| Cintāmaṇicakra | |
|---|---|
Statue of Cintamanicakra (Chinese: Ruyilun Guanyin) in the Buddha Tooth Relic Temple and MuseuminChinatowninSingapore
| |
| Sanskrit | चिन्तामणिचक्र (IAST) Cintāmaṇicakra |
| Chinese | (Traditional) 如意輪觀音(菩薩) (Simplified) 如意轮观音(菩萨) (Pinyin: Rúyìlún Guānyīn (Púsà)) |
| Japanese | 如意輪観音(菩薩)
(romaji: Nyoirin Kannon (Bosatsu)) |
| Korean | 여의륜관음(보살)
(RR: Yeouiryun Gwaneum (Bosal)) |
| Tibetan | ཡིད་བཞིན་འཁོར་ལོ་ Wylie: Yid bzhin 'khor lo THL: Yizhin Khorlo |
| Vietnamese | Như Ý Luân Quán Âm Bồ Tát |
| Information | |
| Venerated by | Mahāyāna, Vajrayāna |
 Religion portal | |
Cintāmaṇicakra (Sanskrit: चिन्तामणिचक्र; Chinese (Traditional): 如意輪觀音; Simplified: 如意轮观音; pinyin: Rúyìlún Guānyīn; Japanese: 如意輪観音, Nyoirin Kannon) is a bodhisattva and a manifestation of Avalokiteśvara (known in Chinese as Guanyin). He is counted as one of six different forms of the bodhisattva that represent salvation afforded to beings among the six realms of saṃsāra. Among these incarnations, Cintāmaṇicakra is believed to save those in the deva realm.[1]
Cintāmaṇicakra is sometimes also referred to as Avalokiteśvara as Mahābrahmā the Profound (大梵深遠觀音; Ch. Dàfàn Shēnyuǎn Guānyīn; Jp. Daibon Jin'on Kannon).
Cintāmaṇicakra is depicted as having anywhere from two to sixteen arms, with the two-armed and six-armed forms being the more common in Chinese and Japanese art.
In his six-armed form, Cintāmaṇicakra is commonly shown wearing a crown with an effigy of Amitābha Buddha and sitting in a "royal" position (mahārājalīlāsana, i.e. with his left leg tucked inwards and his right knee raised) atop a lotus on a rock protruding from the ocean - a symbol of Mount Potalaka, Avalokiteśvara's legendary abode.[2][3] His first right hand touches his face in a pensive mudra, his second right hand holds a cintāmaṇi, and his third right hand holds prayer beads. His first left hand meanwhile touches the rock base he is sitting on, his second left hand holds a crimson lotus flower (padma), and the third left hand holds a Dharma wheel (cakra).[4]
In two-armed images, he does not hold a jewel and he may be seated with his right leg crossed at the ankle over his left leg. This imagery is similar to that of the statue of MaitreyaatChūgū-jiinNara, which has been mistakenly venerated as Cintāmaṇicakra.[5][6] Another two-armed form exists where he holds a cintāmaṇi in his right hand and a water vase in his left hand. An example of this variation is the colossal Guanyin statue located in Tsz Shan MonasteryinHong Kong.
Cintāmaṇicakra may also be abstractly represented via his attributes or symbols (samaya; Ch. 三昧耶形, sānmèiyé xíng; Jp. sa(n)maya-gyō), the cintāmaṇi and the lotus flower.
The bījā or seed syllable used to symbolically represent Cintāmaṇicakra is hrīḥ (Siddhaṃ: 
; Devanagari: ह्रीः).
Several mantras are associated with Cintāmaṇicakra. In Chinese Buddhism, the Cintāmaṇicakra DhāraṇīorCintāmaṇi Cakravarti Dhāraṇī (如意寶輪王陀羅尼; pinyin: Rúyì Bǎolún Wáng Tuóluóní) is reckoned as one of the Ten Small Mantras (十小咒; pinyin: Shí xiǎo zhòu), a collection of mantras and dhāraṇīs commonly recited in temples during morning liturgical services.[7][8] The dhāraṇī originates from the Cintāmaṇicakra Dhāraṇī Sutra, which was translated into Chinese by the monks Bodhiruci (如意輪陀羅尼經; pinyin: Rúyìlún tuóluóní jīng; Taishō Tripiṭaka 1080[9]) and Yijing (佛說觀自在菩薩如意心陀羅尼咒經; pinyin: Fóshuō Guānzìzài Púsà rúyì xīn tuóluóní zhòu jīng; T. 1081[10]).
| Sanskrit (romanized; from Bodhiruci[9]) | Chinese (Yijing) | Pinyin |
|---|---|---|
| Namo ratna-trayāya[a] Nama Āryāvalokiteśvarāya bodhisattvāya mahāsattvāya mahākāruṇikāya tadyathā Oṃ cakravarti cintāmaṇi mahāpadme ru ru tiṣṭhat jvala ākarṣāya hūṃ phaṭ svāhā Oṃ padma cintāmaṇi jvala hūṃ Oṃ varada padme hūṃ |
南謨佛馱耶 南謨達摩耶 南謨僧伽耶 南謨觀自在菩薩摩訶薩 具大悲心者 怛姪他 唵斫羯羅伐底 震多末尼謨訶 鉢蹬謎 嚕嚕嚕嚕 底瑟他 篅攞痾羯利沙也 吽發莎訶 菴鉢踏摩 震多末尼 篅攞吽 菴跋剌陀 鉢亶謎吽 |
Nāmó fótuóyé nāmó dámóyé nāmó sēngjiāyé Nāmó Guānzìzài púsà móhēsà jù dàbēixīnzhě dázhítā Ān zhuójiéluófádǐ zhènduōmòní móhē bōdēngmí lǔ lǔ lǔ lǔ dǐsètā shuòlà ējiélìshāyě hōng fā suōhē Ān bōtàmó zhènduōmòní shuòlà hōng Ān bálátuó bōdǎnmí hōng |
The two shorter mantras are more commonly employed in the Japanese tradition:
| Sanskrit (romanized) | Japanese (romanized) |
|---|---|
| Oṃ padme cintāmaṇi jvala hūṃ | On handomei shindamani jinbara un[11] |
| Sanskrit (romanized) | Japanese (romanized) |
|---|---|
| Oṃ varada padme hūṃ | On barada handomei un[12] |
|
| ||||||
|---|---|---|---|---|---|---|
| Forms |
|
| ||||
| Texts |
| |||||
| Locations |
| |||||
| Associated figures |
| |||||
| In popular culture |
| |||||
| ||||||
