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{{see also|Hibakusha}} |
{{see also|Hibakusha}} |
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[[Sadako Kurihara|Kurihara Sadako]], a ''hibakusha'' survivor of the [[Hiroshima]] nuclear bomb, had her poetry collection that addressed the aftermath of the bomb heavily censored. According to scholar Edward A. Dougherty, "American Censors deleted stanzas and whole poems from the book before publication and because of an earlier run in with Occupation Officials, she herself cut additional materials out".{{sfn|Atherton|2015|p=5}} The collection would later be republished in its uncensored format in 1986. Because of the censorship conducted by the CCD, ''hibakusha'' experience was not publicized and faced discrimination. Bomb survivors, such as Ogawa Setsuko, recount being discriminated against by doctors believing their radiation to be contagious, being hidden and isolated in family homes, and ostracized by the public.{{sfn|Atherton|2015|p=11}} Simultaneous to the ostracization ''hibakusha'' were experiencing, U.S scientists were collecting evidence at institutions studying hibakusha but refusing to treat them.{{sfn|Broderick|2013|p=3}} Some poems about the bomb, such as |
[[Sadako Kurihara|Kurihara Sadako]], a ''hibakusha'' survivor of the [[Hiroshima]] nuclear bomb, had her poetry collection that addressed the aftermath of the bomb heavily censored. According to scholar Edward A. Dougherty, "American Censors deleted stanzas and whole poems from the book before publication and because of an earlier run in with Occupation Officials, she herself cut additional materials out".{{sfn|Atherton|2015|p=5}} The collection would later be republished in its uncensored format in 1986. Because of the censorship conducted by the CCD, ''hibakusha'' experience was not publicized and faced discrimination. Bomb survivors, such as Ogawa Setsuko, recount being discriminated against by doctors believing their radiation to be contagious, being hidden and isolated in family homes, and ostracized by the public.{{sfn|Atherton|2015|p=11}} Simultaneous to the ostracization ''hibakusha'' were experiencing, U.S scientists were collecting evidence at institutions studying hibakusha but refusing to treat them.{{sfn|Broderick|2013|p=3}} Some poems about the bomb, such as Kurihara’s “Let Us Be Midwives”, was able to evade censorship as it was published directly after the bombing, and the criteria the CCD used to censor was largely up to interpretation.{{sfn|Broderick|2013|p=13}} |
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Documentary company Nichi-ei promptly sent cameramen to the site of the two atomic bombings to record footage, the surviving footage that made it to American censors was filmed by Toshio Kashiwada. The film was released, but CCD officials such as C.B. Reese recommended the film be withdrawn from public circulation, but ultimately the CCD allowed it to run due to the difficulty of censoring an already released film and the bad press it would receive.{{sfn|Hirano|2013|p=104}} |
Documentary company Nichi-ei promptly sent cameramen to the site of the two atomic bombings to record footage, the surviving footage that made it to American censors was filmed by Toshio Kashiwada. The film was released, but CCD officials such as C.B. Reese recommended the film be withdrawn from public circulation, but ultimately the CCD allowed it to run due to the difficulty of censoring an already released film and the bad press it would receive.{{sfn|Hirano|2013|p=104}} |
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