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In 1966, [[John Lennon]] controversially remarked that the group had become "[[more popular than Jesus]]". Soon afterwards, when the Beatles [[The Beatles' 1966 tour of Germany, Japan and the Philippines|toured Japan, the Philippines and the US]], they were entangled in mob revolt, violence, political backlash and threats of assassination. Frustrated by the restrictions of Beatlemania and unable to hear themselves play above their fans' screams, the group stopped touring and became a studio-only band. Their popularity and influence expanded in various social and political arenas, while Beatlemania continued on a reduced scale from then and into the members' solo careers. |
In 1966, [[John Lennon]] controversially remarked that the group had become "[[more popular than Jesus]]". Soon afterwards, when the Beatles [[The Beatles' 1966 tour of Germany, Japan and the Philippines|toured Japan, the Philippines and the US]], they were entangled in mob revolt, violence, political backlash and threats of assassination. Frustrated by the restrictions of Beatlemania and unable to hear themselves play above their fans' screams, the group stopped touring and became a studio-only band. Their popularity and influence expanded in various social and political arenas, while Beatlemania continued on a reduced scale from then and into the members' solo careers. |
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Beatlemania surpassed any previous examples of fan worship in its intensity and scope. Initially, the fans were predominantly young adolescent females, sometimes called "[[teenybopper]]s", and their behaviour was scorned by many commentators. By 1965, their fanbase included listeners who traditionally shunned youth-driven pop culture, which helped bridge divisions between [[folk music|folk]] and rock enthusiasts. During the 1960s, Beatlemania was the subject of analysis by [[psychologist]]s and [[Sociology|sociologists]]; a 1997 study recognised the phenomenon as an early demonstration of proto-[[Feminism|feminist]] [[girl power]]{{Citation needed|date=December 2023}}. The receptions of subsequent pop acts – particularly [[boy band]]s and [[Taylor Swift]] – have drawn comparisons to Beatlemania, although none have replicated the breadth and depth of the Beatles' [[fandom]] nor its cultural impact. |
Beatlemania surpassed any previous examples of fan worship in its intensity and scope. Initially, the fans were predominantly young adolescent females, sometimes called "[[teenybopper]]s", and their behaviour was scorned by many commentators. By 1965, their fanbase included listeners who traditionally shunned youth-driven pop culture, which helped bridge divisions between [[folk music|folk]] and rock enthusiasts. During the 1960s, Beatlemania was the subject of analysis by [[psychologist]]s and [[Sociology|sociologists]]; a 1997 study recognised the phenomenon as an early demonstration of proto-[[Feminism|feminist]] [[girl power]]{{Citation needed|date=December 2023}}. The receptions of subsequent pop acts – particularly [[boy band]]s and [[Taylor Swift]] – have drawn comparisons to Beatlemania, although none have replicated the breadth and depth of the Beatles' [[fandom]] nor its cultural impact." |
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Greek: Ά ά Έ έ Ή ή Ί ί Ό ό Ύ ύ Ώ ώ Α α Β β Γ γ Δ δ Ε ε Ζ ζ Η η Θ θ Ι ι Κ κ Λ λ Μ μ Ν ν Ξ ξ Ο ο Π π Ρ ρ Σ σ ς Τ τ Υ υ Φ φ Χ χ Ψ ψ Ω ω {{Polytonic|}}
Cyrillic: А а Б б В в Г г Ґ ґ Ѓ ѓ Д д Ђ ђ Е е Ё ё Є є Ж ж З з Ѕ ѕ И и І і Ї ї Й й Ј ј К к Ќ ќ Л л Љ љ М м Н н Њ њ О о П п Р р С с Т т Ћ ћ У у Ў ў Ф ф Х х Ц ц Ч ч Џ џ Ш ш Щ щ Ъ ъ Ы ы Ь ь Э э Ю ю Я я ́
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