Michael Petry (born 1960) is an American multi-media artist and author who lives and works in London. He is director of MOCA, London (Museum of Contemporary Art London), and co-founder of the Museum of Installation, also in London. He was formerly the Curator of the Royal Academy Schools Gallery, Guest Curator at the KunstAkademi, Oslo, and Research Fellow at the University of Wolverhampton.
In 2015 Petry headlined Rice University's Campbell Lecture Series.[3] The program was entitled "The Trouble with Michael: Artist and Rice Alumni Michael Petry Discusses His 30 Years of Art Production," and involved three lectures: "Growing Up in Public" (April 7, 2015), "Reading a Life" (April 8, 2015) and "The Art of Ethics" (April 9, 2015). A coinciding exhibition of Petry's work, At the Core of the Algorithm, was shown at Hiram Butler Gallery.[4]
In 2012 Petry and Travis Barker entered a Civil Partnership at the London Borough of Southwark.
Petry co-authored Installation Art (Thames & Hudson, 1994), and Installation Art in the New Millennium (Thames & Hudson, 2003), and authored Abstract Eroticism (1996) and A Thing of Beauty is... (Academy Editions, 1997). The Trouble with Michael (ArtMedia Press, 2001) is a monograph of his artistic practice.
Petry's book Hidden Histories: 20th Century Same Sex Male Lovers in the Visual Arts (2004) accompanies the exhibition Hidden Histories he curated for The New Art Gallery Walsall.[5] He documented the exhibition in The International Journal of Art & Design Education and to expand this for publication in Gender Sexuality, and Museums: A Routledge Reader edited by Amy K. Levin.[6]
His book Golden Rain Volumes I &II is part of his project of the same name for Ha gamle prestegard's exhibition On the Edge[7] for Stavanger 2008, European Capital of Culture.[8] His work is included in the Contemporary Glass book by Black Dog Publishing. Petry's book The Art of Not Making: the new artist/artisan relationship (Thames & Hudson, 2011) looks at artists who have work produced for them by artisans.[9]
Petry's 2013 book Nature Morte: Contemporary Artists Reinvigorate the Still Life Tradition (Thames & Hudson) revealed how leading artists of the 21st century are reinvigorating the still life, a genre previously synonymous with the 16th- and 17th-century Old Masters. Nature Morte was adapted into a touring exhibition which visited several European galleries and museums.
He has also contributed chapters to various books and journals, including Pornographic Art and the Aesthetics of Pornography (Palgrave Macmillan, 2013),[10]Sculpture and Touch (Routledge, 2014)[11] and Global Mobilities: Refugees, Exiles and Immigrants in Museums and Archives (Routledge, 2016).[12]
AT the Core of the Algorithm, installation for British Glass, Glazenhuis, Lommel, Belgium, 2014[20]
Frontiers Reimagined, Museo di Palazzo Grimani, Official Collateral Event as part of the 56th International Art Exhibition of la Biennale di Venezia, 2015[21]
Petry's book The Art of Not Making: The New Artist/Artisan Relationship was adapted into a series of exhibitions which Petry curated: The Fabricated Object, Sumarria Lunn Gallery, London, 2012; The Art of Not Making, Ha gamle prestegard, Norway, 2013.[citation needed]
Nature Morte: Contemporary Artists Reinvigorate the Still Life Tradition, Petry's 2013 book was adapted into a touring exhibition which was presented at Ha gamle prestegard, Norway, 2015; Konsthallen-Bohusläns Museum, Sweden, 2016; National Museum, Wrocław, Poland, 2017; The Guildhall Art Gallery, London, 2017–18.[citation needed]
^"Listen". Listen. Archived from the original on 2018-01-20. Retrieved 2018-01-19.
^Petry, Michael (2004). Hidden histories : 20th century male same sex lovers in the visual arts. London. ISBN190288910X.{{cite book}}: CS1 maint: location missing publisher (link)
