Born into a fervently Protestant family, Schlegel rejected religion as a young man in favor of atheism and individualism. He entered university to study law but instead focused on classical literature. He began a career as a writer and lecturer, and founded journals such as Athenaeum. In 1808, Schlegel returned to Christianity as a married man with both him and his wife being baptized into the Catholic Church. This conversion ultimately led to his estrangement from family and old friends. He moved to Austria in 1809, where he became a diplomat and journalist in service of Klemens von Metternich, the Foreign Minister of the Austrian Empire. Schlegel died in 1829, at the age of 56.[10]
Hanover's Market Church Oil painting after Domenico Quaglio (1832)
Karl Friedrich von Schlegel was born on 10 March 1772 at Hanover, where his father, Johann Adolf Schlegel, was the pastor at the Lutheran Market Church. For two years he studied lawatGöttingen and Leipzig, and he met with Friedrich Schiller. In 1793 he devoted himself entirely to literary work. In 1796 he moved to Jena, where his brother August Wilhelm lived, and here he collaborated with Novalis, Ludwig Tieck, Fichte, and Caroline Schelling, who married August Wilhelm. In 1797 he quarreled with Schiller, who did not like his polemic work.[13]
Schlegel published Die Griechen und Römer (The Greeks and Romans), which was followed by Geschichte der Poesie der Griechen und Römer (History of the Poesy of the Greeks and Romans) (1798). Then he turned to Dante, Goethe, and Shakespeare. In Jena he and his brother founded the journal Athenaeum, contributing fragments, aphorisms, and essays in which the principles of the Romantic school are most definitely stated. They are now generally recognized as the deepest and most significant expressions of the subjective idealism of the early Romanticists.[14]
After a controversy, Friedrich decided to move to Berlin. There he lived with Friedrich Schleiermacher and met Henriette Herz, Rahel Varnhagen, and his future wife, Dorothea Veit, a daughter of Moses Mendelssohn.[10] In 1799 he published Part I of Lucinde, A Novel, which was seen as an account of his affair with Dorothea, causing a scandal in German literary circles. The novel, to which no further parts were ever added, attempted to apply the Romantic demand for complete individual freedomtopractical ethics.[15]Lucinde, which extolled the union of sensual and spiritual love as an allegory of the divine cosmic Eros, contributed to the failure of his academic career in Jena [14] where he completed his studies in 1801 and lectured as a Privatdozentontranscendental philosophy. In September 1800, he met four times with Goethe, who would later stage his tragedy Alarcos (1802) in Weimar, albeit with a notable lack of success.
In 1808, he published Über die Sprache und Weisheit der Indier (On the Language and Wisdom of India). Here he advanced his ideas about religion and argued that a people originating from India were the founders of the first European civilizations. Schlegel compared Sanskrit with Latin, Greek, Persian, and German, noting many similarities in vocabulary and grammar. The assertion of the common features of these languages is now generally accepted, albeit with significant revisions. There is less agreement about the geographic region where these precursors settled, although the Out-of-India model has generally become discredited.
The unfinished Cologne cathedral (1856) with medieval crane on the south tower
In 1808, he and his wife joined the Catholic Church in the Cologne Cathedral. From this time on, he became more and more opposed to the principles of political and religious liberalism. He went to Vienna and in 1809 was appointed imperial court secretary at the military headquarters, editing the army newspaper and issuing fiery proclamations against Napoleon. He accompanied archduke Charles, Duke of Teschen to war and was stationed in Pest during the War of the Fifth Coalition. Here he studied the Hungarian language. Meanwhile, he had published his collected Geschichte (Histories) (1809) and two series of lectures, Über die neuere Geschichte (On Recent History) (1811) and Geschichte der alten und neuen Literatur (On Old and New Literature) (1815). In 1814 he was knighted in the Supreme Order of Christ.
In collaboration with Josef von Pilat, editor of the Österreichischer Beobachter, and with the help of Adam Müller and Friedrich Schlegel, Metternich and Gentz projected a vision of Austria as the spiritual leader of a new Germany, drawing her strength and inspiration from a romanticised view of a medieval Catholic past.[16]
Following the Congress of Vienna (1815), he was councilor of legation in the Austrian embassy at the Frankfurt Diet, but in 1818 he returned to Vienna. In 1819 he and Clemens Brentano made a trip to Rome, in the company of Metternich and Gentz. There he met with his wife and her sons. In 1820 he started a conservative Catholic magazine, Concordia (1820–1823), but was criticized by Metternich and by his brother August Wilhelm, then professor of Indology in Bonn and busy publishing the Bhagavad Gita. Schlegel began the issue of his Sämtliche Werke (Collected Works). He also delivered lectures, which were republished in his Philosophie des Lebens (Philosophy of Life) (1828) and in his Philosophie der Geschichte (Philosophy of History) (1829). He died on 12 January 1829 at Dresden, while preparing a series of lectures.
Friedrich Schlegel's wife, Dorothea von Schlegel, authored an unfinished romance, Florentin (1802), a Sammlung romantischer Dichtungen des Mittelalters (Collection of Romantic Poems of the Middle Ages) (2 vols., 1804), a version of Lother und Maller (1805), and a translation of Madame de Staël's Corinne (1807–1808) — all of which were issued under her husband's name. By her first marriage she had two sons, Johannes and Philipp Veit, who became eminent Catholic painters. She was the eldest daughter of Moses Mendelssohn which made the prodigious composers Felix and Fanny her niece and nephew.
Ludwig Tieck und die Brüder Schlegel. Briefe ed. by Edgar Lohner (München 1972)
Friedrich Schlegel's Sämtliche Werke appeared in 10 vols. (1822–1825); a second edition (1846) in 55 vols. His Prosaische Jugendschriften (1794–1802) have been edited by J. Minor (1882, 2nd ed. 1906); there are also reprints of Lucinde, and F. Schleiermacher's Vertraute Briefe über Lucinde, 1800 (1907). See R. Haym, Die romantische Schule (1870); I. Rouge, F. Schlegel et la genie du romantisme allemand (1904); by the same, Erläuterungen zu F. Schlegels „Lucinde“ (1905); M. Joachimi, Die Weltanschauung der Romantik (1905); W. Glawe, Die Religion F. Schlegels (1906); E. Kircher, Philosophie der Romantik (1906); M. Frank "Unendliche Annäherung". Die Anfänge der philosophischen Frühromantik (1997); Andrew Bowie, From Romanticism to Critical Theory: The Philosophy of German Literary Theory (1997).
^Frederick C. Beiser, German Idealism: The Struggle Against Subjectivism, 1781–1801, Harvard University Press, 2002, p. 349.
^ abAsko Nivala, The Romantic Idea of the Golden Age in Friedrich Schlegel's Philosophy of History, Routledge, 2017, p. 23.
^Elizabeth Millan, Friedrich Schlegel and the Emergence of Romantic Philosophy, SUNY Press, 2012, p. 49.
^ abBrian Leiter, Michael Rosen (eds.), The Oxford Handbook of Continental Philosophy, Oxford University Press, 2007, p. 175: "[The word 'historicism'] appears as early as the late eighteenth century in the writings of the German romantics, who used it in a neutral sense. In 1797 Friedrich Schlegel used 'historicism' to refer to a philosophy that stresses the importance of history ..."; Katherine Harloe, Neville Morley (eds.), Thucydides and the Modern World: Reception, Reinterpretation and Influence from the Renaissance to the Present, Cambridge University Press, 2012, p. 81: "Already in Friedrich Schlegel's Fragments about Poetry and Literature (a collection of notes attributed to 1797), the word Historismus occurs five times."
^Angela Esterhammer (ed.), Romantic Poetry, Volume 7, John Benjamins Publishing, 2002, p. 491.
^Michael N. Forster, Kristin Gjesdal (eds.), The Oxford Handbook of German Philosophy in the Nineteenth Century, Oxford University Press, 2015, p. 81.
^ abWells, John C. (2008), Longman Pronunciation Dictionary (3rd ed.), Longman, ISBN9781405881180
^Watkins, Calvert (2000), "Aryan", American Heritage Dictionary of the English Language (4th ed.), New York: Houghton Mifflin, ISBN0-395-82517-2, ...when Friedrich Schlegel, a German scholar who was an important early Indo-Europeanist, came up with a theory that linked the Indo-Iranian words with the German word Ehre, 'honor', and older Germanic names containing the element ario-, such as the Swiss [sic] warrior Ariovistus who was written about by Julius Caesar. Schlegel theorized that far from being just a designation of the Indo-Iranians, the word *arya- had in fact been what the Indo-Europeans called themselves, meaning [according to Schlegel] something like 'the honorable people.' (This theory has since been called into question.)
Crowe, Benjamin D. "Friedrich Schlegel and the character of romantic ethics." Journal of ethics 14.1 (2010): 53-79. Archived 2021-05-11 at the Wayback Machine
Forster, Michael N. and Kristin Gjesdal (eds.) The Oxford Handbook of German Philosophy in the Nineteenth Century (Oxford UP, 2015)
Forster, Michael N. After Herder: Philosophy of Language in the German Tradition(Oxford UP, 2010).
Germana, Nicholas A. "Self-othering in German orientalism: The case of Friedrich Schlegel." Comparatist 34 (2010): 80-94. online
Philippe Lacoue-Labarthe and Jean-Luc Nancy, The Literary Absolute: The Theory of Literature in German Romanticism, Albany: State University Press of New York, 1988. [A philosophical exegesis of early romantic theory focused on F. Schlegel, Novalis, and the Athenaeum.]
Lejeune, Guillaume. "Towards a pragmatic semantics: Dialogue and representation in Friedrich Schlegel and Schleiermacher." Language and dialogue 2.1 (2012): 156-173. online
Millán, Elizabeth. Friedrich Schlegel and the emergence of romantic philosophy (SUNY Press, 2012).
Newmark, Kevin. Irony on Occasion: From Schlegel and Kierkegaard to Derrida and de Man (Fordham UP, 2012).
Paulin, Roger. The Life of August Wilhelm Schlegel, Cosmopolitan of Art and Poetry (Open Book Publishers, 2016). online
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Schlegel, Karl Wilhelm Friedrich von". Encyclopædia Britannica (11th ed.). Cambridge University Press.
