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In January 1913, Respighi left Bologna to become professor of composition at the [[Accademia Nazionale di Santa Cecilia|Liceo Musicale di Santa Cecilia]] in Rome. Among his students during this time were composers [[Vittorio Rieti]], [[Ennio Porrino]], and [[Daniele Amfitheatrof]], conductors [[Antonio Pedrotti]] and [[Mario Rossi (conductor)|Mario Rossi]], pianist [[Pietro Scarpini]], and organist [[Fernando Germani]].<ref name=TRECCANI2016/>{{sfn|Waterhouse|2001|loc="1. Life"}} However, the busy and crowded atmosphere of the city unnerved Respighi who found it increasingly difficult to teach and compose. He became withdrawn, homesick, and suffered from irregular sleep.{{sfn|Ottorino Respighi: A Dream of Italy|1982|loc=28:27–29:14}} |
In January 1913, Respighi left Bologna to become professor of composition at the [[Accademia Nazionale di Santa Cecilia|Liceo Musicale di Santa Cecilia]] in Rome. Among his students during this time were composers [[Vittorio Rieti]], [[Ennio Porrino]], and [[Daniele Amfitheatrof]], conductors [[Antonio Pedrotti]] and [[Mario Rossi (conductor)|Mario Rossi]], pianist [[Pietro Scarpini]], and organist [[Fernando Germani]].<ref name=TRECCANI2016/>{{sfn|Waterhouse|2001|loc="1. Life"}} However, the busy and crowded atmosphere of the city unnerved Respighi who found it increasingly difficult to teach and compose. He became withdrawn, homesick, and suffered from irregular sleep.{{sfn|Ottorino Respighi: A Dream of Italy|1982|loc=28:27–29:14}} |
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After a return visit to Germany for several performances in 1913, Respighi focused primarily on teaching. One of his new students in his fugue and composition class was 19-year-old [[Elsa Respighi|Elsa Olivieri-Sangiacomo]]; the two started a relationship and Elsa, fourteen years his junior, and Respighi married in January 1919.{{sfn|Webb|2019|p=61, 85}}{{sfn|Composer of the Week|2014|loc=17:58–18:31}} The pair shared a love for [[Gregorian chant]] and Respighi often requested for Elsa to sing [[monody|monodies]] to him, sometimes for as long as two hours.<ref name=MH1979>{{cite |
After a return visit to Germany for several performances in 1913, Respighi focused primarily on teaching. One of his new students in his fugue and composition class was 19-year-old [[Elsa Respighi|Elsa Olivieri-Sangiacomo]]; the two started a relationship and Elsa, fourteen years his junior, and Respighi married in January 1919.{{sfn|Webb|2019|p=61, 85}}{{sfn|Composer of the Week|2014|loc=17:58–18:31}} The pair shared a love for [[Gregorian chant]] and Respighi often requested for Elsa to sing [[monody|monodies]] to him, sometimes for as long as two hours.<ref name=MH1979>{{cite newspaper|url=https://www.newspapers.com/image/628309490|title=Life With Respighi|first=James|last=Roos|newspaper=The Miami Hearald|date=19 August 1979|page=2L|via=[[Newspapers.com]]|access-date=17 November 2023}}</ref> From 1921 they lived in a flat in [[Palazzo Borghese]] which they named {{Lang|it|I Pini}}.{{sfn|Composer of the Week|2014|loc=12:10–12:50}}{{sfn|Webb|2019|p=129}} Elsa recalled composer [[Giacomo Puccini]] saying their marriage was "the most beautiful and perfect thing I know."<ref name=MH1979/> The Respighi's mutual friend, librettist [[Claudio Guastalla]], said the marriage "functioned on an almost transcendental level of human and spiritual harmony."{{sfn|Ottorino Respighi: A Dream of Italy|1982|loc=1:05:44–1:05:57}} |
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In February 1915, publisher Tito Ricordi took an interest in Respighi, who agreed to publish a collection of transcriptions for violin and piano from 1908, namely pieces by [[Nicola Porpora]], [[Giuseppe Tartini]], and [[Francesco Maria Veracini]].<ref name=TRECCANI2016/> In the same year he had a minor involvement in the [[Società Italiana di Musica Moderna]], a group founded in 1915 by [[Alfredo Casella]] and other staff members of the {{Lang|it|Liceo Musicale|italic=no}} in an effort to modernise Italian music as a result of Casella's visit to France.{{sfn|Waterhouse|2001|loc="1. Life"}} |
In February 1915, publisher Tito Ricordi took an interest in Respighi, who agreed to publish a collection of transcriptions for violin and piano from 1908, namely pieces by [[Nicola Porpora]], [[Giuseppe Tartini]], and [[Francesco Maria Veracini]].<ref name=TRECCANI2016/> In the same year he had a minor involvement in the [[Società Italiana di Musica Moderna]], a group founded in 1915 by [[Alfredo Casella]] and other staff members of the {{Lang|it|Liceo Musicale|italic=no}} in an effort to modernise Italian music as a result of Casella's visit to France.{{sfn|Waterhouse|2001|loc="1. Life"}} |
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