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*{{cite book |last=Price |first=Brian |editor1-last=Schoonover |editor1-first=Karl |editor2-last=Galt |editor2-first=Rosalind |chapter-url=https://books.google.com/books?id=IeNZ1SYenrgC&pg=PA113 |year=2010 |title=Global Art Cinema: New Theories and Histories |section=Art/Cinema and Cosmopolitan Today |publisher=[[Oxford University Press]] |isbn=978-0-199-72629-5}} |
*{{cite book |last=Price |first=Brian |editor1-last=Schoonover |editor1-first=Karl |editor2-last=Galt |editor2-first=Rosalind |chapter-url=https://books.google.com/books?id=IeNZ1SYenrgC&pg=PA113 |year=2010 |title=Global Art Cinema: New Theories and Histories |section=Art/Cinema and Cosmopolitan Today |publisher=[[Oxford University Press]] |isbn=978-0-199-72629-5}} |
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*{{cite book |last=Ross |first=Christine |title=The Aesthetics of Disengagement: Contemporary Art and Depression |year=2006 |publisher=[[University of Minnesota Press]] |isbn=978-0-816-64539-8 |chapter=Nothing to See? |chapter-url=https://books.google.com/books?id=adzY36wK63UC&pg=PA144}} |
*{{cite book |last=Ross |first=Christine |title=The Aesthetics of Disengagement: Contemporary Art and Depression |year=2006 |publisher=[[University of Minnesota Press]] |isbn=978-0-816-64539-8 |chapter=Nothing to See? |chapter-url=https://books.google.com/books?id=adzY36wK63UC&pg=PA144}} |
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*{{cite journal|url=https://journals.openedition.org/sillagescritiques/10858#bodyftn1|last=Sammarcelli|first=Françoise|year=2020|title=Slowness and Renewed Perception: Revisiting Douglas Gordon's 24 Hour Psycho (1993) with Don DeLillo's Point Omega (2010)|journal=Sillages Critiques|issue=29 |doi=10.4000/sillagescritiques.10858 |s2cid=234565584 |via=[[OpenEdition Journals]] |
*{{cite journal|url=https://journals.openedition.org/sillagescritiques/10858#bodyftn1|last=Sammarcelli|first=Françoise|year=2020|title=Slowness and Renewed Perception: Revisiting Douglas Gordon's 24 Hour Psycho (1993) with Don DeLillo's Point Omega (2010)|journal=Sillages Critiques|issue=29 |doi=10.4000/sillagescritiques.10858 |s2cid=234565584 |via=[[OpenEdition Journals]]}} |
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*{{cite book |last=Varndell |first=Daniel |year=2014 |title=Hollywood Remakes, Deleuze and the Grandfather Paradox |publisher=[[Palgrave Macmillan]] |isbn=978-1-137-40860-0 |chapter=The Vicious Circles of Postmodern Representations |chapter-url=https://books.google.com/books?id=a3moBAAAQBAJ&pg=PA83}} |
*{{cite book |last=Varndell |first=Daniel |year=2014 |title=Hollywood Remakes, Deleuze and the Grandfather Paradox |publisher=[[Palgrave Macmillan]] |isbn=978-1-137-40860-0 |chapter=The Vicious Circles of Postmodern Representations |chapter-url=https://books.google.com/books?id=a3moBAAAQBAJ&pg=PA83}} |
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Symbols: ~ | ¡ ¿ † ‡ ↔ ↑ ↓ • ¶ # ∞ ‹› «» ¤ ₳ ฿ ₵ ¢ ₡ ₢ $ ₫ ₯ € ₠ ₣ ƒ ₴ ₭ ₤ ℳ ₥ ₦ № ₧ ₰ £ ៛ ₨ ₪ ৳ ₮ ₩ ¥ ♠ ♣ ♥ ♦ 𝄫 ♭ ♮ ♯ 𝄪 © ® ™
Latin: A a Á á À à  â Ä ä Ǎ ǎ Ă ă Ā ā à ã Å å Ą ą Æ æ Ǣ ǣ B b C c Ć ć Ċ ċ Ĉ ĉ Č č Ç ç D d Ď ď Đ đ Ḍ ḍ Ð ð E e É é È è Ė ė Ê ê Ë ë Ě ě Ĕ ĕ Ē ē Ẽ ẽ Ę ę Ẹ ẹ Ɛ ɛ Ǝ ǝ Ə ə F f G g Ġ ġ Ĝ ĝ Ğ ğ Ģ ģ H h Ĥ ĥ Ħ ħ Ḥ ḥ I i İ ı Í í Ì ì Î î Ï ï Ǐ ǐ Ĭ ĭ Ī ī Ĩ ĩ Į į Ị ị J j Ĵ ĵ K k Ķ ķ L l Ĺ ĺ Ŀ ŀ Ľ ľ Ļ ļ Ł ł Ḷ ḷ Ḹ ḹ M m Ṃ ṃ N n Ń ń Ň ň Ñ ñ Ņ ņ Ṇ ṇ Ŋ ŋ O o Ó ó Ò ò Ô ô Ö ö Ǒ ǒ Ŏ ŏ Ō ō Õ õ Ǫ ǫ Ọ ọ Ő ő Ø ø Œ œ Ɔ ɔ P p Q q R r Ŕ ŕ Ř ř Ŗ ŗ Ṛ ṛ Ṝ ṝ S s Ś ś Ŝ ŝ Š š Ş ş Ș ș Ṣ ṣ ß T t Ť ť Ţ ţ Ț ț Ṭ ṭ Þ þ U u Ú ú Ù ù Û û Ü ü Ǔ ǔ Ŭ ŭ Ū ū Ũ ũ Ů ů Ų ų Ụ ụ Ű ű Ǘ ǘ Ǜ ǜ Ǚ ǚ Ǖ ǖ V v W w Ŵ ŵ X x Y y Ý ý Ŷ ŷ Ÿ ÿ Ỹ ỹ Ȳ ȳ Z z Ź ź Ż ż Ž ž ß Ð ð Þ þ Ŋ ŋ Ə ə
Greek: Ά ά Έ έ Ή ή Ί ί Ό ό Ύ ύ Ώ ώ Α α Β β Γ γ Δ δ Ε ε Ζ ζ Η η Θ θ Ι ι Κ κ Λ λ Μ μ Ν ν Ξ ξ Ο ο Π π Ρ ρ Σ σ ς Τ τ Υ υ Φ φ Χ χ Ψ ψ Ω ω {{Polytonic|}}
Cyrillic: А а Б б В в Г г Ґ ґ Ѓ ѓ Д д Ђ ђ Е е Ё ё Є є Ж ж З з Ѕ ѕ И и І і Ї ї Й й Ј ј К к Ќ ќ Л л Љ љ М м Н н Њ њ О о П п Р р С с Т т Ћ ћ У у Ў ў Ф ф Х х Ц ц Ч ч Џ џ Ш ш Щ щ Ъ ъ Ы ы Ь ь Э э Ю ю Я я ́
IPA: t̪ d̪ ʈ ɖ ɟ ɡ ɢ ʡ ʔ ɸ β θ ð ʃ ʒ ɕ ʑ ʂ ʐ ç ʝ ɣ χ ʁ ħ ʕ ʜ ʢ ɦ ɱ ɳ ɲ ŋ ɴ ʋ ɹ ɻ ɰ ʙ ⱱ ʀ ɾ ɽ ɫ ɬ ɮ ɺ ɭ ʎ ʟ ɥ ʍ ɧ ʼ ɓ ɗ ʄ ɠ ʛ ʘ ǀ ǃ ǂ ǁ ɨ ʉ ɯ ɪ ʏ ʊ ø ɘ ɵ ɤ ə ɚ ɛ œ ɜ ɝ ɞ ʌ ɔ æ ɐ ɶ ɑ ɒ ʰ ʱ ʷ ʲ ˠ ˤ ⁿ ˡ ˈ ˌ ː ˑ ̪ {{IPA|}}
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