Oscar Jerome Hijuelos (August 24, 1951 – October 12, 2013) was an American novelist.
Of Cuban descent, during a year-long convalescence from a childhood illness spent in a Connecticut hospital he lost his knowledge of Spanish, his parents' native language.[2][3] He was educated in New York City, and wrote short stories and advertising copy.
Hijuelos was born in Morningside Heights, Manhattan, to Cuban immigrant parents, Pascual and Magdalena (Torrens) Hijuelos, both from Holguín, Cuba.[4][6][7] His father worked as a hotel cook.[8] As a young child, he suffered from acute nephritis after a vacation trip to Cuba with his mother and brother José, and was in St. Luke's Convalescent Hospital, Greenwich, Connecticut for almost a year, eventually recovering.[6] During this long period separated from his Spanish-speaking family, he learned fluent English; he later wrote of this time: "I became estranged from the Spanish language and, therefore, my roots."[8]
Hijuelos started writing short stories and dramas while working in advertising.[10] His first novel, Our House in the Last World, was published in 1983, and won the Rome Prize of the American Academy of Arts and Letters.[10] This novel follows the life of a Cuban family in the United States during the 1940s.
His second novel, The Mambo Kings Play Songs of Love, received the 1990 Pulitzer Prize for Fiction. It was adapted in 1992 into the film The Mambo Kings, starring Armand Assante and Antonio Banderas, and as a musical in 2005.[8][11] In its theme of the American immigrant experience, The Mambo Kings Play Songs of Love was similar to many of his works.[11]Michiko Kakutani, reviewing the novel for The New York Times, describes it as "essentially elegiac in tone — a Chekhovian lament for a life of missed connections and misplaced dreams."[12] His autobiography, Thoughts Without Cigarettes, was published in 2011.[11] Bruce Weber, writing in the New York Times, described his style as "fluid prose, sonorous but more earthy than poetic, with a forthright American cadence."[8]
His influences included writers from Cuba and Latin America, including Carlos Fuentes, José Lezama Lima and Gabriel García Márquez.[11] Hijuelos expressed discomfort in his memoir with being pigeon-holed as an ethnic writer.[11] Weber states "Unlike that of many well-known Latin writers, his work was rarely outwardly political."[8]
When "Beautiful Maria of My Soul" was published, he corresponded with author Tom Miller: "I did this reading at Union Square B&N [Barnes & Noble] the other night, with a friend of mine providing music-- it kind of worked pretty well -- but it so happens that I mentioned your book, 'Trading with the Enemy'-- in the context of how charmed I was by the fact that you were carrying MKs ['The Mambo Kings'] with you while traveling through Cuba and that you had met a few folks somewhere (in Santiago?) who claimed to have once heard the MKs -- it happens that I've had similar experiences along the lines of 'And whatever happened to those guys?' as if they really existed (perhaps they did.)
In any event, the fact that some folks really believe that the MKs had been around, sort of led me, in a very roundabout way, to the notion that a real Maria has existed all along...."[13]
Hijuelos taught at Hofstra University and was affiliated with Duke University, where he was a member of the faculty of the Department of English for 6 years before his death.[14][15]
On October 12, 2013, Oscar Hijuelos collapsed of a heart attack while playing tennis in Manhattan and never regained consciousness.[18] He was 62 years old. He is survived by his second wife.[8]
^ abcCarlson, Lori M.; and Hijuelos, Oscar, Red Hot Salsa : Bilingual Poems on Being Young and Latino in the United States, Macmillan, 2005. ISBN0-8050-7616-6. Cf. Introduction, p.xvi. "Once, while in the fourth grade at Corpus Christi School, I received a Valentine's card that said 'I think you're cute'. ..."
Pérez Firmat, Gustavo. "Rum, Rump, and Rumba," in Life on the Hyphen: The Cuban-American Way. Austin: The University of Texas Press, 1994. Rpt. 1996, 1999. Revised and expanded edition, 2012.
