLE OF THE BOWMEN. 

CHAPTER XI. -- THE MARTYR OF LOVE. 

CHAPTER XII. -- THE CHAMPION. 

CHAPTER XIII. -- THE MARRIAGE. 





REBECCA AND ROWENA. 




CHAPTER I. -- THE OVERTURE.COMMENCEMENT OF THE BUSINESS. 

CHAPTER II. -- THE LAST DAYS OF THE LION. 

CHAPTER III. -- ST. GEORGE FOR ENGLAND.  

CHAPTER IV. -- IVANHOE REDIVIVUS. 

CHAPTER V. -- IVANHOE TO THE RESCUE. 

CHAPTER VI. -- IVANHOE THE WIDOWER. 

CHAPTER VII. -- THE END OF THE PERFORMANCE. 






THE HISTORY OF THE NEXT FRENCH REVOLUTION. 




CHAPTER I. 

CHAPTER II. -- HENRY V. AND NAPOLEON III.  

CHAPTER III. -- THE ADVANCE OF THE PRETENDERS.HISTORICAL REVIEW. 

CHAPTER IV. -- THE BATTLE OF RHEIMS. 

CHAPTER V. -- THE BATTLE OF TOURS. 

CHAPTER VI. -- THE ENGLISH UNDER JENKINS. 

CHAPTER VII. -- THE LEAGUER OF PARIS. 

CHAPTER VIII. -- THE BATTLE OF THE FORTS. 

CHAPTER IX. -- LOUIS XVII. 





COX'S DIARY. 















THE BOOK OF SNOBS  

By One Of Themselves 
(William Makepeace Thackeray)  





CONTENTS  






PREFATORY REMARKS 

CHAPTER ITHE SNOB PLAYFULLY DEALT WITH 

CHAPTER IITHE SNOB ROYAL 

CHAPTER IIITHE INFLUENCE OF THE ARISTOCRACY ON SNOBS 

CHAPTER IVTHE COURT CIRCULAR, AND ITS INFLUENCE ON SNOBS 

CHAPTER VWHAT SNOBS ADMIRE 

CHAPTER VION SOME RESPECTABLE SNOBS 

CHAPTER VIION SOME RESPECTABLE SNOBS 

CHAPTER VIIIGREAT CITY SNOBS 

CHAPTER IXON SOME MILITARY SNOBS 

CHAPTER XMILITARY SNOBS 

CHAPTER XION CLERICAL SNOBS 

CHAPTER XIION CLERICAL SNOBS AND SNOBBISHNESS 

CHAPTER XIIION CLERICAL SNOBS 

CHAPTER XIVON UNIVERSITY SNOBS 

CHAPTER XVON UNIVERSITY SNOBS 

CHAPTER XVION LITERARY SNOBS 

CHAPTER XVIIA LITTLE ABOUT IRISH SNOBS 

CHAPTER XVIIIPARTY-GIVING SNOBS 

CHAPTER XIXDINING-OUT SNOBS 

CHAPTER XXDINNER-GIVING SNOBS FURTHER CONSIDERED 

CHAPTER XXISOME CONTINENTAL SNOBS 

CHAPTER XXIICONTINENTAL SNOBBERY CONTINUED 

CHAPTER XXIIIENGLISH SNOBS ON THE CONTINENT 

CHAPTER XXIVON SOME COUNTRY SNOBS 

CHAPTER XXVA VISIT TO SOME COUNTRY SNOBS 

CHAPTER XXVION SOME COUNTRY SNOBS 

CHAPTER XXVIIA VISIT TO SOME COUNTRY SNOBS 

CHAPTER XXVIIION SOME COUNTRY SNOBS 

CHAPTER XXIXA VISIT TO SOME COUNTRY SNOBS 

CHAPTER XXXON SOME COUNTRY SNOBS 

CHAPTER XXXIA VISIT TO SOME COUNTRY SNOBS 

CHAPTER XXXIISNOBBIUM GATHERUM 

CHAPTER XXXIIISNOBS AND MARRIAGE 

CHAPTER XXXIVSNOBS AND MARRIAGE 

CHAPTER XXXVSNOBS AND MARRIAGE 

CHAPTER XXXVISNOBS AND MARRIAGE 

CHAPTER XXXVIICLUB SNOBS 

CHAPTER XXXVIIICLUB SNOBS 

CHAPTER XXXIXCLUB SNOBS 

CHAPTER XLCLUB SNOBS 

CHAPTER XLICLUB SNOBS 

CHAPTER XLIICLUB SNOBS 

CHAPTER XLIIICLUB SNOBS 

CHAPTER XLIVCLUB SNOBS 

CONCLUDING OBSERVATIONS ON SNOBS 















THE CHRISTMAS BOOKS of MR. M. A. TITMARSH  

By William Makepeace Thackeray  





CONTENTS  

MRS. PERKINS'S BALL.

OUR STREET

DOCTOR BIRCH AND HIS YOUNG FRIENDS

THE KICKLEBURYS ON THE RHINE.

THE ROSE AND THE RING:















BALLADS  

By William Makepeace Thackeray  





CONTENTS  






BALLADS. 




THE CHRONICLE OF THE DRUM 

ABD-EL-KADER AT TOULON. 

THE KING OF BRENTFORD'S TESTAMENT. 

THE WHITE SQUALL. 

PEG OF LIMAVADDY. 

MAY-DAY ODE. 

THE BALLAD OF BOUILLABAISSE. 

THE MAHOGANY TREE. 

THE YANKEE VOLUNTEERS. 

THE PEN AND THE ALBUM. 

MRS. KATHERINE'S LANTERN. 

LUCY'S BIRTHDAY. 

THE CANE-BOTTOM'D CHAIR. 

PISCATOR AND PISCATRIX. 

THE ROSE UPON MY BALCONY. 

RONSARD TO HIS MISTRESS. 

AT THE CHURCH GATE. 

THE AGE OF WISDOM. 

SORROWS OF WERTHER. 

A DOE IN THE CITY. 

THE LAST OF MAY. 

"AH, BLEAK AND BARREN WAS THE MOOR." 

SONG OF THE VIOLET. 

FAIRY DAYS. 

POCAHONTAS. 

FROM POCAHONTAS. 




LOVE-SONGS MADE EASY. 




WHAT MAKES MY HEART TO THRILL AND GLOW? 

THE GHAZUL, OR ORIENTAL LOVE-SONG. 

THE MERRY BARD. 

THE CAÏQUE. 

MY NORA. 

TO MARY. 

SERENADE. 

THE MINARET BELLS. 

COME TO THE GREENWOOD TREE. 




FIVE GERMAN DITTIES. 

A TRAGIC STORY. 

THE CHAPLET. 

THE KING ON THE TOWER. 

ON A VERY OLD WOMAN. 

A CREDO. 




FOUR IMITATIONS OF BÉRANGER. 

THE KING OF YVETOT. 

THE KING OF BRENTFORD. 

THE GARRET. 

ROGER-BONTEMPS. 

JOLLY JACK. 




IMITATION OF HORACE. 

AD MINISTRAM. 




OLD FRIENDS WITH NEW FACES. 

THE KNIGHTLY GUERDON.* 

THE ALMACK'S ADIEU. 

WHEN THE GLOOM IS ON THE GLEN. 

THE RED FLAG. 

DEAR JACK. 

COMMANDERS OF THE FAITHFUL. 

WHEN MOONLIKE ORE THE HAZURE SEAS. 

KING CANUTE. 

FRIAR'S SONG. 

ATRA CURA. 

REQUIESCAT. 

LINES UPON MY SISTER'S PORTRAIT. 

THE LEGEND OF ST. SOPHIA OF KIOFF. 

TITMARSH'S CARMEN LILLIENSE. 

THE WILLOW-TREE. 

THE WILLOW-TREE. 




LYRA HIBERNICA 

THE PIMLICO PAVILION. 

THE CRYSTAL PALACE. 

MOLONY'S LAMENT. 

MR. MOLONY'S ACCOUNT OF THE BALL. 

THE BATTLE OF LIMERICK. 

LARRY O'TOOLE. 

THE ROSE OF FLORA. 

THE LAST IRISH GRIEVANCE. 




THE BALLADS OF POLICEMAN X. 

THE WOLFE NEW BALLAD OF JANE RONEY AND MARY BROWN. 

THE THREE CHRISTMAS WAITS. 

LINES ON A LATE HOSPICIOUS EWENT.* 

THE BALLAD OF ELIZA DAVIS. 

DAMAGES, TWO HUNDRED POUNDS. 

THE KNIGHT AND THE LADY. 

JACOB HOMNIUM'S HOSS. 

THE SPECULATORS. 

A WOEFUL NEW BALLAD 

THE LAMENTABLE BALLAD OF THE FOUNDLING OF SHOREDITCH. 

THE ORGAN-BOY'S APPEAL. 

LITTLE BILLEE.* 

THE END OF THE PLAY. 

VANITAS VANITATUM. 















THE PARIS SKETCH BOOK OF MR. M. A. TITMARSH  

By William Makepeace Thackeray  





CONTENTS  






DEDICATORY LETTER 

ADVERTISEMENT TO THE FIRST EDITION. 




AN INVASION OF FRANCE. 

A CAUTION TO TRAVELLERS. 

THE FÊTES OF JULY. 

ON THE FRENCH SCHOOL OF PAINTING: 

THE PAINTER'S BARGAIN. 

A GAMBLER'S DEATH. 

NAPOLEON AND HIS SYSTEM. 

THE STORY OF MARY ANCEL. 

BEATRICE MERGER. 

CARICATURES AND LITHOGRAPHY IN PARIS. 

LITTLE POINSINET. 

THE DEVIL'S WAGER. 

MADAME SAND AND THE NEW APOCALYPSE. 

THE CASE OF PEYTEL: 




FOUR IMITATIONS OF BÉRANGER 

LE ROI D'YVETOT. 

THE KING OF BRENTFORD. ANOTHER VERSION. 

LE GRENIER. 

THE GARRET. 

ROGER-BONTEMPS. 

JOLLY JACK. 




FRENCH DRAMAS AND MELODRAMAS. 

MEDITATIONS AT VERSAILLES. 















MEMOIRS OF MR. CHARLES J. YELLOWPLUSH  

By William Makepeace Thackeray  





CONTENTS  






MEMOIRS OF MR. CHARLES J. YELLOWPLUSH 




MISS SHUM'S HUSBAND. 

CHAPTER I. 

CHAPTER II. 

CHAPTER III. 

CHAPTER IV. 




THE AMOURS OF MR. DEUCEACE. 




FORING PARTS. 




MR. DEUCEACE AT PARIS. 

CHAPTER I. 

CHAPTER II. 

CHAPTER III. 

CHAPTER IV. 

CHAPTER V. 

CHAPTER VI. 

CHAPTER VII. 

CHAPTER VIII. 

CHAPTER IX. 

CHAPTER X. 




MR. YELLOWPLUSH'S AJEW. 




EPISTLES TO THE LITERATI. 















THE WOLVES AND THE LAMB  

By William Makepeace Thackeray  





CONTENTS  

DRAMATIS PERSONAE.

THE WOLVES AND THE LAMB.

ACT I.

ACT II.















THE FITZ-BOODLE PAPERS.  

By William Makepeace Thackeray  





CONTENTS  


FITZ-BOODLE'S CONFESSIONS. 

PREFACE.

DOROTHEA.


OTTILIA.

CHAPTER I.

CHAPTER II.


FITZ-BOODLE'S PROFESSIONS.

FIRST PROFESSION.

SECOND PROFESSION.















LITTLE TRAVELS 
AND ROADSIDE SKETCHES  

By William Makepeace Thackeray (AKA Titmarsh)  





CONTENTS  

LITTLE TRAVELS AND ROADSIDE SKETCHES

I.—FROM RICHMOND IN SURREY TO BRUSSELS IN BELGIUM

II.—GHENT—BRUGES.

III.—WATERLOO.















THE FATAL BOOTS.  

by William Makepeace Thackeray  





CONTENTS  

THE FATAL BOOTS

JANUARY.—THE BIRTH OF THE YEAR.

FEBRUARY.—CUTTING WEATHER.

MARCH.—SHOWERY.

APRIL.—FOOLING.

MAY.—RESTORATION DAY.

JUNE.—MARROWBONES AND CLEAVERS.

JULY.—SUMMARY PROCEEDINGS.

AUGUST.—DOGS HAVE THEIR DAYS.

SEPTEMBER.—PLUCKING A GOOSE.

OCTOBER.—MARS AND VENUS IN OPPOSITION.

NOVEMBER.—A GENERAL POST DELIVERY.

DECEMBER.—“THE WINTER OF OUR DISCONTENT.”















A LITTLE DINNER AT TIMMINS'S.  

by William Makepeace Thackeray  





CONTENTS  






I. 

II. 

III. 

IV. 

V. 

VI. 

VII. 


















BARRY LYNDON  

By William Makepeace Thackeray  




CONTENTS  




A BIBLIOGRAPHICAL NOTE 

THE MEMOIRES OF BARRY LYNDON, ESQ. 

CHAPTER I.   MY PEDIGREE AND FAMILYUNDERGO THE  INFLUENCE OF THE TENDER 

CHAPTER II.   I SHOW MYSELF TO BE A MAN OF SPIRIT 

CHAPTER III.   A FALSE START IN THE GENTEEL WORLD 

CHAPTER IV.   IN WHICH BARRY TAKES A NEAR VIEW OF MILITARY  GLORY 

CHAPTER V.   BARRY FAR FROM MILITARY GLORY 

CHAPTER VI.   THE CRIMP WAGGONMILITARY EPISODES  

CHAPTER VII.   BARRY LEADS A GARRISON LIFE, AND FINDS MANY  FRIENDS THERE 

CHAPTER VIII.   BARRYS ADIEU TO MILITARY PROFESSION  

CHAPTER IX.   I APPEAR IN A MANNER BECOMING MY NAME AND  LINEAGE 

CHAPTER X.   MORE RUNS OF LUCK 

CHAPTER XI.   IN WHICH THE LUCK GOES AGAINST BARRY 

CHAPTER XII.   TRAGICAL HISTORY OF PRINCESS OF X  

CHAPTER XIII.   I CONTINUE MY CAREER AS A MAN OF FASHION  

CHAPTER XIV.   I RETURN TO IRELAND, AND EXHIBIT MY  SPLENDOUR AND 

CHAPTER XV.   I PAY COURT TO MY LADY LYNDON 

CHAPTER XVI.   I PROVIDE NOBLY FOR MY FAMILY 

CHAPTER XVII.   I APPEAR AS AN ORNAMENT OF ENGLISH SOCIETY  

CHAPTER XVIII.     MY GOOD FORTUNE BEGINS TO  WAVER 

CHAPTER XIX.   CONCLUSION 

















THE HISTORY OF PENDENNIS  

By William Makepeace Thackeray  





CONTENTS  




PREFACE 

PENDENNIS 


CHAPTER I.   Shows how First Love may interrupt Breakfast  

CHAPTER II.   A Pedigree and other Family Matters 

CHAPTER III.   In which Pendennis appears as a very young  Man indeed 

CHAPTER IV.   Mrs. Haller 

CHAPTER V.   Mrs. Haller at Home 

CHAPTER VI.   Contains both Love and War 

CHAPTER VII.   In which the Major makes his Appearance  

CHAPTER VIII.   In which Pen is kept waiting at the Door,  while the Reader while the Reader is informed who little Laura was

  CHAPTER IX.   In which the Major opens the Campaign 

CHAPTER X.   Facing the Enemy 

CHAPTER XI.   Negotiation 

CHAPTER XII.   In which a Shooting Match is proposed 

CHAPTER XIII.   A Crisis 

CHAPTER XIV.   In which Miss Fotheringay makes a new  Engagement 

CHAPTER XV.   The happy Village 

CHAPTER XVI.   More Storms in the Puddle 

CHAPTER XVII.   Which concludes the first Part of this  History 

CHAPTER XVIII.   Alma Mater 

CHAPTER XIX.   Pendennis of Boniface 

CHAPTER XX.   Rake's Progress 

CHAPTER XXI.   Flight after Defeat 

CHAPTER XXII.   Prodigal's Return 

CHAPTER XXIII.   New Faces 

CHAPTER XXIV.   A Little Innocent 

CHAPTER XXV.   Contains both Love and Jealousy 

CHAPTER XXVI.   A House full of Visitors 

CHAPTER XXVII.   Contains some Ball-practising 

CHAPTER XXVIII.   Which is both Quarrelsome and  Sentimental 

CHAPTER XXIX.   Babylon 

CHAPTER XXX.   The Knights of the Temple 

CHAPTER XXXI.   Old and new Acquaintances 

CHAPTER XXXII.   In which the Printer's Devil comes to the  Door 

CHAPTER XXXIII.   Which is passed in the Neighbourhood of  Ludgate Hill 

CHAPTER XXXIV.   In which the History still hovers about  Fleet Street 

CHAPTER XXXV.   Dinner in the Row 

CHAPTER XXXVI.   The Pall Mall Gazette 

CHAPTER XXXVII.   Where Pen appears in Town and Country  

CHAPTER XXXVIII.      In which the Sylph  reappears 

CHAPTER XXXIX.   Colonel Altamont appears and disappears  

CHAPTER XL.   Relates to Mr. Harry Foker's Affairs 

CHAPTER XLI.   Carries the Reader both to Richmond and  Greenwich 

CHAPTER XLII.   Contains a novel Incident 

CHAPTER XLIII.   Alsatia 

CHAPTER XLIV.   In which the Colonel narrates some of his  Adventures 

CHAPTER XLV.   A Chapter of Conversations 

CHAPTER XLVI.   Miss Amory's Partners 

CHAPTER XLVII.   Monseigneur s'amuse 

CHAPTER XLVIII.   A Visit of Politeness 

CHAPTER XLIX.   In Shepherd's Inn 

CHAPTER L.   Or near the Temple Garden 

CHAPTER LI.   The happy Village again 

CHAPTER LII.   Which had very nearly been the last of the  Story 

CHAPTER LIII.   A critical Chapter 

CHAPTER LIV.   Convalescence 

CHAPTER LV.   Fanny's Occupation's gone 

CHAPTER LVI.   In which Fanny engages a new Medical Man  

CHAPTER LVII.   Foreign Ground 

CHAPTER LVIII.   "Fairoaks to let 

CHAPTER LIX.   Old Friends 

CHAPTER LX.   Explanations 

CHAPTER LXI.   Conversations 

CHAPTER LXII.   The Way of the World 

CHAPTER LXIII.   Which accounts perhaps for Chapter LXI.  

CHAPTER LXIV.   Phyllis and Corydon 

CHAPTER LXV.   Temptation 

CHAPTER LXVI.   In which Pen begins his Canvass 

CHAPTER LXVII.   In which Pen begins to doubt about his  Election 

CHAPTER LXVIII.   In which the Major is bidden to Stand  and Deliver 

CHAPTER LXIX.   In which the Major neither yields his  Money nor his Life 

CHAPTER LXX.   In which Pendennis counts his Eggs 

CHAPTER LXXI.   Fiat Justitia 

CHAPTER LXXII.   In which the Decks begin to clear 

CHAPTER LXXIII.     Mr. and Mrs. Sam Huxter  

CHAPTER LXXIV.   Shows how Arthur had better have taken a  Return-ticket 

CHAPTER LXXV.   A Chapter of Match-making 

CHAPTER LXXVI.   Exeunt Omnes 

















THE NEWCOMES  

Memoirs Of A Most Respectable Family  

Edited by Arthur Pendennis, Esq.

By William Makepeace Thackeray  





CONTENTS  




THE NEWCOMES 


CHAPTER I.   The OvertureAfter which the Curtain  rises upon a Drinking Chorus 

CHAPTER II.   Colonel Newcome's Wild Oats 

CHAPTER III.   Colonel Newcome's Letter-box 

CHAPTER IV.   In which the Author and the Hero resume  their Acquaintance 

CHAPTER V.   Clive's Uncles 

CHAPTER VI.   Newcome Brothers 

CHAPTER VII.   In which Mr. Clive's School-days are over  

CHAPTER VIII.   Mrs. Newcome at Home (a Small Early Party)  

CHAPTER IX.   Miss Honeyman's 

CHAPTER X.   Ethel and her Relations 

CHAPTER XI.   At Mrs. Ridley's 

CHAPTER XII.   In which everybody is asked to Dinner 

CHAPTER XIII.   In which Thomas Newcome sings his Last  Song 

CHAPTER XIV.   Park Lane 

CHAPTER XV.   The Old Ladies 

CHAPTER XVI.   In which Mr. Sherrick lets his House in  Fitzroy Square 

CHAPTER XVII.   A School of Art 

CHAPTER XVIII.   New Companions 

CHAPTER XIX.   The Colonel at Home 

CHAPTER XX.   Contains more Particulars of the Colonel and  his Brethren 

CHAPTER XXI.   Is Sentimental, but Short 

CHAPTER XXII.   Describes a Visit to Paris; with Accidents  and Incidents 

CHAPTER XXIII.   In which we hear a Soprano and a  Contralto 

CHAPTER XXIV.   In which the Newcome Brothers once more  meet together in 

CHAPTER XXV.   Is passed in a Public-house 

CHAPTER XXVI.   In which Colonel Newcome's Horses are sold  

CHAPTER XXVII.   Youth and Sunshine 

CHAPTER XXVIII.   In which Clive begins to see the World  

CHAPTER XXIX.   In which Barnes comes a-wooing 

CHAPTER XXX.   A Retreat 

CHAPTER XXXI.   Madame la Duchesse 

CHAPTER XXXII.   Barnes's Courtship 

CHAPTER XXXIII.   Lady Kew at the Congress 

CHAPTER XXXIV.   The End of the Congress of Baden 

CHAPTER XXXV.   Across the Alps 

CHAPTER XXXVI.   In which M. de Florac is promoted 

CHAPTER XXXVII.   Return to Lord Kew 

CHAPTER XXXVIII.   In which Lady Kew leaves his Lordship  quite convalescent 

CHAPTER XXXIX.   Amongst the Painters 

CHAPTER XL.   Returns from Rome to Pall Mall 

CHAPTER XLI.   An Old Story 

CHAPTER XLII.   Injured Innocence 

CHAPTER XLIII.   Returns to some Old Friends 

CHAPTER XLIV.   In which Mr. Charles Honeyman appears in  an Amiable Light 

CHAPTER XLV.   A Stag of Ten 

CHAPTER XLVI.   The Hotel de Florac 

CHAPTER XLVII.   Contains two or three Acts of a Little  Comedy 

CHAPTER XLVIII.   In which Benedick is a Married Man 

CHAPTER XLIX.   Contains at least six more Courses and two  Desserts 

CHAPTER L.   Clive in New Quarters 

CHAPTER LI.   An Old Friend 

CHAPTER LII.   Family Secrets 

CHAPTER LIII.   In which Kinsmen fall out 

CHAPTER LIV.   Has a Tragical Ending 

CHAPTER LV.   Barnes's Skeleton Closet 

CHAPTER LVI.   Rosa quo locorum sera moratur 

CHAPTER LVII.   Rosebury and Newcome 

CHAPTER LVIII.   "One more Unfortunate 

CHAPTER LIX.   In which Achilles loses Briseis 

CHAPTER LX.   In which we write to the Colonel 

CHAPTER LXI.   In which we are introduced to a New Newcome  

CHAPTER LXII.   Mr. and Mrs. Clive Newcome 

CHAPTER LXIII.   Mrs. Clive at Home 

CHAPTER LXIV.   Absit Omen 

CHAPTER LXV.   In which Mrs. Clive comes into her Fortune  

CHAPTER LXVI.   In which the Colonel and the Newcome  Athenaeum are both lectured 

CHAPTER LXVII.   Newcome and Liberty 

CHAPTER LXVIII.   A Letter and a Reconciliation 

CHAPTER LXIX.   The Election 

CHAPTER LXX.   Chiltern Hundreds 

CHAPTER LXXI.   In which Mrs. Clive Newcome's Carriage is  ordered 

CHAPTER LXXII.   Belisarius 

CHAPTER LXXIII.   In which Belisarius returns from Exile  

CHAPTER LXXIV.   In which Clive begins the World 

CHAPTER LXXV.   Founder's Day at the Grey Friars 

CHAPTER LXXVI.   Christmas at Rosebury 

CHAPTER LXXVII.   The Shortest and Happiest in the Whole  History 

CHAPTER LXXVIII.      In which the Author  goes on a Pleasant Errand 

CHAPTER LXXIX.   In which Old Friends come together 

CHAPTER LXXX.   In which the Colonel says Adsum  when his Name is called 

















THE VIRGINIANS  

A Tale Of The Last Century  

By William Makepeace Thackeray  





CONTENTS  




THE VIRGINIANS 


CHAPTER I.   In which one of the Virginians visits home  

CHAPTER II.   In which Harry has to pay for his Supper  

CHAPTER III.   The Esmonds in Virginia 

CHAPTER IV.   In which Harry finds a New Relative 

CHAPTER V.   Family Jars 

CHAPTER VI.   The Virginians begin to see the World 

CHAPTER VII.   Preparations for War 

CHAPTER VIII.   In which George suffers from a Common  Disease 

CHAPTER IX.   Hospitalities 

CHAPTER X.   A Hot Afternoon 

CHAPTER XI.   Wherein the two Georges prepare for Blood  

CHAPTER XII.   News from the Camp 

CHAPTER XIII.   Profitless Quest 

CHAPTER XIV.   Harry in England 

CHAPTER XV.   A Sunday at Castlewood 

CHAPTER XVI.   In which Gumbo shows Skill with the Old  English Weapon 

CHAPTER XVII.   On the Scent 

CHAPTER XVIII.   An Old Story 

CHAPTER XIX.   Containing both Love and Luck 

CHAPTER XX.   Facilis Descensus 

CHAPTER XXI.   Samaritans 

CHAPTER XXII.   In Hospital 

CHAPTER XXIII.   Holidays 

CHAPTER XXIV.   From Oakhurst to Tunbridge 

CHAPTER XXV.   New Acquaintances 

CHAPTER XXVI.   In which we are at a very Great Distance  from Oakhurst 

CHAPTER XXVII.   Plenus Opus Aleae 

CHAPTER XXVIII.   The Way of the World 

CHAPTER XXIX.   In which Harry continues to enjoy Otium  sine Dignitate 

CHAPTER XXX.   Contains a Letter to Virginia 

CHAPTER XXXI.   The Bear and the Leader 

CHAPTER XXXII.   In which a Family Coach is ordered 

CHAPTER XXXIII.   Contains a Soliloquy by Hester 

CHAPTER XXXIV.   In which Mr. Warrington treats the  Company with Tea and a Ball 

CHAPTER XXXV.   Entanglements 

CHAPTER XXXVI.   Which seems to mean Mischief 

CHAPTER XXXVII.   In which various Matches are fought  

CHAPTER XXXVIII.   Sampson and the Philistines 

CHAPTER XXXIX.   Harry to the Rescue 

CHAPTER XL.   In which Harry pays off an Old Debt, and  incurs some New Ones 

CHAPTER XLI.   Rake's Progress 

CHAPTER XLII.   Fortunatus Nimium 

CHAPTER XLIII.   In which Harry flies High 

CHAPTER XLIV.   Contains what might, perhaps, have been  expected 

CHAPTER XLV.   In which Harry finds two Uncles 

CHAPTER XLVI.   Chains and Slavery 

CHAPTER XLVII.   Visitors in Trouble 

CHAPTER XLVIII.   An Apparition 

CHAPTER XLIX.   Friends in Need 

CHAPTER L.   Contains a Great deal of the Finest Morality  

CHAPTER LI.   Conticuere Omnes 

CHAPTER LII.   Intentique Ora tenebant 

CHAPTER LIII.   Where we remain at the Court End of the  Town 

CHAPTER LIV.   During which Harry sits smoking his Pipe at  Home 

CHAPTER LV.   Between Brothers 

CHAPTER LVI.   Ariadne 

CHAPTER LVII.   In which Mr. Harry's Nose continues to be  put out of joint 

CHAPTER LVIII.   Where we do what Cats may do 

CHAPTER LIX.   In which we are treated to a Play 

CHAPTER LX.   Which treats of Macbeth, a Supper, and a  Pretty Kettle of 

CHAPTER LXI.   In which the Prince marches up the Hill and  down again 

CHAPTER LXII.   Arma Virumque 

CHAPTER LXIII.   Melpomene 

CHAPTER LXIV.   In which Harry lives to fight another Day  

CHAPTER LXV.   Soldier's Return 

CHAPTER LXVI.   In which we go a-courting 

CHAPTER LXVII.   In which a Tragedy is acted, and two more  are begun 

CHAPTER LXVIII.   In which Harry goes westward 

CHAPTER LXIX.   A Little Innocent 

CHAPTER LXX.   In which Cupid plays a Considerable Part  

CHAPTER LXXI.   White Favours 

CHAPTER LXXII.   (From the Warrington MS.) In which My  Lady is on the Top 

CHAPTER LXXIII.   We keep Christmas at Castlewood. 1759  

CHAPTER LXXIV.   News from Canada 

CHAPTER LXXV.   The Course of True Love 

CHAPTER LXXVI.   Informs us how Mr. Warrington jumped into  a Landau 

CHAPTER LXXVII.   And how everybody got out again 

CHAPTER LXXVIII.   Pyramus and Thisbe 

CHAPTER LXXIX.   Containing both Comedy and Tragedy 

CHAPTER LXXX.   Pocahontas 

CHAPTER LXXXI.   Res Angusta Domi 

CHAPTER LXXXII.   Miles's Moidore 

CHAPTER LXXXIII.   Troubles and Consolations 

CHAPTER LXXXIV.   In which Harry submits to the Common Lot  

CHAPTER LXXXV.   Inveni Portum 

CHAPTER LXXXVI.   At Home 

CHAPTER LXXXVII.   The Last of God Save the King 

CHAPTER LXXXVIII.     Yankee Doodle comes to  Town 

CHAPTER LXXXIX.   A Colonel without a Regiment 

CHAPTER XC.   In which we both fight and run away 

CHAPTER XCI.   Satis Pugnae 

CHAPTER XCII.   Under Vine and Fig-Tree 













HENRY ESMOND; THE ENGLISH HUMOURISTS; THE FOUR GEORGES  

By William Makepeace Thackeray  





CONTENTS  



Introduction.  

The  History Of Henry Esmond, Esq.  

Dedication.  

Preface.  The Esmonds Of Virginia  

Book  I. The Early Youth Of Henry Esmond, Up To The Time Of His Leaving  Trinity College, In Cambridge  

Chapter  I. An Account Of The Family Of Esmond Of Castlewood Hall  

Chapter  II. Relates How Francis, Fourth Viscount, Arrives At Castlewood  

Chapter  III. Whither In The Time Of Thomas, Third Viscount, I Had Preceded Him  As Page To Isabella  

Chapter  IV. I Am Placed Under A Popish Priest And Bred To That  Religion.-Viscountess Castlewood  

Chapter  V. My Superiors Are Engaged In Plots For The Restoration Of King James  II  

Chapter  VI. The Issue Of The Plots.-The Death Of Thomas, Third Viscount Of  Castlewood; And The Imprisonment Of His Viscountess  

Chapter  VII. I Am Left At Castlewood An Orphan, And Find Most Kind Protectors  There  

Chapter  VIII. After Good Fortune Comes Evil  

Chapter  IX. I Have The Small-Pox, And Prepare To Leave Castlewood  

Chapter  X. I Go To Cambridge, And Do But Little Good There  

Chapter  XI. I Come Home For A Holiday To Castlewood, And Find A Skeleton In The  House  

Chapter  XII. My Lord Mohun Comes Among Us For No Good  

Chapter  XIII. My Lord Leaves Us And His Evil Behind Him  

Chapter  XIV. We Ride After Him To London  

Book  II. Contains Mr. Esmond's Military Life, And Other Matters Appertaining  To The Esmond Family  

Chapter  I. I Am In Prison, And Visited, But Not Consoled There  

Chapter  II. I Come To The End Of My Captivity, But Not Of My Trouble  

Chapter  III. I Take The Queen's Pay In Quin's Regiment  

Chapter  IV. Recapitulations  

Chapter  V. I Go On The Vigo Bay Expedition, Taste Salt Water And Smell Powder  

Chapter  VI. The 29th December  

Chapter  VII. I Am Made Welcome At Walcote  

Chapter  VIII. Family Talk  

Chapter  IX. I Make The Campaign Of 1704  

Chapter  X. An Old Story About A Fool And A Woman  

Chapter  XI. The Famous Mr. Joseph Addison  

Chapter  XII. I Get A Company In The Campaign Of 1706  

Chapter  XIII. I Meet An Old Acquaintance In Flanders, And Find My Mother's Grave  And My Own Cradle There  

Chapter  XIV. The Campaign Of 1707, 1708  

Chapter  XV. General Webb Wins The Battle Of Wynendael  

Book  III. Containing The End Of Mr. Esmond's Adventures In England  

Chapter  I. I Come To An End Of My Battles And Bruises  

Chapter  II. I Go Home, And Harp On The Old String  

Chapter  III. A Paper Out Of The "Spectator"  

Chapter  IV. Beatrix's New Suitor  

Chapter  V. Mohun Appears For The Last Time In This History  

Chapter  VI. Poor Beatrix  

Chapter  VII. I Visit Castlewood Once More  

Chapter  VIII. I Travel To France And Bring Home A Portrait Of Rigaud  

Chapter  IX. The Original Of The Portrait Comes To England  

Chapter  X. We Entertain A Very Distinguished Guest At Kensington  

Chapter  XI. Our Guest Quits Us As Not Being Hospitable Enough  

Chapter  XII. A Great Scheme, And Who Balked It  

Chapter  XIII. August 1st, 1714  

Appendix  

The  English Humourists Of The Eighteenth Century  

Lecture  The First. Swift  

Lecture  The Second. Congreve And Addison  

Lecture  The Third. Steele  

Lecture  The Fourth. Prior, Gay, And Pope  

Lecture  The Fifth. Hogarth, Smollett, And Fielding  

Lecture  The Sixth. Sterne And Goldsmith  

The  Georges  

The  Poems  

Sketches  Of Manners, Morals, Court And Town Life  

George  The First  

George  The Second  

George  The Third  

George  The Fourth  

Footnotes  











THACKERAYANA  

Notes And Anecdotes  

By William Makepeace Thackeray  





CONTENTS.  

CHAPTER I.
PAGE
Voyage from India—Touching at St. Helena—School days at the Charterhouse—Early Reminiscences—Sketches in School Books—Boyish Scribblings—Favourite Fictions—Youthful Caricatures—Souvenirs of the Play 1
CHAPTER II.
Early Favourites—The 'Castle of Otranto'—Rollin's 'Ancient History' 18
CHAPTER III.
Thackeray's last visit to the Charterhouse—College days—Pendennis at Cambridge—Sketches of Universities—Sporting subjects—Etchings at Cambridge—Pencillings in old authors—Pictorial Puns—The 'Snob,' a Literary and Scientific Journal—'Timbuctoo,' a Prize Poem 47
CHAPTER IV.
Early Favourites—Fielding's 'Joseph Andrews'—Imitators of Fielding—The 'Adventures of Captain Greenland'—'Jack Connor'—'Chrysal; or, the Adventures of a Guinea' 71
CHAPTER V.
Continental Rambles—A Stolen Trip to Paris—Residence at Weimar—Contributions to Albums—Burlesque State—German Sketches and Studies—The Weimar Theatre—Goethe—Souvenirs of the Saxon city—'Journal kept during a Visit to Germany' 89 xviii
CHAPTER VI.
Thackeray's Predilections for Art—A Student in Paris—First Steps in the Career—An Art Critic—Introduction to Marvy's 'English Landscape Painters'—Early Connection with Literature—Michael Angelo Titmarsh, a contributor to 'Fraser's Magazine'—French Caricature under Louis Philippe—Political Satires—A Young Artist's life in Paris—Growing Sympathy with Literature 114
CHAPTER VII.
'Elizabeth Brownrigge: a Tale,' 1832—'Comic Magazine,' 1832-4—'National Standard and Literary Representative,' 1833-4—'Flore et Zéphyr, Ballet Mythologique,' 1836—On the Staff of 'Fraser's Magazine'—Early Connection with Maginn and his Colleagues—The Maclise Cartoon of the Fraserians—Thackeray's Noms de Plume—Charles Yellowplush as a Reviewer—Skelton and his 'Anatomy of Conduct'—Thackeray's Proposal to Dickens to illustrate his Novels—Gradual Growth of Thackeray's Notoriety—His Genial Admiration for 'Boz'—Christmas Books and Dickens's 'Christmas Carol'—Return to Paris—Execution of Fieschi and Lacénaire—Daily Newspaper Venture—The 'Constitutional' and 'Public Ledger'—Thackeray as Paris Correspondent—Dying Speech of the 'Constitutional'—Thackeray's Marriage—Increased Application to Literature—The 'Shabby Genteel Story'—Thackeray's Article in the 'Westminster' on George Cruikshank—First Collected Writings—The 'Paris Sketch-Book'—Dedication to M. Aretz—'Comic Tales and Sketches,' with Thackeray's original Illustrations—The 'Yellowplush Papers'—The 'Second Funeral of Napoleon,' with the 'Chronicles of the Drum'—The 'History of Samuel Titmarsh and the great Hoggarty Diamond'—'Fitzboodle's Confessions'—The 'Irish Sketch-Book,' with the Author's Illustrations—The 'Luck of Barry Lyndon'—Contributions to the 'Examiner'—Miscellanies—'Carmen Lilliense'—'Notes on a Journey from Cornhill to Grand Cairo,' with the Author's Illustrations—Interest excited in Titmarsh—Foundation of 'Punch'—Thackeray's Contributions—His comic Designs—The 'Fat Contributor'—'Jeames's Diary' 124
CHAPTER VIII.
Increasing reputation—Later writings in 'Fraser'—'Mrs. Perkins's Ball,' with Thackeray's Illustrations—Early Vicissitudes of 'Pencil Sketches of English Society'—Thackeray's connection with the Temple—Appearance of 'Vanity Fair,' with the Author's original Illustrations—Appreciative notice in the 'Edinburgh Review'—The impression produced—'Our ixx Street,' with Titmarsh's Pencillings of some of its Inhabitants—The History of Pendennis,' illustrated by the Author—'Dr. Birch and his Young Friends,' with illustrations by M. A. Titmarsh—'Rebecca and Rowena'—The Dignity of Literature and the 'Examiner' and 'Morning Chronicle' newspapers—Sensitiveness to Hostile Criticism—The 'Kickleburys on the Rhine,' with illustrations by M. A. Titmarsh—Adverse bias of the 'Times' newspaper—Thackeray's reply—An 'Essay on Thunder and Small Beer' 161
CHAPTER IX.
Commencement of the Series of Early Essayists—Thackeray as a Lecturer—The 'English Humourists of the Eighteenth Century'—Charlotte Brontë at Thackeray's Readings—The Lectures repeated in Edinburgh—An invitation to visit America—Transatlantic popularity—Special success attending the reception of the 'English Humourists' in the States—'Week-day Preachers'—Enthusiastic Farewell—Appleton's New York edition of Thackeray's Works; the Author's introduction, and remarks on International Copyright—Thackeray's departure—Cordial impression bequeathed to America—The 'History of Henry Esmonde, a story of Queen Anne's Reign'—The writers of the Augustan Era—The 'Newcomes'—An allusion to George Washington misunderstood—A second visit to America—Lectures on the 'Four Georges'—The series repeated at home—Scotch sympathy—Thackeray proposed as a candidate to represent Oxford in Parliament—His liberal views and impartiality 171
CHAPTER X.
Curious Authors from Thackeray's Library, indicating the course of his Readings—Early Essayists illustrated with the Humourist's Pencillings—Bishop Earle's 'Microcosmography; a piece of the World Characterised,' 1628—An 'Essay in Defence of the Female Sex,' 1697—Thackeray's Interest in Works on the Spiritual World—'Flagellum Dæmonum, et Fustis Dæmonum. Auctore R. P. F. Hieronymo Mengo,' 1727—'La Magie et L'Astrologie,' par L. F. Alfred Maury—'Magic, Witchcraft, Animal Magnetism, Hypnotism, and Electro Biology,' by James Baird, 1852 186
CHAPTER XI.
ENGLISH ESSAYISTS OF THE GEORGIAN ERA.
Early Essayists whose Writings have furnished Thackeray with the Accessories of Portions of his Novels and Lectures—Works from the Novelist's Library, elucidating his Course of Reading for the Preparation xx of his 'Lectures'—'Henry Esmond,' 'The Virginians,' &c.—Characteristic Passages from the Lucubrations of the Essayists of the Augustan Era illustrated with original Marginal Sketches, suggested by the Text, by Thackeray's hand—The 'Tatler'—Its History and Influence—Reforms introduced by the purer Style of the Essayists—The Literature of Queen Anne's Reign—Thackeray's Love for the Writings of the Period—His Gift of reproducing their masterly and simple style of Composition; their Irony, and playful Humour—Extracts from notable Essays; illustrated with original Pencillings from the Series of the 'Tatler,' 1709 221
CHAPTER XII.
THACKERAY'S RESEARCHES AMONGST THE WRITINGS OF THE EARLY ESSAYISTS—Continued.
Extracts of Characteristic Passages from the Works of the 'Humourists,' from Thackeray's Library, illustrated with Original Marginal Sketches by the Author's hand—The Series of The 'Guardian,' 1713—Introduction—Steele's Programme—Authors who contributed to the 'Guardian'—Paragraphs and Pencillings 275
CHAPTER XIII.
THACKERAY'S RESEARCHES AMONGST THE WRITINGS OF THE EARLY ESSAYISTS—Continued.
Characteristic passages from the Works of Humorous Writers of the 'Era of the Georges,' from Thackeray's Library, illustrated with original Marginal Sketches by the Author's hand—The 'Humourist,' 1724—Extracts and Pencillings 299
CHAPTER XIV.
THACKERAY'S RESEARCHES AMONGST THE WRITINGS OF THE EARLY ESSAYISTS—Continued.
Characteristic Passages from the Works of the 'Humourists,' from Thackeray's Library, illustrated by the Author's hand, with Marginal Sketches suggested by the Text—The 'World,' 1753—Introduction—Its Difference from the Earlier Essays—Distinguished Authors who contributed to the 'World'—Paragraphs and Pencillings 318 xxi
CHAPTER XV.
THACKERAY'S FAMILIARITY WITH THE WRITINGS OF THE SATIRICAL ESSAYISTS—Continued.
Characteristic Passages from the compositions of the 'Early Humourists,' from Thackeray's Library, illustrated by the Author's hand with original Marginal Sketches suggested by the Text—The 'Connoisseur,' 1754—Introduction—Review of Contributors—Paragraphs and Pencillings 357
CHAPTER XVI.
THACKERAY'S RESEARCHES AMONGST THE WRITINGS OF THE EARLY ESSAYISTS—Continued.
Characteristic Passages from the Works of the 'Humourists,' from Thackeray's Library; illustrated by the Author's hand with Marginal Sketches suggested by the Text—The 'Rambler,' 1749-50—Introduction—Its Author, Dr. Johnson—Paragraphs and Pencillings 370
CHAPTER XVII.
THACKERAY'S FAMILIARITY WITH THE WRITINGS OF THE SATIRICAL ESSAYISTS—Continued.
Characteristic Passages from the Works of the 'Early Humourists,' from Thackeray's Library, illustrated by the Author's hand with original Marginal Sketches suggested by the Text—The 'Mirror,' Edinburgh, 1779-80—Introduction—The Society in which the 'Mirror,' and 'Lounger' originated—Notice of Contributors—Paragraphs and Pencillings 408
CHAPTER XVIII.
Thackeray as an Illustrator—The 'North British Review' on Thackeray—Illustrations to 'Men of Character'—'The Whitey-brown Paper Magazine'—'Comic Tales,' illustrated by Thackeray—Allusions to Caricature Drawing found throughout his writings—Skits on Fashion—Titmarsh on 'Men and Clothes'—Bohemianism in youth—Hatred of Conventionality—Sketches of Contemporary Habits and Manners—Imaginative Illustrations to Romances—Skill in Ludicrous Parody—Burlesque of the 'Official Handbook of Court and State' 436 xxii
CHAPTER XIX.
Thackeray as a Traveller—Journey in Youth from India to England—Little Travels at Home—Sojourn in Germany—French Trips—Residence in Paris—Studies in Rome—Sketches and Scribblings in Guide-Books—Little Tours and Wayside Studies—Brussels—Ghent and the Béguines—Bruges—Croquis in Murray's 'Handbooks to the Continent'—Up the Rhine—'From Cornhill to Grand Cairo'—Journeys to America—Switzerland—'A Leaf out of a Sketch-Book'—The Grisons—Verona—'Roundabout Journeys'—Belgium and Holland 465
CHAPTER XX.
Commencement of the 'Cornhill Magazine'—'Roundabout Papers'—'Lovel the Widower'—The 'Adventures of Philip on his Way through the World'—Lectures on the 'Four Georges'—Editorial Penalties—The 'Thorn in the Cushion'—Harass from disappointed Contributors—Vexatious Correspondents—Withdrawal from the arduous post of Editor—Building of Thackeray's House in Kensington Palace Gardens—Christmas 1863—Death of the great Novelist—The unfinished Work—Circumstances of the Author's last Illness—His Death 488




















DOCTOR BIRCH AND HIS YOUNG FRIENDS.  

By Mr. M. A. Titmarsh.  





CONTENTS  


DOCTOR BIRCH. 

THE DOCTOR AND HIS STAFF. 

THE COCK OF THE SCHOOL. 

THE LITTLE SCHOOL-ROOM. 

THE DEAR BROTHERS. 

A HOPELESS CASE. 

A WORD ABOUT MISS BIRCH. 

A TRAGEDY. 

BRIGGS IN LUCK. 

A YOUNG FELLOW WHO IS PRETTY SURE TO SUCCEED. 

DUVAL, THE PIRATE. 

THE DORMITORIES. 

A CAPTURE AND A RESCUE. 

THE GARDEN, 

THE OLD PUPIL. 




















NOTES ON A JOURNEY FROM CORNHILL TO GRAND CAIRO  

By William Makepeace Thackeray  





CONTENTS  


DEDICATION 

PREFACE 

CHAPTER I: VIGO 

CHAPTER II: LISBONCADIZ 

CHAPTER III: THE "LADY MARY WOOD" 

CHAPTER IV: GIBRALTAR 

CHAPTER V: ATHENS 

CHAPTER VI: SMYRNAFIRST GLIMPSES OF THE EAST 

CHAPTER VII: CONSTANTINOPLE 

CHAPTER VIII: RHODES 

CHAPTER IX: THE WHITE SQUALL 

CHAPTER X: TELMESSUSBEYROUT 

CHAPTER XI: A DAY AND NIGHT IN SYRIA 

CHAPTER XII: FROM JAFFA TO JERUSALEM 

CHAPTER XIII: JERUSALEM 

CHAPTER XIV: FROM JAFFA TO ALEXANDRIA 

CHAPTER XV: TO CAIRO 

Footnotes: 




















THE TREMENDOUS ADVENTURES OF MAJOR GAHAGAN  

By William Makepeace Thackeray  





CONTENTS  


CHAPTER I 

CHAPTER II: ALLYGHUR AND LASWAREE 

CHAPTER III: A PEEP INTO SPAINACCOUNT OF THE ORIGIN AND SERVICES  

CHAPTER IV: THE INDIAN CAMPTHE SORTIE FROM THE FORT 

CHAPTER V: THE ISSUE OF MY INTERVIEW WITH MY WIFE 

CHAPTER VI: FAMINE IN THE GARRISON 

CHAPTER VII: THE ESCAPE 

CHAPTER VIII: THE CAPTIVE 

CHAPTER IX: SURPRISE OF FUTTYGHUR 

Footnotes: 










End of the Project Gutenberg EBook of Index of The Project Gutenberg Works
of Thackeray, by William Makepeace Thackeray

*** END OF THIS PROJECT GUTENBERG EBOOK WORKS OF THACKERAY ***

***** This file should be named 57966-h.htm or 57966-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/5/7/9/6/57966/

Produced by David Widger

Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you'll have to check the laws of the country where you
  are located before using this ebook.

1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase『Project
Gutenberg』associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original『Plain
Vanilla ASCII』or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that

* You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg-tm works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg-tm trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, "Information about donations to the Project Gutenberg
  Literary Archive Foundation."

* You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg-tm
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg-tm
  works.

* You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.

* You comply with all other terms of this agreement for free
  distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the『Right
of Replacement or Refund』described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org Section 3. Information about the Project Gutenberg
Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact



For additional contact information:

    Dr. Gregory B. Newby
    Chief Executive and Director
    gbnewby@pglaf.org

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate



Section 5. General Information About Project Gutenberg-tm electronic works.

Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our Web site which has the main PG search
facility: www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.