Seattle Rep (Seattle Repertory Theatre) is a major regional theater located in Seattle, Washington,[1] at the Seattle Center.[2] It is a member of Theatre Puget Sound[3] and Theatre Communications Group.[4] Founded in 1963, it is led by Artistic Director Dámaso Rodríguez and Managing Director Jeffrey Herrmann.[3][5] It received the 1990 Regional Theatre Tony Award.[6]
Seattle Rep's first home was the Seattle Playhouse, built as part of the fair grounds for the 1962 Century 21 Exposition, Seattle's 1962 World's Fair.[7] The building, extant as of 2009, was renovated in 1987 as a home for the Intiman Theatre.[7] Actor Hal Holbrook had appeared at the Playhouse during the fair, and is believed to be the person who suggested it as a home for a repertory theater company.[7] Seattle businessman and arts patron Bagley Wright and others raised money and recruited artistic leadership to found what became Seattle Repertory Theater ("Seattle Rep" or formerly "The Rep").[7] Stuart Vaughan was the founding artistic director[8] and directed the first production, King Lear, which opened the new company's first season on November 14, 1963. The original acting company included Seattle native Marjorie Nelson and a young associate member from the University of Washington, John Gilbert. Both went on to become mainstays of Pacific Northwest theater. Donald Foster came aboard as executive director in 1964. The first summer "Theater-in-the-Park" production was The Taming of the Shrew. The first Northwest tour included Twelfth Night and Ah, Wilderness!byEugene O'Neill. Peter Donnelly joined Seattle Rep on a Ford Foundation grant as a management intern. In 1966, Allen Fletcher became Seattle Rep's second artistic director. The "Off-Center" series (held at other local theaters outside Seattle Center) focused on contemporary works. The first "Off-Center" production, in 1967, featured The Death of Bessie Smith and The American Dream, two one-act plays by Edward Albee. Seattle Rep was invited to the Bergen International Festival in 1968.[citation needed]
In 1970, Peter Donnelly became producing director, and W. Duncan Ross became artistic director. In 1972, Seattle Rep's artistic role in the state was acknowledged with the Washington State Governor's Arts Award. That same year was the beginning of "Rep ‘n' Rap", a summer tour program featuring Thurbermania. The following year, there was a special presentation of Promenade All directed by Hume Cronyn. "The 2nd Stage" series began a year later with Max Frisch's Biography. In 1975, a tour of the western states included Seven Keys to BaldpatebyGeorge M. Cohan. Private funding and a citywide bond issue raised $5.8 million for a new theater, which was begun in 1977 and completed in 1983. The first "Mobile Outreach Bunch" (MOB) toured Washington and Idaho schools with The Energy Show, launching Seattle Rep's education programs in 1979. John Hirsch joined as consulting artistic director with Daniel Sullivan as resident director that same year, and "Plays-in-Progress," initiated by Daniel Sullivan, began developing new plays.[citation needed]
In 1981, Daniel Sullivan became artistic director and the Seattle Repertory Organization held the first "Elegant Elephant Sale", an event that continued for nearly two decades. On December 29, ground was broken for the new Bagley Wright Theater, which opened in 1983 with the world premiere of Michael Weller's The Ballad of Soapy Smith, directed by Robert Egan. In 1984, Herb Gardner's I'm Not Rappaport starring Harold Gould, Cleavon Little and David Strathairn opened prior to its Broadway run. That year also saw the start of "Dollar Theatre" with Big and Little (selections from Botho Strauß). In 1985, Benjamin Moore was appointed Seattle Rep's third managing director. In 1988, Seattle Rep premiered Bill Irwin's Largely/New York and Richard Greenberg's Eastern Standard. The following year Wendy Wasserstein's Pulitzer Prize winning The Heidi Chronicles premiered there.[citation needed]
In 1990, Seattle Rep won a Tony Award for Outstanding Regional Theatre. Inspecting Carol, developed by Daniel Sullivan and the SRT company, premiered as part of the "Stage 2" productions in 1991. That same year Conversations With My FatherbyHerb Gardner premiered, and Inspecting Carol went on national tour the year after. The premieres of London SuitebyNeil Simon and The Sisters RosensweigbyWendy Wasserstein took place in 1994. The following year, in collaboration with Tom Hulce and Jane Jones, The Rep developed The Cider House Rules, adapted by Peter Parnell from John Irving's novel, which was then presented as part of the 'New Play Workshop Series'. In 1996, the Leo Kreielsheimer ("Leo K.") Theater opened after a successful fundraising drive. Sharon Ott became the artistic director in 1997. That year, in conjunction with the Leonardo exhibit at the Seattle Art Museum, The Notebooks of Leonardo da Vinci, written and directed by Mary Zimmerman, was staged in the new Leo K. Theater. Sisters MatsumotobyPhilip Kan Gotanda premiered in 1999, followed by the first "Stars and Stories" special event, featuring readings by community artists and leaders, for the benefit of Seattle Rep's education programs.[citation needed]
Lily Tomlin's one-woman show by Jane Wagner, The Search for Signs of Intelligent Life in the Universe, played at Seattle Rep prior to its engagement on Broadway. In 2001, Seattle Rep led a consortium of local theaters in presenting Peter Brook's Hamlet in the Mercer Arts Arena. That same year, Daniel Sullivan returned to direct Proof, for which he won the Tony Award on Broadway, launching its national tour, and a $15 million "Endowment Campaign" under the leadership of Chap Alvord and Janet True was also announced. The 40th Anniversary Season was celebrated in 2003. David Esbjornson became artistic director in 2005. Ping Chong's Cathay: Three Tales of China, Ariel Dorfman's Purgatorio and Restoration Comedy, by Amy Freed, (which went on to be nominated for Best New Play by the American Theatre Critics Association) were among the premieres in 2006. That year also saw a tribute to August Wilson, featuring performances from all ten of his plays. Esbjornson departed in summer 2008, replaced in 2009 by Jerry Manning.[citation needed]
In 2012, Seattle Rep celebrated its 50th anniversary season.[9] In 2014, Braden Abraham became the 10th Artistic Director after the death of Jerry Manning.[10] That same year, Jeffrey Herrmann became the fifth managing director.[11] In 2017, the final show of the season was David Byrne's Here Lies Love, which required removal of the entire main floor seating area of the Bagley Wright Theatre in order to fit the format of the production.[12]
In 2007, Seattle Rep started the program "Bringing Theatre into the Classroom" (BTiC), a partnership project with Seattle Children's Theatre and Book-It Repertory Theatre designed to help K–12 teachers integrate theater into their curricula. The program was made possible through a grant of $75,000 from the National Endowment for the Arts. The theater also has an internship program for college students.[citation needed]
Women Playwrights Festival
Women Playwrights Festival
The Bagley Wright Theater, named in honor of the president of Seattle Rep's first board of trustees, opened on October 13, 1983 with the world premiere of Michael Weller's The Ballad of Soapy Smith, directed by Robert Egan, and featuring a cast of Seattle actors including Dennis Arndt (in the title role), John Aylward, Frank Corrado, Paul Hostetler, Richard Riehle, Michael Santo, Marjorie Nelson, Ted D'Arms, Kurt Beattie, Clayton Corzatte, and William Ontiveros. Also in the cast were Kevin Tighe and Kate Mulgrew. The Bagley Wright Theater is a city-owned facility.[citation needed]
The theater has a proscenium stage and a seating capacity of 678 seats.[13] The stage is approximately 65 feet (20 m) to the last row of the house.[14]
The Leo Kreielsheimer Theater ("Leo K.") opened in December 1996 as Seattle Rep's "second stage." The Leo K. was made possible in great part to a US$2 million gift from The Kreielsheimer Foundation, a US$1 million gift from then board chair Marsha S. Glazer, and the leadership of Capital Campaign chairs Ann Ramsay-Jenkins and Stanley Savage.[citation needed] There are 282 seats total: 192 on the orchestra level (including loge), plus 90 balcony and box seats.[13] It is approximately 25 feet (7.6 m) from the stage to the rear wall.[15] There are 5 wheelchair locations.[15]
The orchestra seating consists of 139 seats in 9 rows, with 8–20 seats per row; the loge adds 51 seats, in 2 rows of 27 and 24 seats, respectively. The balcony provides an additional 88 seats, in 3 rows, with 29–30 seats per row; additionally, there are 4 box seats at balcony level.[15]
The PONCHO Forum has a capacity of 133 seats and is set up for general admission, with stadium seating.[16]
47°37′26.6″N 122°21′13.11″W / 47.624056°N 122.3536417°W / 47.624056; -122.3536417
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Regional Theatre Tony Award (1976–2000)
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