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In a dramatic production, an '''ensemble cast''' is one that comprises many principal actors and [[performing arts|performers]] who are typically assigned roughly equal amounts of screen time.<ref name=":0">Random House: ensemble acting Linked 2013-07-17</ref> The term is also used interchangeably to refer to a production (typically film) with a large cast or a cast with several prominent performers.<ref>{{Cite book|url=https://books.google.com/books?id=Ik9sleNg10kC&pg=PA112|title=Character design for graphic novels|author=Steven Withrow|author2=Alexander Danner|year=2007|publisher=[[Focal Press]]/Rotovision|page=112|access-date=2009-09-05|isbn=9780240809021|archive-date=2023-04-21|archive-url=https://web.archive.org/web/20230421104220/https://books.google.com/books?id=Ik9sleNg10kC&pg=PA112|url-status=live}}</ref> |
In a dramatic production, an '''ensemble cast''' is one that comprises many principal actors and [[performing arts|performers]] who are typically assigned roughly equal amounts of screen time.<ref name=":0">Random House: ensemble acting Linked 2013-07-17</ref> The term is also used interchangeably to refer to a production (typically film) with a large cast or a cast with several prominent performers.<ref>{{Cite book|url=https://books.google.com/books?id=Ik9sleNg10kC&pg=PA112|title=Character design for graphic novels|author=Steven Withrow|author2=Alexander Danner|year=2007|publisher=[[Focal Press]]/Rotovision|page=112|access-date=2009-09-05|isbn=9780240809021|archive-date=2023-04-21|archive-url=https://web.archive.org/web/20230421104220/https://books.google.com/books?id=Ik9sleNg10kC&pg=PA112|url-status=live}}</ref> |
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==Structure== |
==Structure==mbjdye5syse5y |
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In contrast to the popular model, which gives precedence to a sole [[protagonist]], an ensemble cast leans more towards a sense of "collectivity and community".<ref name=math>{{Cite journal|url=https://academic.oup.com/screen/article/52/1/89/1668892|title=Referential acting and the ensemble cast|first=Ernest|last=Mathijs|date=March 1, 2011|journal=Screen|volume=52|issue=1|pages=89–96|via=academic.oup.com|doi=10.1093/screen/hjq063|access-date=June 15, 2020|archive-date=March 8, 2021|archive-url=https://web.archive.org/web/20210308070844/https://academic.oup.com/screen/article/52/1/89/1668892|url-status=live}}</ref> |
In contrast to the popular model, which gives precedence to a sole [[protagonist]], an ensemble cast leans more towards a sense of "collectivity and community".<ref name=math>{{Cite journal|url=https://academic.oup.com/screen/article/52/1/89/1668892|title=Referential acting and the ensemble cast|first=Ernest|last=Mathijs|date=March 1, 2011|journal=Screen|volume=52|issue=1|pages=89–96|via=academic.oup.com|doi=10.1093/screen/hjq063|access-date=June 15, 2020|archive-date=March 8, 2021|archive-url=https://web.archive.org/web/20210308070844/https://academic.oup.com/screen/article/52/1/89/1668892|url-status=live}}</ref> |
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Latin: A a Á á À à  â Ä ä Ǎ ǎ Ă ă Ā ā à ã Å å Ą ą Æ æ Ǣ ǣ B b C c Ć ć Ċ ċ Ĉ ĉ Č č Ç ç D d Ď ď Đ đ Ḍ ḍ Ð ð E e É é È è Ė ė Ê ê Ë ë Ě ě Ĕ ĕ Ē ē Ẽ ẽ Ę ę Ẹ ẹ Ɛ ɛ Ǝ ǝ Ə ə F f G g Ġ ġ Ĝ ĝ Ğ ğ Ģ ģ H h Ĥ ĥ Ħ ħ Ḥ ḥ I i İ ı Í í Ì ì Î î Ï ï Ǐ ǐ Ĭ ĭ Ī ī Ĩ ĩ Į į Ị ị J j Ĵ ĵ K k Ķ ķ L l Ĺ ĺ Ŀ ŀ Ľ ľ Ļ ļ Ł ł Ḷ ḷ Ḹ ḹ M m Ṃ ṃ N n Ń ń Ň ň Ñ ñ Ņ ņ Ṇ ṇ Ŋ ŋ O o Ó ó Ò ò Ô ô Ö ö Ǒ ǒ Ŏ ŏ Ō ō Õ õ Ǫ ǫ Ọ ọ Ő ő Ø ø Œ œ Ɔ ɔ P p Q q R r Ŕ ŕ Ř ř Ŗ ŗ Ṛ ṛ Ṝ ṝ S s Ś ś Ŝ ŝ Š š Ş ş Ș ș Ṣ ṣ ß T t Ť ť Ţ ţ Ț ț Ṭ ṭ Þ þ U u Ú ú Ù ù Û û Ü ü Ǔ ǔ Ŭ ŭ Ū ū Ũ ũ Ů ů Ų ų Ụ ụ Ű ű Ǘ ǘ Ǜ ǜ Ǚ ǚ Ǖ ǖ V v W w Ŵ ŵ X x Y y Ý ý Ŷ ŷ Ÿ ÿ Ỹ ỹ Ȳ ȳ Z z Ź ź Ż ż Ž ž ß Ð ð Þ þ Ŋ ŋ Ə ə
Greek: Ά ά Έ έ Ή ή Ί ί Ό ό Ύ ύ Ώ ώ Α α Β β Γ γ Δ δ Ε ε Ζ ζ Η η Θ θ Ι ι Κ κ Λ λ Μ μ Ν ν Ξ ξ Ο ο Π π Ρ ρ Σ σ ς Τ τ Υ υ Φ φ Χ χ Ψ ψ Ω ω {{Polytonic|}}
Cyrillic: А а Б б В в Г г Ґ ґ Ѓ ѓ Д д Ђ ђ Е е Ё ё Є є Ж ж З з Ѕ ѕ И и І і Ї ї Й й Ј ј К к Ќ ќ Л л Љ љ М м Н н Њ њ О о П п Р р С с Т т Ћ ћ У у Ў ў Ф ф Х х Ц ц Ч ч Џ џ Ш ш Щ щ Ъ ъ Ы ы Ь ь Э э Ю ю Я я ́
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